William Faulkner was a literary genius, and one of America's most important and influential writers. Drawing on previously unavailable sources -- including letters, memoirs, and interviews with Faulkner's daughter and lovers -- Jay Parini has crafted a biography that delves into the mystery of this gifted and troubled writer. His Faulkner is an extremely talented, obsessive artist plagued by alcoholism and a bad marriage who somehow transcends his limitations. Parini weaves the tragedies and triumphs of Faulkner's life in with his novels, serving up a biography that's as engaging as it is insightful.

" . . . A novel about an autistic boy whose drawings represent something much deeper than even the doctors who study can grasp; his father, serving 25 to life for murder; his mother, trying to hold herself together and fix her broken child. It's a supernatural journey of crime and punishment, retribution and redemption that ultimately leads to a father saving his son, a mother connecting with her child, and an American family reclaiming itself"--

Dive into Scripture to see Jesus' mission, miracles, and message as author Angie Smith helps us sort through the confusion to truly understand who Jesus is and how we can know Him.

This is the HARDBACK version. "I got interested in Gene Rayburn during the 1990s, when I was a teenager and I discovered a marvelous cable channel called Game Show Network. I'd been a fan of game shows my entire life, and I was excited about seeing all these shows that I just vaguely remembered from my early childhood. My biggest surprise was how obsessed I became with a show I had never heard of until I got Game Show Network; a show that was cancelled the same year I was born, funnily enough. It was a show called Match Game. Gene Rayburn, of course, was the host of Match Game, and I appreciated right away how different he was from other game show hosts. He was so hammy and mischievous and physical, and he fit the show he was hosting better than anybody I had ever seen hosting a game show. He and Match Game were absolutely made for each other. I think the biggest discovery I made was the way Gene just got repeatedly sidetracked during his career. He came to New York to become a star in musical theater. When he couldn't find work in musical theater, he wound up becoming a disc jockey. And after a decade of that, he decided to try being a television star. That didn't work out right away, so he took a job announcing a new show. Well, that turned out to be The Tonight Show. His career, right up to the end, was filled with little detours. Gene always wound up doing something besides what he was really trying to do. John Lennon was right and Gene was the proof; life is what happens when you're making other plans. The biggest pitfall I encountered was the dearth of materials from earlier in Gene's career. Because reruns weren't a consideration for so long, a considerable chunk of the man's work in television is just gone. Think about it-he's best remembered for the 1970s version of Match Game, a job that he started when he was 55 years old. So finding resources from earlier than that could be surprisingly tricky, but that made it all the more exciting when I finally did see the occasional kinescope or hear an audio recording. I think readers will enjoy #1, the memories, if they enjoy Match Game as much as I do, and #2, the surprises. Gene really had a remarkable career outside of that show. My hope for this book is that it makes that image on the TV screen a little more three-dimensional. Gene was very human, very flawed; he had his frustrations and disappointments like the rest of us." -- The Author

Anthony Powell’s universally acclaimed epic A Dance to the Music of Time offers a matchless panorama of twentieth-century London. Now, for the first time in decades, readers in the United States can read the books of Dance as they were originally published—as twelve individual novels—but with a twenty-first-century twist: they’re available only as e-books. The ninth volume, The Military Philosophers (1968), takes the series through the end of the war. Nick has found a place, reasonably tolerable by army standards, as an assistant liaison with foreign governments in exile. But like the rest of his countrymen, he is weary of life in uniform and looking ahead to peacetime. Until then, however, the fortunes of war continue to be unpredictable: more names are cruelly added to the bill of mortality, while other old friends and foes prosper. Widmerpool becomes dangerously entranced by the beautiful, fascinating, and vicious Pamela Flitton; and Nick’s old flame Jean Duport makes a surprising reappearance. Elegiac and moving, but never without wit and perception, this volume wraps up Powell’s unsurpassed treatment of England’s finest yet most costly hour. "Anthony Powell is the best living English novelist by far. His admirers are addicts, let us face it, held in thrall by a magician."--ChicagoTribune "A book which creates a world and explores it in depth, which ponders changing relationships and values, which creates brilliantly living and diverse characters and then watches them grow and change in their milieu. . . . Powell's world is as large and as complex as Proust's."--Elizabeth Janeway, New YorkTimes "One of the most important works of fiction since the Second World War. . . . The novel looked, as it began, something like a comedy of manners; then, for a while, like a tragedy of manners; now like a vastly entertaining, deeply melancholy, yet somehow courageous statement about human experience."--Naomi Bliven, New Yorker “The most brilliant and penetrating novelist we have.”--Kingsley Amis

A New York Times Notable Book of 2020 How do we read William Faulkner in the twenty-first century? asks Michael Gorra, in this reconsideration of Faulkner's life and legacy. William Faulkner, one of America’s most iconic writers, is an author who defies easy interpretation. Born in 1897 in Mississippi, Faulkner wrote such classic novels as Absolom, Absolom! and The Sound and The Fury, creating in Yoknapatawpha county one of the most memorable gallery of characters ever assembled in American literature. Yet, as acclaimed literary critic Michael Gorra explains, Faulkner has sustained justified criticism for his failures of racial nuance—his ventriloquism of black characters and his rendering of race relations in a largely unreconstructed South—demanding that we reevaluate the Nobel laureate’s life and legacy in the twenty-first century, as we reexamine the junctures of race and literature in works that once rested firmly in the American canon. Interweaving biography, literary criticism, and rich travelogue, The Saddest Words argues that even despite these contradictions—and perhaps because of them—William Faulkner still needs to be read, and even more, remains central to understanding the contradictions inherent in the American experience itself. Evoking Faulkner’s biography and his literary characters, Gorra illuminates what Faulkner maintained was “the South’s curse and its separate destiny,” a class and racial system built on slavery that was devastated during the Civil War and was reimagined thereafter through the South’s revanchism. Driven by currents of violence, a “Lost Cause” romanticism not only defined Faulkner’s twentieth century but now even our own age. Through Gorra’s critical lens, Faulkner’s mythic Yoknapatawpha County comes alive as his imagined land finds itself entwined in America’s history, the characters wrestling with the ghosts of a past that refuses to stay buried, stuck in an unending cycle between those two saddest words, “was” and “again.” Upending previous critical traditions, The Saddest Words returns Faulkner to his sociopolitical context, revealing the civil war within him and proving that “the real war lies not only in the physical combat, but also in the war after the war, the war over its memory and meaning.” Filled with vignettes of Civil War battles and generals, vivid scenes from Gorra’s travels through the South—including Faulkner’s Oxford, Mississippi—and commentaries on Faulkner’s fiction, The Saddest Words is a mesmerizing work of literary thought that recontextualizes Faulkner in light of the most plangent cultural issues facing America today.

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