This Book Fills A Gap In Our Understanding Of The Role That Language Has Played Int He History And Politics Of Modern Indai And Will Make Interesting Reading For Historians, Linguists, Cultural Studies Scholars As Well As General Readers.

This is the first academic study of Christian literature in Hindi and its role in the politics of language and religion in contemporary India. In public portrayals, Hindi has been the language of Hindus and Urdu the language of Muslims, but Christians have been usually been associated with the English of the foreign ‘West’. However, this book shows how Christian writers in India have adopted Hindi in order to promote a form of Christianity that can be seen as Indian, desī, and rooted in the religio-linguistic world of the Hindi belt. Using three case studies, the book demonstrates how Hindi Christian writing strategically presents Christianity as linguistically Hindi, culturally Indian, and theologically informed by other faiths. These works are written to sway public perceptions by promoting particular forms of citizenship in the context of fostering the use of Hindi. Examining the content and context of Christian attention to Hindi, it is shown to have been deployed as a political and cultural tool by Christians in India. This book gives an important insight into the link between language and religion in India. As such, it will be of great interest to scholars of Religion in India, World Christianity, Religion and Politics and Interreligious Dialogue, as well as Religious Studies and South Asian Studies.

To Learn about Parallel Learning of Multiple Indian Languages

Bully. Outsider. Iconoclast. Villain. Antagonist. Misfit. This is how the Hindi literary world perceives Upendranath Ashk. In this powerful biography, Daisy Rockwell presents the many faces of the writer and his tumultuous life and times, unfolding in the process, the period, the literary histroy of Hindi and the Hindi-Urdu divide. She also traces the development of Modern Standard Hindi, participants in its evolution and Ashk's role in it.

This text examines language and culture's importance to political legitimacy using the example of Pakistan, in comparison with India and Indonesia.

Untouchable Fictions considers the crisis of literary realism--progressive, rural, regionalist, experimental--in order to derive a literary genealogy for the recent explosion of Dalit ("untouchable caste") fiction. Drawing on a wide array of writings from Premchand and Renu in Hindi to Mulk Raj Anand and V. S. Naipaul in English, Gajarawala illuminates the dark side of realist complicity: a hidden aesthetics and politics of caste. How does caste color the novel? What are its formal tendencies? What generic constraints does it produce?