Now a major motion picture starring Academy Award winner Lupita Nyong’o and David Oyelowo, directed by Mira Nair. The “astonishing” (The New York Times Book Review) and “inspirational” (Shelf Awareness) true story of Phiona Mutesi—a teenage chess prodigy from the slums of Uganda. One day in 2005 while searching for food, nine-year-old Ugandan Phiona Mutesi followed her brother to a dusty veranda where she met Robert Katende. Katende, a war refugee turned missionary, had an improbable dream: to empower kids in the Katwe slum through chess—a game so foreign there is no word for it in their native language. Laying a chess­board in the dirt, Robert began to teach. At first children came for a free bowl of porridge, but many grew to love the game that—like their daily lives—requires persevering against great obstacles. Of these kids, one girl stood out as an immense talent: Phiona. By the age of eleven Phiona was her country’s junior champion, and at fifteen, the national champion. Now a Woman Candidate Master—the first female titled player in her country’s history—Phiona dreams of becoming a Grandmaster, the most elite level in chess. But to reach that goal, she must grapple with everyday life in one of the world’s most unstable countries. The Queen of Katwe is a “remarkable” (NPR) and “riveting” (New York Post) book that shows how “Phiona’s story transcends the limitations of the chessboard” (Robert Hess, US Grandmaster).

One of NPR's 50 Favorite Sci-Fi and Fantasy Books of the Past Decade In the follow-up to the "delightful" Regency fantasy novel (NPR.org) Sorcerer to the Crown, a young woman with no memories of her past finds herself embroiled in dangerous politics in England and the land of the fae. When sisters Muna and Sakti wake up on the peaceful beach of the island of Janda Baik, they can’t remember anything, except that they are bound as only sisters can be. They have been cursed by an unknown enchanter, and slowly Sakti starts to fade away. The only hope of saving her is to go to distant Britain, where the Sorceress Royal has established an academy to train women in magic. If Muna is to save her sister, she must learn to navigate high society, and trick the English magicians into believing she is a magical prodigy. As she's drawn into their intrigues, she must uncover the secrets of her past, and journey into a world with more magic than she had ever dreamed.

The final book in the Valiant series takes Fallon and her warrior sisters on an epic journey from the corrupt Roman Republic to the wonder of the ancient world: Alexandria, Egypt. In the wake of their victorious fight to win back the Ludus Achillea, Fallon and her gladiatrix sisters have become the toast of the Republic. However, as a consequence of his actions during the Ludus uprising, Fallon's love Cai has been stripped of his Decurion rank and cast down to serve as one of Caesar's gladiators. Amid fighting for Cai's freedom, Fallon soon learns that Caesar's enemies are plotting against him and planning to get revenge on his fearsome gladiatrices. When Caesar is murdered by these conspirators, Fallon and the girls lose any sort of protection they once had. Fallon also realizes that the foreign queen Cleopatra is now in grave danger. Fallon rallies her war band and Cai's friends to get Cleopatra out of the city, and the group heads to the safety of Cleo's homeland, Alexandria, Egypt. Once there, the gladiatrices are promised a place of honor in the queen's elite guard, but is that what any of them really want?

On March 15, 1348, Joanna I, the queen of Naples, stood trial for her life before the Pope and his court in Avignon. She was 20, and accused of murdering her cousin and husband, Hungarian prince Andrew. That she won her acquittal--arguing her own case in Latin--was remarkable in its own right; that she would go on to rule over one of Europe's most glittering courts for more than 30 years was extraordinary. For the first time, Nancy Goldstone tells the full story of one of the most courageous and accomplished women in history, who challenged the powers of her time, and whose life highlights the dynastic rivalries and alliances across Europe in the dramatic 14th century. She was the only woman in her time to rule in her own name. Dedicated to the welfare of her subjects and realm, Joanna reduced crime, built hospitals and churches, encouraged the licensing of women physicians, and lured some of the most important writers and artists of the century to her glamorous, elegant court, which rivaled that of Elizabeth I of England in power and scope. Around her also swirled war, plague, and the intrigue and treachery that would ultimately be her downfall. As Nancy Goldstone reveals, in Joanna's legacy are found the seeds of both the Renaissance and the Reformation. For anyone who has enjoyed the works of Alison Weir, Amanda Foreman, and Antonia Fraser,The Lady Queen will be must reading.

Queen Samara Rani knows she’s likely walking into a trap, but agreeing to meet with Commander Adams is the fastest way to get within striking distance of the Quint Confederacy’s biggest traitor and her sworn enemy. Adams attacked her home and destroyed her ship, and if he’s not stopped, he will ruin the tentative peace between the Kos Empire and the Quint Confederacy—and Samara’s chance at future with Emperor Valentin Kos. Samara is determined to serve up some well-deserved payback, but she is no longer a lone assassin, and despite her protests, her friends and allies refuse to let her undertake such a perilous mission without them. Even Valentin, usually the voice of reason, refuses to stay behind. Samara is loath to put her friends in danger, and taking a team carries its own risks, so she makes plans to keep them safe, no matter what the cost. When Adams threatens that safety, and everything she holds dear, Samara vows to show him exactly how she earned her deadly reputation—and why one should never cross the Rogue Queen.

It followed every major military victory in ancient Rome: the successful general drove through the streets to the temple of Jupiter on the Capitoline Hill; behind him streamed his raucous soldiers; in front were his most glamorous prisoners, as well as the booty he’d captured, from enemy ships and precious statues to plants and animals from the conquered territory. Occasionally there was so much on display that the show lasted two or three days. A radical reexamination of this most extraordinary of ancient ceremonies, this book explores the magnificence of the Roman triumph, but also its darker side. What did it mean when the axle broke under Julius Caesar’s chariot? Or when Pompey’s elephants got stuck trying to squeeze through an arch? Or when exotic or pathetic prisoners stole the general’s show? And what are the implications of the Roman triumph, as a celebration of imperialism and military might, for questions about military power and “victory” in our own day? The triumph, Mary Beard contends, prompted the Romans to question as well as celebrate military glory. Her richly illustrated work is a testament to the profound importance of the triumph in Roman culture—and for monarchs, dynasts and generals ever since. But how can we re-create the ceremony as it was celebrated in Rome? How can we piece together its elusive traces in art and literature? Beard addresses these questions, opening a window on the intriguing process of sifting through and making sense of what constitutes “history.”