This year's edition of The One Show features the very best work from around the world from the 2013 One Show and One Show Design contests.

Luffy and crewmate Usopp try hard to find a way to repair the Merry Go, but after Usopp is attacked and the money they had saved to repair the ship is stolen, Luffy must make the most difficult decision as a captain yet. What will become of their beloved ship? And where did Robin disappear to...? -- VIZ Media

The Word Biblical Commentary delivers the best in biblical scholarship, from the leading scholars of our day who share a commitment to Scripture as divine revelation. This series emphasizes a thorough analysis of textual, linguistic, structural, and theological evidence. The result is judicious and balanced insight into the meanings of the text in the framework of biblical theology. These widely acclaimed commentaries serve as exceptional resources for the professional theologian and instructor, the seminary or university student, the working minister, and everyone concerned with building theological understanding from a solid base of biblical scholarship. Overview of Commentary Organization Introduction—covers issues pertaining to the whole book, including context, date, authorship, composition, interpretive issues, purpose, and theology. Each section of the commentary includes: Pericope Bibliography—a helpful resource containing the most important works that pertain to each particular pericope. Translation—the author’s own translation of the biblical text, reflecting the end result of exegesis and attending to Hebrew and Greek idiomatic usage of words, phrases, and tenses, yet in reasonably good English. Notes—the author’s notes to the translation that address any textual variants, grammatical forms, syntactical constructions, basic meanings of words, and problems of translation. Form/Structure/Setting—a discussion of redaction, genre, sources, and tradition as they concern the origin of the pericope, its canonical form, and its relation to the biblical and extra-biblical contexts in order to illuminate the structure and character of the pericope. Rhetorical or compositional features important to understanding the passage are also introduced here. Comment—verse-by-verse interpretation of the text and dialogue with other interpreters, engaging with current opinion and scholarly research. Explanation—brings together all the results of the discussion in previous sections to expose the meaning and intention of the text at several levels: (1) within the context of the book itself; (2) its meaning in the OT or NT; (3) its place in the entire canon; (4) theological relevance to broader OT or NT issues. General Bibliography—occurring at the end of each volume, this extensive bibliographycontains all sources used anywhere in the commentary.

Following the success of my previous book, which dealt with the pop show Thank Your Lucky Stars, I have now decided to look at the music shows that appeared on A.B.C. Weekend Television. A.B.C. Weekend Television catered for viewers in the Midland and the North for thirteen glorious years from 1956 to 1968. The format will be similar to my previous work. I shall take a chronological view with mini biographies where appropriate, trivia, interesting facts, pictures and opinions (both my own and from the contemporary public.) I shall not be looking at the previous company that was called A.B.C. that morphed into A.T.V. Television. Nor will I be looking at music shows shown on A.B.C. but not directly produced by them. Therefore shows such as Sunday Night At The London Palladium and The Jack Jackson Show will not be featured, as they merit a book in their own right. If a weekend is absent from the diary, it probably means A.B.C. was concentrating on sports that particular weekend. In the 60’s sports such as tennis, rugby league and motor racing had a high profile. Sadly most of the shows mentioned here are not preserved in the archives. Television was considered an ephemeral pleasure back then. Preserving a show was in many cases impossible or too expensive. The powerful music unions discouraged repeat showings and many shows went out live and there was no need to record them. Tapes were reused on a regular basis, with shows being wiped forever within a few weeks of transmission. Mercifully a handful of Oh Boys! survive, along with a snippet of Cliff in the anniversary show The ABC of ABC. A George Formby section from a 1957 Top Of The Bill has popped up on YouTube. A Chas McDevitt clip, featuring a very young Jean Marsh opening a door, may very well come from the same show. British Pathe News have lovely features on Ship Canal Showboat, showing the likes of Thora Hird rehearsing in Manchester in 1956, as well as a feature on Holiday Town Parade. A few Sunday Breaks exist. Sadly I could find nothing from programmes such as Bid For Fame, Top Numbers, After Hours and many more great shows. Writing this book really struck me how viewing habits have changed over the decades. Television was on just two channels. Daytime shows were rare and television ended before midnight. Televisions were expensive. Shows tended to be on at exactly the same time each week to build up audience figures. But some things never change. Even back then some people moaned at the quality of the shows and were fed up of seeing the same stars week in week out. Hopefully you will gain more pleasure reading the book than those killjoys.

The Word Biblical Commentary delivers the best in biblical scholarship, from the leading scholars of our day who share a commitment to Scripture as divine revelation. This series emphasizes a thorough analysis of textual, linguistic, structural, and theological evidence. The result is judicious and balanced insight into the meanings of the text in the framework of biblical theology. These widely acclaimed commentaries serve as exceptional resources for the professional theologian and instructor, the seminary or university student, the working minister, and everyone concerned with building theological understanding from a solid base of biblical scholarship. Overview of Commentary Organization Introduction—covers issues pertaining to the whole book, including context, date, authorship, composition, interpretive issues, purpose, and theology. Each section of the commentary includes: Pericope Bibliography—a helpful resource containing the most important works that pertain to each particular pericope. Translation—the author’s own translation of the biblical text, reflecting the end result of exegesis and attending to Hebrew and Greek idiomatic usage of words, phrases, and tenses, yet in reasonably good English. Notes—the author’s notes to the translation that address any textual variants, grammatical forms, syntactical constructions, basic meanings of words, and problems of translation. Form/Structure/Setting—a discussion of redaction, genre, sources, and tradition as they concern the origin of the pericope, its canonical form, and its relation to the biblical and extra-biblical contexts in order to illuminate the structure and character of the pericope. Rhetorical or compositional features important to understanding the passage are also introduced here. Comment—verse-by-verse interpretation of the text and dialogue with other interpreters, engaging with current opinion and scholarly research. Explanation—brings together all the results of the discussion in previous sections to expose the meaning and intention of the text at several levels: (1) within the context of the book itself; (2) its meaning in the OT or NT; (3) its place in the entire canon; (4) theological relevance to broader OT or NT issues. General Bibliography—occurring at the end of each volume, this extensive bibliographycontains all sources used anywhere in the commentary.