The #1 New York Times bestselling author of The Book of Lost Friends and Before We Were Yours explores the connection between our hearts and our pasts in this emotional novel in the Tending Roses series.... Once trapped in a world of poverty and neglect, Dell Jordan knows she was one of the lucky ones. Adopted at thirteen, she was loved, mentored, and encouraged to pursue her passion for music. By twenty, her future has expanded in exciting new directions—a year abroad with a traveling symphony, teaching music to orphans in Ukraine, and applying for a scholarship to Julliard. But underneath Dell’s smoothly polished surface lurk mysteries from the past. Why did her mother abandon her? Who was her father? Are there faces somewhere that look like hers—blood relatives she’s never met? Determined to find answers, and unable to share her emotional uncertainty with her adoptive family, Dell sets off on a secret journey into Oklahoma’s Kiamichi Mountains. Drawn by the only remaining link to her origins—a father’s Native American name on her birth certificate—she travels into quiet wooded valleys, into the heart of the modern Choctaw Nation. There she will find connections to a long and proud heritage and begin to answer the questions of her heart. In the voices of her ancestors, she’ll discover the keys to a future unlike anything she could have imagined.

The New York Times-bestselling collection of poems from celebrated poet Mary Oliver In A Thousand Mornings, Mary Oliver returns to the imagery that has come to define her life’s work, transporting us to the marshland and coastline of her beloved home, Provincetown, Massachusetts. Whether studying the leaves of a tree or mourning her treasured dog Percy, Oliver is open to the teachings contained in the smallest of moments and explores with startling clarity, humor, and kindness the mysteries of our daily experience.

In this epic poetry collection Killing Marías, Claudia Castro Luna, both poetically and physically, settles spaces that were unclaimed by Latinas. Her inscription of the disappeared women of Juárez is a live cartographic image of struggle and spiritual survival. Castro Luna does not allow for these dead women to lack agency; they nourish us and the earth, and they speak with their bodies, literally, positioning themselves as recovered entities with agency, in the poet's skilled narrativizing hands.

Though often deprived of public position, women have long practiced the personal art of writing and so have been prepared to be our spiritual and visionary voices of light."--BOOK JACKET.

The New York Times–bestselling classic set amid the mountains and streams of early twentieth-century Montana, “as beautiful as anything in Thoreau or Hemingway” (Chicago Tribune). When Norman Maclean sent the manuscript of A River Runs Through It and Other Stories to New York publishers, he received a slew of rejections. One editor, so the story goes, replied, “it has trees in it.” Today, the title novella is recognized as one of the great American tales of the twentieth century, and Maclean as one of the most beloved writers of our time. The finely distilled product of a long life of often surprising rapture—for fly-fishing, for the woods, for the interlocked beauty of life and art—A River Runs Through It has established itself as a classic of the American West filled with beautiful prose and understated emotional insights. Based on Maclean’s own experiences as a young man, the book’s two novellas and short story are set in the small towns and mountains of western Montana. It is a world populated with drunks, loggers, card sharks, and whores, but also one rich in the pleasures of fly-fishing, logging, cribbage, and family. By turns raunchy and elegiac, these superb tales express, in Maclean’s own words, “a little of the love I have for the earth as it goes by.” “Maclean’s book—acerbic, laconic, deadpan—rings out of a rich American tradition that includes Mark Twain, Kin Hubbard, Richard Bissell, Jean Shepherd, and Nelson Algren.” —New York Times Book Review Includes a new foreword by Robert Redford, director of the Academy Award–winning film adaptation

NEW YORK TIMES BESTSELLER "[A] scorching treatise on toxic masculinity. Joseph’s critiques of “the patriarchy... both overt and ingrained” are razor-sharp, but it’s the clear-eyed reckoning of his own place within it that tethers the soul of his book." —Publishers Weekly "Joseph has learned a great deal from bell hooks here, and I think she would be proud because Patriarchy Blues is such a moving, inspiring, rigorous vision for living.” —Robert Jones, Jr., New York Times bestselling author of The Prophets In this personal and poignant collection, the author of the New York Times bestseller The Black Friend examines the culture of masculinity through the lens of a Black man. What does it mean to be a man today? How does the pervasive yet elusive idea of “toxic masculinity” actually reflect men’s experiences—particularly those of color—and how they navigate the world? In this thought-provoking collection of essays, poems, and short reflections, Frederick Joseph contemplates these questions and more as he explores issues of masculinity and patriarchy from both a personal and cultural standpoint. From fatherhood, and “manning up” to abuse and therapy, he fearlessly and thoughtfully tackles the complex realities of men’s lives today and their significance for society, lending his insights as a Black man. Written in Joseph’s unique voice, with an intelligence and raw honesty that demonstrates both his vulnerability and compassion, Patriarchy Blues forces us to consider the joys, pains, and destructive nature of manhood and the stereotypes it engenders.