Invincible. It was one thing to say that word. It was another thing entirely to actually feel it. Landon Henley is content to do his radio show from his basement despite his family’s attempts to get him to leave his home and rejoin society. Face-to-face encounters are too risky. They might lead to meeting people. To possibly falling in love with people. To potentially losing people in horrible accidents caused by irresponsible drivers. He wouldn’t survive that. Not a second time. Landon’s best option is to hide away and limit his contact with the outside world. That includes getting rid of a puppy who has decided Landon’s backyard is a great place to call her own. A dog is the last thing he needs. Dogs need walks, and he definitely doesn’t do walks. When this pupper crashes Aliza Danahy’s outdoor yoga class, however, the dog won’t be the only one panting. But Aliza isn’t ready to trust another man. Not after divorcing her drug lord of a husband and moving back to Vermont. Her heart has taken a beating, and she’s got the nightmares to prove it. Is one kind walk enough to bring broken hearts back to life? One Kind Walk is a starting-over, small-town, contemporary romance that features a heroine returning to her hometown after divorce and a hermit hero hiding from the world. The One Kind Deed Series, contemporary romance "The town, the people, the love story... a perfect romance." Other Series by Christine DePetrillo The Maple Leaf Series, contemporary romance "Fears, pride, love, passion ~ beautifully woven together with substance and depth." The Warrior Wolves Series, paranormal romance "Full of memorable characters with a solid plot and plenty of passion." The Shielded Series, sci-fi romance "Great world-building, excellent emotional depth, and a great ending..."

Leah had a plan in place for this new phase of her life and she’d stick to it. Over six feet of Dakota Brenton wasn’t going to change that. Teaching fourth grade at Maplehaven Elementary School deep in the woods of Vermont is Leah Greenstead’s chance to hide and heal. It hurt too much to stay in New York City where every corner café, every friend, every sunrise reminded her of all she’d lost. Some people get to have everything they’ve ever wanted. Some don’t. Leah will stick to her rules about not getting close to anyone—about not falling in love again—and preserve what little is left of her heart. Except Dakota Brenton sets his sights on Leah. Maplehaven’s most beloved adventure guide isn’t easy to resist either. And he knows it. He uses his sense of humor, his charming family, and mathematical dirty talk to make it difficult for Leah to ignore him. Letting him in, however, is a big risk. If she dates him, she might like him. If she likes him, she might love him. If she loves him… she might lose him. Is one kind heart enough to change Leah’s mind about love? One Kind Heart is an opposites-attract, small-town, contemporary romance that features a heroine not willing to risk her heart and a hero not willing to give up on her. The One Kind Deed Series, contemporary romance "The town, the people, the love story... a perfect romance." Other Series by Christine DePetrillo The Maple Leaf Series, contemporary romance "Fears, pride, love, passion ~ beautifully woven together with substance and depth." The Warrior Wolves Series, paranormal romance "Full of memorable characters with a solid plot and plenty of passion." The Shielded Series, sci-fi romance "Great world-building, excellent emotional depth, and a great ending..."

What would someone accustomed to the glamour of Hollywood and the bustle of New York think about tiny, simple Maplehaven? Charlene Moyen isn’t looking for a nice guy. With her teasing barbs and badass chopper pilot skills, she needs someone who won’t flinch every time she unleashes her quick wit and daredevil instincts. Unfortunately, Charlie’s small hometown doesn’t have any guys like that. It’s probably for the best. Her parents’ relationship hasn’t provided a rock-solid example of what love is. She wouldn’t even know how to be someone’s true other half. Charlie is an expert at maneuvering her helicopter though. When an opportunity to feature her chopper in a movie being shot locally arises, she enters her name. She never expects to be filming with her favorite action-adventure actor, Austin Rayhill. Austin is surprised as well. He thought having a female pilot in the movie would be a good marketing move, but Charlie proves to be so much more than that. She pulls him out of his Hollywood world and gives him the dose of reality he needs. After Charlie lends a hand to Austin during an accident on set, the off-screen chemistry between them soars. Until Charlie’s extreme flying pokes at the one thing Austin fears most. Is one kind hand enough to bridge two worlds? One Kind Hand is a meeting-your-movie-star-crush, small-town, contemporary romance that features a tomboy heroine and a famous, big-screen hero who have more in common than they realize. The One Kind Deed Series, contemporary romance "The town, the people, the love story... a perfect romance." Other Series by Christine DePetrillo The Maple Leaf Series, contemporary romance "Fears, pride, love, passion ~ beautifully woven together with substance and depth." The Warrior Wolves Series, paranormal romance "Full of memorable characters with a solid plot and plenty of passion." The Shielded Series, sci-fi romance "Great world-building, excellent emotional depth, and a great ending..."

God only knows what possessed Bill Bryson, a reluctant adventurer if ever there was one, to undertake a gruelling hike along the world's longest continuous footpath—The Appalachian Trail. The 2,000-plus-mile trail winds through 14 states, stretching along the east coast of the United States, from Georgia to Maine. It snakes through some of the wildest and most spectacular landscapes in North America, as well as through some of its most poverty-stricken and primitive backwoods areas. With his offbeat sensibility, his eye for the absurd, and his laugh-out-loud sense of humour, Bryson recounts his confrontations with nature at its most uncompromising over his five-month journey. An instant classic, riotously funny, A Walk in the Woods will add a whole new audience to the legions of Bill Bryson fans.

Each number includes "Synopsis of recent articles."

In this bold new way of looking at dramatic structure, Jim Linnell establishes the central role of emotional experience in the conception, execution, and reception of plays. Walking on Fire: The Shaping Force of Emotion in Writing Drama examines dramatic texts through the lens of human behavior to identify the joining of event and emotion in a narrative, defined by Linnell as emotional form.Effectively building on philosophy, psychology, and critical theory in ways useful to both scholars and practitioners, Linnell unfolds the concept of emotional form as the key to understanding the central shaping force of drama. He highlights the Dionysian force of human emotion in the writer as the genesis for creative work and articulates its power to determine narrative outcomes and audience reaction.Walking on Fire contains writing exercises to open up playwrights to the emotional realities and challenges of their work. Additionally, each chapter offers case studies of traditional and nonlinear plays in the known canon that allow readers to evaluate the construction of these works and the authors’ practices and intentions through an xamination of the emotional form embedded in the central characters’ language, thoughts, and behaviors. The plays discussed include Henrik Ibsen’s A Doll’s House, William Shakespeare’s Hamlet, Athol Fugard’s “MASTER HAROLD”. . .and the boys, Donald Margulies’s The Loman Family Picnic, Harold Pinter’s The Birthday Party, and Tony Kushner’s Angels in America. Walking on Fire opens up new conversations about content and emotion for writers and offers exciting answers to the questions of why we make drama and why we connect to it. Linnell’s userfriendly theory and passionate approach create a framework for understanding the links between the writer’s work in creating the text, the text itself, and the audience’s engagement.