In Jane Haddam's One of Our Own, Gregor Demarkian, former FBI agent and police consultant, returns for his final case—a surprising murder and an attempted murder, which threaten the safety of his Philadelphia neighborhood. A mysterious black van is spotted by several people at various times in the area around Cavanaugh Street, Philadelphia's Armenian-American enclave. Presumed by some to be related to the increasing ICE raids around the area, the mystery deepens one night when a body falls out of the back of the van when speeding through the neighborhood. Marta Warkowski, a reclusive older woman, is found bound up in a garbage bag after it falls out of the van. In a coma, Warkowski is unable to tell police how she ended up as she did. When they go to search her apartment, the police find the dead body of her building's super, a man with whom she has a history of conflict. How did she end up in garbage bag in the back of a mysterious van? How did he end up dead in her locked apartment? What does all of this have to do with the real estate holdings of infamous local developer, Cary Alder? Gregor Demarkian, former FBI agent and consultant, is ready to retire. He and his wife Bennis have agreed to foster a child, Javier, with a mysterious past and limited language skills. But he is pulled in once again, for a final case, to uncover the truth about the murder—and attempted murder—on Cavanaugh Street.

'Infamous, I have become disowned, but I am one of your own' - Myra Hindley, from her unpublished autobiography On 15 November 2002, Myra Hindley, Britainâe(tm)s most notorious murderess, died in prison, one of the rare women whose crimes were deemed so indefensible that âe~lifeâe(tm) really did mean âe~lifeâe(tm). But who was the woman behind the headlines? How could a seemingly normal girl grow up to commit such terrible acts? Her defenders claim she fell under Ian Bradyâe(tm)s spell, but is this the truth? Was her insistence that she had changed, that she felt deep remorse and had reverted to the Catholicism of her childhood genuine or a calculating bid to win parole? One of Your Own explores these questions and many others, drawing on a wide range of resources, including Hindleyâe(tm)s own unseen writings, hundreds of recently released prison files, fresh interviews and extensive new research. Compellingly well written, this is the first in-depth study of Hindley and the challenging, definitive biography of Britainâe(tm)s âe~most-hated womanâe(tm).

Gregor Demarkian grew up in the Armenian-American enclave in Philadelphia known as Cavanaugh Street. Even though he left to go to college, and then went on to a storied career in the famous Behavioral Science Unit of the FBI, he eventually returned to Cavanaugh Street after an early retirement. There he finds himself in a rapidly gentrifying urban neighborhood that still retains some of the friends, institutions, and flavor of the immigrant neighborhood he grew up in. Among them is his best friend, Father Tibor Kasparian, the parish priest of the local Armenian-Orthodox church, probably the most genuinely gentle soul that Demarkian has ever met. When Father Tibor is then arrested on murder charges, it tears at the very foundation of Demarkian's world. While Gregor has very strict rules about for whom and under what conditions he will consult, all those rules go by the wayside. In Fighting Chance, from award-winning author Jane Haddam, Demarkian is now a man possessed, and his one goal is to find out what really happened and who is really responsible for the murder Father Tibor is charged with.

Virginia Woolf's playful exploration of a satirical »Oxbridge« became one of the world's most groundbreaking writings on women, writing, fiction, and gender. A Room of One's Own [1929] can be read as one or as six different essays, narrated from an intimate first-person perspective. Actual history blends with narrative and memoir. But perhaps most revolutionary was its address: the book is written by a woman for women. Male readers are compelled to read through women's eyes in a total inversion of the traditional male gaze. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries.

In this remarkable and engaging book, William LeoGrande offers the first comprehensive history of U.S. foreign policy toward Central America in the waning years of the Cold War. From the overthrow of the Somoza dynasty in Nicaragua and the outbreak of El Salvador's civil war in the late 1970s to the final regional peace settlements negotiated a decade later, he chronicles the dramatic struggles--in Washington and Central America--that shaped the region's destiny. For good or ill, LeoGrande argues, Central America's fate hinged on decisions that were subject to intense struggles among, and within, Congress, the CIA, the Pentagon, the State Department, and the White House--decisions over which Central Americans themselves had little influence. Like the domestic turmoil unleashed by Vietnam, he says, the struggle over Central America was so divisive that it damaged the fabric of democratic politics at home. It inflamed the tug-of-war between Congress and the executive branch over control of foreign policy and ultimately led to the Iran-contra affair, the nation's most serious political crisis since Watergate.

An investigation into the art and history of diary writing as well as a guide to the great diaries and private chronicles of the famous, the infamous, and the anonymous