One Tough Dame: The Life and Career of Diana Rigg offers a sweeping portrait of the revered performer’s life and career. Deemed a Dame Commander of the Order of the British Empire in 1994, Diana Rigg (1938–2020) initially found fame as super sleuth Mrs. Emma Peel in the 1960s BBC/ABC-TV espionage series The Avengers. A classically trained and multi-award-winning thespian, Rigg is known for her diverse body of work — from her big-screen debut in 1969 as Countess Teresa di Vincenzo, wife of James Bond in On Her Majesty’s Secret Service, to her Tony Award–winning, leading role in Medea on Broadway, culminating with her Emmy-nominated portrayal as Lady Olenna Tyrell on the heralded small-screen gem Game of Thrones. This eclectic volume traces Rigg’s career as a renowned star of television, film, and the stage. The author includes insights from rare, archived interviews, encompassing both video dialogues conducted by the University of Kent and Oxford Union. The meticulously curated archival material is further complemented by equally rare photos and retrospections drawn from diverse media sources and hitherto unpublished accounts from the people who knew Rigg best, affording readers an unprecedented, all-encompassing glimpse into her private world. With exclusive commentary from Rupert Macnee (son of Riggs’s Avengers costar and dear friend Patrick Macnee); the show’s stunt coordinator/director Ray Austin; actors Samuel West, Bernie Kopell, Barbara Barrie, Juliet Mills, John Schuck, and Damon Evans; director Bruce Beresford; and documentarian David Naylor, among others, One Tough Dame delivers an in-depth perspective of a beloved, brave, brilliant, and trailblazing actor.

A first-ever revealing and candid look at the life and career of one of Hollywood’s brightest and most beloved stars, Maureen O’Hara. In an acting career of more than seventy years, Hollywood legend Maureen O’Hara came to be known as “the queen of Technicolor” for her fiery red hair and piercing green eyes. She had a reputation as a fiercely independent thinker and champion of causes, particularly those of her beloved homeland, Ireland. In ‘Tis Herself, O’Hara recounts her extraordinary life and proves to be just as strong, sharp, and captivating as any character she played on-screen. O’Hara was brought to Hollywood as a teenager in 1939 by the great Charles Laughton, to whom she was under contract, to costar with him in the classic film The Hunchback of Notre Dame. She has appeared in many other classics, including How Green Was My Valley, Rio Grande, The Quiet Man, and Miracle on 34th Street. She recalls intimate memories of working with the actors and directors of Hollywood’s Golden Age, including Laughton, Alfred Hitchcock, Tyrone Power, James Stewart, Henry Fonda, and John Candy. With characteristic frankness, she describes her tense relationship with the mercurial director John Ford, with whom she made five films, and her close lifelong friendship with her frequent costar John Wayne. Successful in her career, O’Hara was less lucky in love until she met aviation pioneer Brigadier General Charles F. Blair, the great love of her life, who died in a mysterious plane crash ten years after their marriage. Candid and revealing, ‘Tis Herself is an autobiography as witty and spirited as its author.

Based on author Herbie J Pilato’s exclusive interviews with Elizabeth Montgomery prior to her death in 1995, Twitch Upon a Star includes insider material and commentary from several individuals associated with her remarkable life and career before, during, and after Bewitched, including her classic feature films The Court Martial of Billy Mitchell (1955), Who's Been Sleeping In My Bed? (1963), and Johnny Cool (1963). Two of Montgomery’s many popular TV movies, A Case of Rape (which remains one of the highest-rated TV-movies of all time) and The Legend of Lizzie Borden (which will soon be remade as a feature film), were groundbreaking and remain classics. But Twitch Upon a Star also goes behind the scenes to explore Montgomery’s political activism, including her early advocacy for AIDS sufferers and the peace movement; her support for all minorities, including the gay community and the disabled; and her controversial participation as narrator of the1988 feature film documentary Cover-Up and its 1991 Oscar-winning sequel, The Panama Deception (both of which chronicled the Iran/Contra scandal of the 1980s). The book also explores Montgomery's tumultuous relationships with her father, screen legend Robert Montgomery (she was a liberal; he was a staunch conservative), and her four husbands (including actor Gig Young, who later died in a murder/suicide). Through it all—and to family and friends such as fellow performers Ronny Cox, Sally Kemp, and Florence Henderson—she was just Lizzie: down-to-earth and unaffected, just like Samantha, the "witch-with-a-twitch" Stephens, her most famous role.

