This book features oral histories, mainly of members of the ranching families who have lived in the Mexican State of Sonora and the corresponding territory in the US that stretches from Tijuana on the California border to Agua Prieta on the Arizona border. The elders in those families recall the tales that their grandparents told, providing a century of perspectives on the revolution in economics, culture, and drug trade that the area has witnessed. The book uses the voices of those who have lived through the vicissitudes of border life to paint this cultural upheaval in gripping, personal terms.

The helping professions and social scientists traditionally seek concepts and paradigms that can be used in shaping research and services focused on marginalized populations in the United States. Various perspectives have garnered attention across disciplines with intersectionality as a recent, salient example. However, state-sanctioned violence--built upon the foundation established by Intersectionality--introduces a purposeful socio-political agenda that is carried out by various levels of government to subjugate a group due to its beliefs, physical characteristics, and/or social circumstances. This book provides a conceptual foundation on state-sanctioned violence; critiques how this perspective holds relevance for social work research, education, and practice; examines specific examples of how and where state-sanctioned violence is manifested; and projects potential developments into the near future.

At the age of nine, Juan Salvatierra became mute following a horse riding accident. At twenty, he began secretly painting a series of long rolls of canvas in which he minutely detailed six decades of life in his village on Argentina’s river frontier with Uruguay. After the death of Salvatierra, his sons return to the village from Buenos Aires to deal with their inheritance: a shed packed with painted rolls of canvas stretching over two miles in length and depicting personal and communal history. Museum curators from Europe come calling to acquire this strange, gargantuan artwork. But an essential roll is missing. A search ensues that illuminates the links between art and life, as an intrigue of family secrets buried in the past cast their shadows on the present.

From the harrowing situation of migrants trying to cross the Mediterranean in rubber dinghies to the crisis on the US-Mexico border, mass migration is one of the most urgent issues facing our societies today. At the same time, viable solutions seem ever more remote, with the increasing polarization of public attitudes and political positions. In this book, Stephen Smith focuses on ‘young Africa’ – 40 per cent of its population are under fifteen – anda dramatic demographic shift. Today, 510 million people live inside EU borders, and 1.25 billion people in Africa. In 2050, 450 million Europeans will face 2.5 billion Africans – five times their number. The demographics are implacable. The scramble for Europe will become as inexorable as the ‘scramble for Africa’ was at the end of the nineteenth century, when 275 million people lived north and only 100 million lived south of the Mediterranean. Then it was all about raw materials and national pride, now it is about young Africans seeking a better life on the Old Continent, the island of prosperity within their reach. If Africa’s migratory patterns follow the historic precedents set by other less developed parts of the world, in thirty years a quarter of Europe’s population will beAfro-Europeans. Addressingthe question of how Europe cancope with an influx of this magnitude, Smith argues for a path between the two extremes of today’s debate. He advocatesmigratory policies of ‘good neighbourhood’ equidistant from guilt-ridden self-denial and nativist egoism. This sobering analysis of the migration challenges we now face will be essential reading for anyone concerned with the great social and political questions of our time.

The first relational study of twentieth-century U.S. guestworker programs from Mexico and the Caribbean, Contracting Freedom explores how 1940s debates over labor programs elided race and empire while further legitimating and extending U.S. domination abroad in the post-World War II era.

According to company lore, Gibson, the guitar manufacturer, had ceased guitar production during World War II with only "seasoned craftsmen" too old for battle doing repairs and completing the few instruments already in progress at their Kalamazoo, Michigan factory. However, beginning in 1942, Gibson started producing wartime guitars each marked with a small, golden "banner" displaying the slogan: "only a Gibson is good enough." Over 9000 of these "Banner" guitars were produced between 1942 and 1945 and they are considered to be some of the finest acoustic guitars ever produced but who was making them? In this work of musical and social history, Thomas explores the origins of the Gibson "Banner" guitars and the remarkable women, many of whom had no prior training in instrument construction, who built them.

A beautifully packaged edition of one of García Márquez's most beloved novels, with never-before-seen color illustrations by the Chilean artist Luisa Rivera and an interior design created by the author's son, Gonzalo García Barcha. In their youth, Florentino Ariza and Fermina Daza fall passionately in love. When Fermina eventually chooses to marry a wealthy, well-born doctor, Florentino is devastated, but he is a romantic. As he rises in his business career he whiles away the years in 622 affairs—yet he reserves his heart for Fermina. Her husband dies at last, and Florentino purposefully attends the funeral. Fifty years, nine months, and four days after he first declared his love for Fermina, he will do so again.