"Kostelanetz excels, for instance, at astutely cynical debunkings of many of the 'radical chic' culture heroes of the 60s. . . . He can be scathingly funny as well deflating both the over-rated trendy avant-gardists and the 'New York Intellectual' elders who tyrannized the time. . . . As a meticulously reconstructed record of literary coming of age in a particularly propitious cultural moment, 'One Million Words' has carved out a unique place in the annals of literary autobiography."Library

The 13th edition of the International Who's Who in Poetry is a unique and comprehensive guide to the leading lights and freshest talent in poetry today. Containing biographies of more than 4,000 contemporary poets world-wide, this essential reference work provides truly international coverage. In addition to the well known poets, talented up-and-coming writers are also profiled. Contents: * Each entry provides full career history and publication details * An international appendices section lists prizes and past prize-winners, organizations, magazines and publishers * A summary of poetic forms and rhyme schemes * The career profile section is supplemented by lists of Poets Laureate, Oxford University professors of poetry, poet winners of the Nobel Prize for Literature, winners of the Pulitzer Prize for American Poetry and of the King's/Queen's Gold medal and other poetry prizes.

This anthology collects 51 of Stein's most experimental poems, stories, portraits, and plays.

"Having already published collections of critical essays on fiction, poetry, performance, politics and visual art, Richard Kostelanetz for the first time selects here from his writings on film and video. As in earlier volumes, these essays emphasize the primacy of possibilities intrinsic in each medium. Always representing radical alternatives, he writes with uncommon perception not only about familiar issues but about films customarily forgotten, and always with his customary clarity. Also included are prefaces and transcripts from his own films and videos. He writes: "Another implicit assumption behind my activity is acknowledging the importance of books in collecting together initially scattered opinions, for I have long contended that the critic who fails to risk publishing books is just a reviewing journalist, or, worse, an opportunist." Celebrating four decades of book-publishing, he remains a prolific force and a unique independent voice. Individual entries on Richard Kostelanetz appear in Contemporary Poets, Contemporary Novelists, Postmodern Fiction, Baker's Biographical Dictionary of Musicians, A Reader's Digest to Twentieth-Century Writers, The Merriam-Webster Encyclopedia of Literature, Webster's Dictionary of American Authors, The HarperCollins Reader's Encyclopedia of American Literature, and the Encyclopedia Britannica, among other distinguished directories. Living in New York City, where he was born, he still needs two bucks to take a subway."--Publisher's website.

Provides up-to-date profiles on the careers of leading and emerging poets.

Politics.Cultural Writing. Both anarchist and libertarian, Kostelanetz combines the creed the best things in life are free characteristic of the former with the approval of enterprise (enterprise, not capitalism) and competitive markets associated with the latter. Displaying less interest in adhering to a political ideology, this Rashkolnik desires more to explode blockage and explore the mechanisms of change, identify the areas most in need of change, and propose future possibilities. POLITICAL ESSAYS shows Kostelanetz possessing Lenin's strength, but with a different, more contemporary outlook. Anyone familiar with his many writings on arts and literature should find these essays both informative and provocative.

Reading Susan Sontag is the first book to survey the broad range of Ms. Sontag's work, including full discussions of her fiction. Carl Rollyson, Ms. Sontag's first biographer, is uniquely situated to provide well-informed and clear readings of all her major work. He writes for general readers and students as well as for specialists. Each of his chapters is devoted to one of Ms. Sontag's books and is divided into three sections: synopsis, Ms. Sontag's own views of her work, and critical commentary, and thus progresses from basic knowledge to more sophisticated interpretation. In a detailed chronological overview of her work, Mr. Rollyson also describes and comments on Ms. Sontag's forays into film and theatre, showing how her interests in dance and opera, for example, are connected to her aesthetic view of the world. A helpful glossary at the end of the book defines the terms and figures of speech that characterize her essays and may inhibit readers who do not share her formidable command of world culture; it also traces her use of allusions to other writers from one essay to the next. In all, Reading Susan Sontag is an enormously useful companion to the work of one of our major writers.