By the time she reached her late twenties, Eudora Welty (1909–2001) was launching a distinguished literary career. She was also becoming a capable gardener under the tutelage of her mother, Chestina Welty, who designed their modest garden in Jackson, Mississippi. From the beginning, Eudora wove images of southern flora and gardens into her writing, yet few outside her personal circle knew that the images were drawn directly from her passionate connection to and abiding knowledge of her own garden. Near the end of her life, Welty still resided in her parents' house, but the garden—and the friends who remembered it—had all but vanished. When a local garden designer offered to help bring it back, Welty began remembering the flowers that had grown in what she called “my mother's garden.” By the time Welty died, that gardener, Susan Haltom, was leading a historic restoration. When Welty's private papers were released several years after her death, they confirmed that the writer had sought both inspiration and a creative outlet there. This book contains many previously unpublished writings, including literary passages and excerpts from Welty's private correspondence about the garden. The authors of One Writer's Garden also draw connections between Welty's gardening and her writing. They show how the garden echoed the prevailing style of Welty's mother's generation, which in turn mirrored wider trends in American life: Progressive-era optimism, a rising middle class, prosperity, new technology, women's clubs, garden clubs, streetcar suburbs, civic beautification, conservation, plant introductions, and garden writing. The authors illustrate this garden's history—and the broader story of how American gardens evolved in the early twentieth century—with images from contemporary garden literature, seed catalogs, and advertisements, as well as unique historic photographs. Noted landscape photographer Langdon Clay captures the restored garden through the seasons.

The Writer's Garden presents an intriguing study of the beautiful gardens and outdoor spaces of 30 history's greatest writers.

In One Writer's Imagination, Suzanne Marrs draws upon nearly twenty years of conversations, interviews, and friendship with Eudora Welty to discuss the intersections between biography and art in the Pulitzer Prize winner's work. Through an engaging chronological and comprehensive reading of the Welty canon, Marrs describes the ways Welty's creative process transformed and transfigured fact to serve the purposes of fiction. She points to the sparks that lit Welty's imagination -- an imagination that thrived on polarities in her personal life and in society at large. Marrs offers new evidence of the role Welty's mother, circle of friends, and community played in her development as a writer and analyzes the manner in which her most heartfelt relationships -- including her romance with John Robinson -- inform her work. She charts the profound and often subtle ways Welty's fiction responded to the crucial historical episodes of her time -- notably the Great Depression, World War II, and the civil rights movement -- and the writer's personal reactions to war, racism, poverty, and the political issues of her day. In doing so, Marrs proves Welty to be a much more political artist than has been conventionally thought. Scrutinizing drafts of Welty's work, Marrs reveals an evolving pattern of revision increasingly significant to the author's thematic concerns and precision of style. Welty's achievement, Marrs explains, confirms theories of creativity even as it transcends them, remaining in its origins somewhat mysterious. Marrs's relationship to Eudora Welty as a friend, scholar, and archivist -- with access to private papers and restricted correspondence -- makes her a unique authority on Welty's forty-year career. The eclectic approach of her study speaks to the exhilarating power of imagination Welty so thoroughly enjoyed in the act of writing.

Late life is characterized by great diversity in memory and other cognitive functions. Although a substantial proportion of older adults suffer from Alzheimer’s disease or another form of dementia, a majority retain a high level of cognitive skills throughout the life span. Identifying factors that sustain and enhance cognitive well-being is a growing area of original and translational research. In 2009, there are as many as 5.2 million Americans living with Alzheimer’s disease, and that figure is expected to grow to as many as 16 million by 2050. One in six women and one in 10 men who live to be at least age 55 will develop Alzheimer’s disease in their remaining lifetime. Approximately 10 million of the 78 million baby boomers who were alive in 2008 can expect to develop Alzheimer’s disease. Seventy percent of people with Alzheimer’s disease live at home, cared for by family and friends. In 2008, 9.8 million family members, friends, and neighbors provided unpaid care for someone with Alzheimer’s disease or another form of dementia. The direct costs to Medicare and Medicaid for care of people with Alzheimer’s disease amount to more than $148 billion annually (from Alzheimer’s Association, 2008 Alzheimer’s Disease Facts and Figures). This book will highlight the research foundations behind brain fitness interventions as well as showcase innovative community-based programs to maintain and promote mental fitness and intervene with adults with cognitive impairment. The emphasis is on illustrating the nuts and bolts of setting up and utilizing cognitive health programs in the community, not just the laboratory.

"This book accompanies the exhibition "Writing the Garden" organized in 2011 by the New York Society Library."

Focusing on a range of twentieth-century texts and including relevant twenty-first century writing, Garden Plots explores the ways in which gardens in fiction represent more than just a familiar theme. Bound up with wider aesthetic and ideological issues, gardens, like literary forms, are subject to transformations. The term 'plots' is a keyword in this approach. It refers to garden plots, literary plots, and more generally, the plotting that is political, polemical, and subversive. Each of the six chapters includes four texts that are familiar and representative. Authors include Virginia Woolf, Eudora Welty, Carol Shields, J. M. Coetzee, Toni Morrison, Leslie Marmon Silko, Jamaica Kincaid, and Philip K. Dick.