Sweden’s most tenacious detective races to unlock the twisted logic behind a madman’s crimes: “Lyrical, meticulous, and stunningly suspenseful” (St. Petersburg Times). On Midsummer’s Eve, three friends gather in a secluded meadow in Sweden. In the beautifully clear twilight, they don eighteenth-century costumes and begin a secret role-play. But an uninvited guest soon brings their performance to a gruesome conclusion. His approach is careful; his aim is perfect. Three bullets, three corpses. And his plans have only just begun to take shape. Meanwhile, Inspector Kurt Wallander is just back from vacation. Constantly fatigued, he soon learns his health is at risk—but there’s no time for rest when a fellow officer is murdered. Wallander soon discovers that the two grisly crimes are connected. A serial killer is on the loose, and the only lead is a photograph of a strange woman no one in Sweden seems to know. Forced to dig into the personal life of a trusted colleague, Wallander steps into a nightmare worse than any he could have imagined. Can he find his way out of the darkness before it’s too late? A pulse-pounding thriller and an incisive investigation into the mysteries of human nature, One Step Behind is “typical of the dense, intricate intelligence that Mankell brings to detection and crime writing” (The Washington Post Book World).

After a few years as a police officer in Columbus, Michael Keane has no trouble relaxing into the far less stressful job of deputy sheriff in his small hometown. After all, nothing ever happens in Hidden Springs, Kentucky. Nothing, that is, until a dead body is discovered on the courthouse steps. Everyone in town is a little uneasy. Still, no one is terribly worried--after all the man was a stranger--until one of their own is murdered right on Main Street. As Michael works to solve the case it seems that every nosy resident in town has a theory. When the sheriff insists Michael check out one of these harebrained theories, his surprising discovery sends him on a bewildering search for a mysterious killer that has him questioning everything he has ever believed about life in Hidden Springs. Bringing with her a knack for creating settings you want to visit and an uncanny ability to bring characters to life, A. H. Gabhart pens a whodunit that will keep readers guessing.

This book offers a fascinating and insightful overview of seven centuries of murder in Europe. It tells the story of the changing face of violence and documents the long-term decline in the incidence of homicide. From medieval vendettas to stylised duels, from the crime passionel of the modern period right up to recent public anxieties about serial killings and underworld assassinations, the book offers a richly illustrated account of murder’s metamorphoses. In this original and compelling contribution, Spierenburg sheds new light on several important themes. He looks, for example, at the transformation of homicide from a private matter, followed by revenge or reconciliation, into a public crime, always subject to state intervention. Combining statistical data with a cultural approach, he demonstrates the crucial role gender played in the spiritualisation of male honour and the subsequent reduction of male-on-male aggression, as well as offering a comparative view of how different social classes practised and reacted to violence. This authoritative study will be of great value to students and scholars of the history of crime and violence, criminology and the sociology of violence. At a time when murder rates are rising and public fears about violent crime are escalating, this book will also interest the general reader intrigued by how our relationship with murder reached this point.

When the studio for their new film sets up a promotional exhibit of supernatural items, M.J., Heath, and Gilley accidentally donate a dangerous bewitched dagger that is subsequently stolen and used to bring back a fiendish foe.

Why do serial killers gravitate towards certain kinds of occupation? Why do they pursue certain types of victim? How do they leave the radar and remain hidden? Through his wide knowledge of the topic honed at one of Britain’s leading centres for criminological studies, Adam Lynes demonstrates how theory, practice, profiling and behaviour intertwine to identify the kind of people we should fear (and especially if we are vulnerable to predators). The book also looks at those personality-types most likely to become serial killers whilst hiding in plain sight. From Britain’s serial killing studies centre of excellence. Looks in depth at eight of Britain’s serial killer drivers, dealing with some of the most notorious crimes of modern times. A fresh and uniquely interesting perspective. Demonstrates the links between mobility, transience, recognisance, predatory behaviour and acting out murderous fantasies. From the text "It is apparent that driving as a form of occupational choice is a “popular” form of employment for British serial murderers. In an effort to determine why this may be, [ the ] case studies of eight British serial murderers [ in the book ] demonstrate just how such an occupation can impact upon these offenders’ criminal behaviour…These findings may prove to be of benefit to scholars of serial murder, and to those who attempt to apprehend them."

This collection of 365 Our Daily Bread devotions will strengthen men to hold fast to God amid the challenges and uncertainties of today's world. With the title taken from Hebrews 10:23, “Let us hold fast the confession of our hope without wavering,” this hardcover giftbook is a follow-up to the men’s devotional Stand Strong. Each reading offers Scripture, a relevant modern-day example, and key faith-building insight in less than 5 minutes.

'For if once a man indulges himself in murder, very soon he comes to think little of robbing; and from robbing he comes next to drinking and Sabbath-breaking, and from that to incivility and procrastination'Thomas De Quincey's three essays 'On Murder Considered as One of the Fine Arts' centre on the notorious career of the murderer John Williams, who in 1811 brutally killed seven people in London's East End. De Quincey's response to Williams's attacks turns morality on its head, celebrating and coolly dissecting the art of murder and its perfections. Ranging from gruesomely vivid reportage and brilliantly funny satiric high jinks to penetrating literary and aesthetic criticism, the essays had aremarkable impact on crime, terror, and detective fiction, as well as on the rise of nineteenth-century decadence.The volume also contains De Quincey's best-known piece of literary criticism, 'On the Knocking at the Gate in Macbeth', and his finest tale of terror, 'The Avenger', a disturbing exploration of violence, vigilantism, and religious persecution.