Notorious, handsome, and decadent, the Lords of Vice prowl the glittering ballrooms of Regency London— breaking rules and hearts with equal aplomb. But even the wildest rogue must eventually meet his match... Seduce Lady Juliana Ivers and then cast her aside: Those are his sister's instructions. Alexius Braverton, Marquess of Sinclair—known as Sin to the ton—is happy enough to oblige, especially when he catches a glimpse of his target. Juliana is completely unlike the empty-headed chits who barely hold his attention for a week. A true gentleman would leave her to find a worthy suitor. But then, a Lord of Vice would never claim to be a gentleman. Juliana is expected to marry well to improve her family's finances, even if she secretly longs to make a living through her musical compositions. A dalliance can only complicate matters, though not even practical Juliana can help succumbing to the aptly named Sin. But one unforgettable night will draw her into a scandalous affair—and a seduction begun as sport will soon become deliciously, dangerously real...

2018 RITA award-winning author! From the author who Sarah MacLean calls "a charming, clever, and engaging storyteller" comes the next regency romance in the witty and sexy Devils of Dover series! Baron. Physician. Smuggler. Harland Hayward is living a double life as an aristocrat by day and a criminal by night. As a doctor, Harland has the perfect cover to appear in odd places at all hours, a cover he uses to his advantage. He's chosen this life to save his family from financial ruin, but he draws the line at taking advantage of the honest and trustworthy Katherine Wright. Katherine thought she was done smuggling. Having finally convinced her ailing father and injured brother to abandon their criminal pursuits, she's returned to England to help them escape to a new life--once she helps them fulfill their last contract. And that means working with Hayward, even when her instincts tell her that becoming his ally may be a risk to her heart - as well as her life.

When three spirited young women succeed in seducing three notorious rogues who knows what complications will ensue, what passions will be stirred - or whose hearts will be captured. This book contains three love stories in one volume.

"Tired of being treated like a servant in her own family, Lady Jane Guthrie finally has a chance to escape ... at least for one night. ... Embittered by war, Seth returns home to inherit the title that would have once won him the women of his dreams. Though duty demands he wed, he's convinced passion no longer has a place in his life ... until a masked siren sets his heart aflame. Desperate to find her again, he has no idea it's his childhood friend Jane--and that after one night together their lives will never be the same"--Dust jacket.

The sensuous new novel from the Queen of Regency Noir - book 1 in the Sons of Sin series. WILL A WEEK OF SEDUCtION ...Desperate to save her sister's life, Sidonie Forsythe has agreed to submit herself to a terrible fate: Beyond the foreboding walls of Castle Craven, a notorious, hideously scarred scoundrel will take her virtue over the course of seven sinful nights. Yet instead of a monster, she encounters a man like no other. And during this week, she comes to care for Jonas Merrick in ways that defy all logic-even as a dark secret she carries threatens them both.... SPARK A LIFEtIME OF PASSIONAtE SURRENDER?Ruthless loner Jonas knows exactly who he is. Should he forget, even for a moment, the curse he bears, a mere glance in the mirror serves as an agonizing reminder. So when the lovely Sidonie turns up on his doorstep, her seduction is an even more delicious prospect than he originally planned. But the hardened outcast is soon moved by her innocent beauty, sharp wit, and surprising courage. Now as dangerous enemies gather at the gate to destroy them, can their new, fragile love survive?

What a scoundrel wants, a scoundrel gets. . . A decade ago, the Marquess of Bourne was cast from society with nothing but his title. Now a partner in London's most exclusive gaming hell, the cold, ruthless Bourne will do whatever it takes to regain his inheritance—including marrying perfect, proper Lady Penelope Marbury. A broken engagement and years of disappointing courtships have left Penelope with little interest in a quiet, comfortable marriage, and a longing for something more. How lucky that her new husband has access to an unexplored world of pleasures. Bourne may be a prince of London's illicit underworld, but he vows to keep Penelope untouched by its wickedness—a challenge indeed as the lady discovers her own desires, and her willingness to wager anything for them . . . .even her heart.

The present is, I believe, the first complete translation of the great Arabic compendium of romantic fiction that has been attempted in any European language comprising about four times as much matter as that of Galland and three times as much as that of any other translator known to myself; and a short statement of the sources from which it is derived may therefore be acceptable to my readers. Three printed editions, more or less complete, exist of the Arabic text of the Thousand and One Nights; namely, those of Breslau, Boulac (Cairo) and Calcutta (1839), besides an incomplete one, comprising the first two hundred nights only, published at Calcutta in 1814. Of these, the first is horribly corrupt and greatly inferior, both in style and completeness, to the others, and the second (that of Boulac) is also, though in a far less degree, incomplete, whole stories (as, for instance, that of the Envier and the Envied in the present volume) being omitted and hiatuses, varying in extent from a few lines to several pages, being of frequent occurrence, whilst in addition to these defects, the editor, a learned Egyptian, has played havoc with the style of his original, in an ill-judged attempt to improve it, producing a medley, more curious than edifying, of classical and semi-modern diction and now and then, in his unlucky zeal, completely disguising the pristine meaning of certain passages. The third edition, that which we owe to Sir William Macnaghten and which appears to have been printed from a superior copy of the manuscript followed by the Egyptian editor, is by far the most carefully printed and edited of the three and offers, on the whole, the least corrupt and most comprehensive text of the work. I have therefore adopted it as my standard or basis of translation and have, to the best of my power, remedied the defects (such as hiatuses, misprints, doubtful or corrupt passages, etc.) which are of no infrequent occurrence even in this, the best of the existing texts, by carefully collating it with the editions of Boulac and Breslau (to say nothing of occasional references to the earlier Calcutta edition of the first two hundred nights), adopting from one and the other such variants, additions and corrections as seemed to me best calculated to improve the general effect and most homogeneous with the general spirit of the work, and this so freely that the present version may be said, in great part, to represent a variorum text of the original, formed by a collation of the different printed texts; and no proper estimate can, therefore, be made of the fidelity of the translation, except by those who are intimately acquainted with the whole of these latter. Even with the help of the new lights gained by the laborious process of collation and comparison above mentioned, the exact sense of many passages must still remain doubtful, so corrupt are the extant texts and so incomplete our knowledge, as incorporated in dictionaries, etc, of the peculiar dialect, half classical and half modern, in which the original work is written. One special feature of the present version is the appearance, for the first time, in English metrical shape, preserving the external form and rhyme movement of the originals, of the whole of the poetry with which the Arabic text is so freely interspersed. This great body of verse, equivalent to at least ten thousand twelve-syllable English lines, is of the most unequal quality, varying from poetry worthy of the name to the merest doggrel, and as I have, in pursuance of my original scheme, elected to translate everything, good and bad (with a very few exceptions in cases of manifest mistake or misapplication), I can only hope that my readers will, in judging of my success, take into consideration the enormous difficulties with which I have had to contend and look with indulgence upon my efforts to render, under unusually irksome conditions, the energy and beauty of the original, where these qualities exist, and in their absence, to keep my version from degenerating into absolute doggrel.