In the wild west, a young girl named Connie is orphaned as a child, when her parents and brothers are murdered by a corrupt Sheriff. As the only survivor of his rampage, she is left with Tommy and Billy Chamberlain and their father, who own a farm outside of town. As they grow older, she and Tommy get engaged. When they run into hard times after the death of Tommy and Billy's father, and the bank is requesting more money. They go into town and try to negotiate with them. When they are met with no options to save their farm, they go to a saloon to have a drink and meet up with Jr., who has a plan that will help them save their land and resolve their money issues once and for all. In the same saloon, after a fight breaks out over a bad hand of poker between Jr. and another poker player James and his companion Irene, they all realize that they could all help each other. Eventually, they form the Chambers Gang. From this point on, they begin a whirlwind tour of robbing banks, making friends and making enemies. With one stray bullet that no one is expecting. There is a lot of action, twists and turns and surprises. Some that are so unexpected and some that are, you will not be able to put this book down. Features & Details Pages: 224 Genre: Fiction

William S. Burroughs arrived in Mexico City in 1949, having slipped out of New Orleans while awaiting trial on drug and weapons charges that would almost certainly have resulted in a lengthy prison sentence. Still uncertain about being a writer, he had left behind a series of failed business ventures—including a scheme to grow marijuana in Texas and sell it in New York—and an already long history of drug use and arrests. He would remain in Mexico for three years, a period that culminated in the defining incident of his life: Burroughs shot his common-law wife, Joan Vollmer, while playing William Tell with a loaded pistol. (He would be tried and convicted of murder in absentia after fleeing Mexico.) First published in 1995 in Mexico, where it received the Malcolm Lowry literary essay award, The Stray Bullet is an imaginative and riveting account of Burroughs’s formative experiences in Mexico, his fascination with Mexico City’s demimonde, his acquaintances and friendships there, and his contradictory attitudes toward the country and its culture. Mexico, Jorge García-Robles makes clear, was the place in which Burroughs embarked on his “fatal vocation as a writer.” Through meticulous research and interviews with those who knew Burroughs and his circle in Mexico City, García-Robles brilliantly portrays a time in Burroughs’s life that has been overshadowed by the tragedy of Joan Vollmer’s death. He re-creates the bohemian Roma neighborhood where Burroughs resided with Joan and their children, the streets of postwar Mexico City that Burroughs explored, and such infamous figures as Lola la Chata, queen of the city’s drug trade. This compelling book also offers a contribution by Burroughs himself—an evocative sketch of his shady Mexican attorney, Bernabé Jurado.

Chihiro Murakami works at a film advertising firm and looks up to Kiyoharu Honna, the stylish editor of the trendy magazine his company does business with. He’s cool, his smile is beautiful, and he’s good at his job. But Chihiro hasn’t had a chance yet to get close to him. However, one day he ends up looking after a dead-drunk Honna and goes home with him and … !? A selfish beauty and the man wrapped around his finger.

With the return of STRAY BULLETS, it's time to roll out the "by story arc" trades of DAVID LAPHAM's influential crime masterpiece.... These are their stories. Follow the lost lives of people who are savagely torn apart by events beyond their control. As the innocent world of an imaginative little girl is shattered when she witnesses a brutal double murder. Or an introverted young boy on the verge of manhood gets a lesson on just how far is too far when he falls for a needy woman who lives life in the fast lane. Or party with a pair of low-rent hoods who learn about what is really important in life just when they shouldn't. And even learn the story of the most infamous gangster who ever lived, Amy Racecar, who talks to God, lunches with the President, and just may be responsible for the end of the world. These are some of the tales that will rip out your guts and break your heart. Collects STRAY BULLETS #1-7.

Part of the award-winning Young Adult non-fiction series, The Drum. “Everyone looks on me like a black snake.” – Letter from Ned Kelly to Sergeant Babington, July 1870. Ned Kelly was a thief, a bank robber and a murderer. He was in trouble with the law from the age of 12. He stole hundreds of horses and cattle. He robbed two banks. He killed three men. Yet, when Ned was sentenced to death, thousands of people rallied to save his life. He stood up to the authorities and fought for what he believed in. He defended the rights of people who had no power. Was he a villain? Or a hero? What do you think?

From the bestselling author of Old City Hall comes Robert Rotenberg’s third intricate mystery set on the streets and in the courtrooms of Toronto. In The Guilty Plea and Old City Hall, critically acclaimed author Robert Rotenberg created gripping page-turners that captured audiences in Canada and around the world. In Stray Bullets, Rotenberg takes the reader to a snowy November evening. Outside a busy downtown doughnut shop, gunshots ring out and a young boy is critically hurt. Soon Detective Ari Greene is on scene. How many shots were fired? How many guns? How many witnesses? With grieving parents and a city hungry for justice, the pressure is on to convict the man accused of this horrible crime. Against this tidal wave of indignation, defense counsel Nancy Parish finds herself defending her oldest and most difficult client. But does anyone know the whole story?

"The poems in this collection examine issues of identity, positionality, desire and unity from the perspective of a First Nations woman of mixed blood. Through the blending of voices, traditions and memories from First Nations and European cultures, the poems represent a challenge to re-define notions of authority, identity and genre"--Back cover