Lost for more than 75 years, The Knife Slipped was meant to be the second book in the series, but shelved when Gardner’s publisher objected to (among other things) Bertha Cool’s tendency to “talk tough, swear, smoke cigarettes, and try to gyp people.” But this tale of adultery and corruption, of double-crosses and triple identities—however shocking for 1939—shines today as a glorious present from the past, a return to the heyday of private eyes and shady dames, of powerful criminals, crooked cops, blazing dialogue, and delicious plot twists. Donald Lam has never been cooler—not even when played by Frank Sinatra on the U.S. Steel Hour of Mystery in 1946. Bertha Cool has never been tougher. And Erle Stanley Gardner has never been better.

Before she died, Elizabeth Taylor claimed that previous biographers had revealed "only half of my story, but I can't tell the other half because I'd get sued." In response to that challenge, Blood Moon presents history's most comprehensive compilation of the unpublished--until now--secrets of Dame Elizabeth. With photos, this meaty and startling book offers a juicy feast of till-now untold tales about the 20th century's most deadlinegenerating actress, relayed with empathy and brutal candor.

“860 glittering pages” (Janet Maslin, The New York Times): The first volume of the full-scale astonishing life of one of our greatest screen actresses—her work, her world, her Hollywood through an American century. Frank Capra called her, “The greatest emotional actress the screen has yet known.” Now Victoria Wilson gives us the first volume of the rich, complex life of Barbara Stanwyck, an actress whose career in pictures spanned four decades beginning with the coming of sound (eighty-eight motion pictures) and lasted in television from its infancy in the 1950s through the 1980s. Here is Stanwyck, revealed as the quintessential Brooklyn girl whose family was in fact of old New England stock; her years in New York as a dancer and Broadway star; her fraught marriage to Frank Fay, Broadway genius; the adoption of a son, embattled from the outset; her partnership with Zeppo Marx (the “unfunny Marx brother”) who altered the course of Stanwyck’s movie career and with her created one of the finest horse breeding farms in the west; and her fairytale romance and marriage to the younger Robert Taylor, America’s most sought-after male star. Here is the shaping of her career through 1940 with many of Hollywood's most important directors, among them Frank Capra, “Wild Bill” William Wellman, George Stevens, John Ford, King Vidor, Cecil B. Demille, Preston Sturges, set against the times—the Depression, the New Deal, the rise of the unions, the advent of World War II, and a fast-changing, coming-of-age motion picture industry. And at the heart of the book, Stanwyck herself—her strengths, her fears, her frailties, losses, and desires—how she made use of the darkness in her soul, transforming herself from shunned outsider into one of Hollywood’s most revered screen actresses. Fifteen years in the making—and written with full access to Stanwyck’s family, friends, colleagues and never-before-seen letters, journals, and photographs. Wilson’s one-of-a-kind biography—“large, thrilling, and sensitive” (Michael Lindsay-Hogg, Town & Country)—is an “epic Hollywood narrative” (USA TODAY), “so readable, and as direct as its subject” (The New York Times). With 274 photographs, many published for the first time.

No delicate ingenues, these. In the middle of the twentieth century, the Mary Pickfords of the movie world were replaced by a different sort of woman--drop-dead gorgeous, witty, not afraid to speak their minds, they could slay you with a look--and if that didn't work, look out for the pistol in the garter. These ground-breaking actresses helped change the course of movie history, charting a path for generations to come. These profiles of fifteen leading ladies--Lucille Ball, Lynn Bari, Joan Blondell, Ann Dvorak, Gloria Grahame, Jean Hagen, Adele Jergens, Ida Lupino, Marilyn Maxwell, Mercedes McCambridge, Jane Russell, Ann Sheridan, Barbara Stanwyck, Claire Trevor and Marie Windsor--include overviews of their lives and careers, and excerpts from interviews. Five photos supplement each profile. Jane Russell (one of the actresses profiled) provides a foreword.