On days out to the beach, always be the first in the family to get out of the car, onto the beach and into the sea. Always be the last in the family to get out of the sea, onto the beach and into the car. Remember to shake excess sea water from your fur once you are inside the car. Humans may refrain from passing you food to test. To them, a piece of salmon, followed by Liquorice Allsorts, a chocolate cake, and a selection of vegetables is a foul combination. Humans believe meals should be categorised into three sections. A starter, a main course and a sweet. Disavow them of this. Food is food is food. Always make sure you have more energy at the end of a walk, than you did at the beginning. Believe me, humans love the futility of taking you for a walk to tire you out.

On days out to the beach, always be the first in the family to get out of the car, onto the beach and into the sea. Always be the last in the family to get out of the sea, onto the beach and into the car. Remember to shake excess sea water from your fur once you are inside the car. Humans may refrain from passing you food to test. To them, a piece of salmon, followed by Liquorice Allsorts, a chocolate cake, and a selection of vegetables is a foul combination. Humans believe meals should be categorised into three sections. A starter, a main course and a sweet. Disavow them of this. Food is food is food. Always make sure you have more energy at the end of a walk, than you did at the beginning. Believe me, humans love the futility of taking you for a walk to tire you out.

The follow-up book to the bestselling 'One Hundred Ways For A Dog To Train Its Human', this is the guide for all dogs who like to take a humorous look at the great outdoors! Excerpts from the book: On those wet, windy, wintry walks when you're as dirty and as slimy as you can get, don't slip and slide frenetically as you try to clamber over a stile. Let your human sweep you up into their arms and gently carry you over, whilst you watch the remnants of that cow pat transfer from your coat to theirs. Responsible humans like to know where you are at all times. Be considerate and tell them where you've been too, by leaving a trail of muddy footprints across all floor surfaces. It's only since humans have domesticated dogs, that you've had to be clean. Go ancestral. Get dirty!

In 100 Ways to Be As Happy As Your Dog, animal behaviour expert Celia Haddon shows you 100 ways in which you, too, can master the art of being happy by learning from your favourite canine companions. Curious, affectionate and always full of energy, dogs have always been a source of joy for us no matter what we are going through in life. Whether you've got a Labrador, a poodle or a shih tzu, your dog is always there, ready to play fetch or offer a cuddle or go for long walks on the beach when you need it. So let animal behaviour expert and bestselling author Celia Haddon show you how you, too, can live a good life as a human by learning the art of happiness from our best animal friend.

Can’t find time to write? Daunted by the sheer size of your writing project? Lost your motivation? Scared of being rejected? It doesn’t matter whether you want to write a page-turning novel, a life-changing non- fiction book, produce fascinating features or sizzling short stories, there comes a point when you have to sit down and write. That’s when negativity and despondency show up. To achieve your writing dreams, you need a positively productive mindset. Inside The Positively Productive Writer (Second Edition), you will learn how to: - embrace rejection, tame Imposter Syndrome, and avoid comparisonitis, - find more time to write, and turbo-boost your productivity by designating it ‘maker’ time or ‘manager’ time, - banish Writers’ Block, embrace sloppy copy, and celebrate your writing success, - and so much more! With an extra 40% positivity, this fully revised and updated second edition of The Positively Productive Writer will help you turn your creative dreams into writing reality. Simon Whaley is a bestselling author, magazine columnist, and feature writer. This second edition of The Positively Productive Writer draws upon his thirty years of published writing experience, and over two decades of creative writing tutoring.

What is a writer’s responsibility when it comes to tax? What legal implications should writers be aware of? What records should writers maintain, and what’s the best way of doing that? How do you cope with rejection or those crises of confidence that we all have from time to time? When is a pseudonym necessary? How can you improve your productivity? These, and many more, questions are answered in this collection of articles, first published in Writing Magazine. More than 50 professional writers, some of whom have appeared on the bestseller lists in the UK, or the New York Times and USA Today, share their tips and advice for making the most of your writing business. Contributors include: David Allen, Michael Allen, Judith Allnatt, Sarah Banham, Vicki Beeby, Louise Bolotin, Emily Bullock, Diana Cambridge, Alison Chisholm, Wendy Clarke, Marvin Close, Patsy Collins, Catherine Cooper, Nicholas Corder, Judith Cranswick, Dave Cullen, Nick Daws, Penny Ellis, Elaine Everest, Emma Finlayson-Palmer, Catherine Fitzsimons, Patrick Forsyth, Jean Fullerton, Della Galton, Alex Gazzola, Vanessa Gebbie, Vivien Hampshire, Solange Hando, David Hewson, Sally Jenkins, Sue Johnson, Susie Kearley, Jane Keightley, Natalie Kleinman, Yvonne Sarah Lewis, Kate Long, Anita Loughrey, Lorraine Mace, Adrian Magson, Kathleen McGurl, Eve Menezes-Cunningham, Tarja Moles, Christopher Owen, Joanna Penn, Diane Perry, Joanne Phillips, Julie Phillips, Kate Pool, Pat Posner, Jacqueline Pye, Sally Quilford, Jane Redfern-Jones, Suzanne Ruthven, Glynis Scrivens, Jane Smith, Jonathan Telfer, Paula Williams and Diane Wordsworth.

The second most common question a writer is asked is, 'where do your ideas come from?' (The first is, 'Do you make any money from it?') Experienced writers don't go looking for ideas; ideas come to them. An experienced writer just has the knack of spotting what makes a good story or what will make a good story once it's been given the right spin, because none of us, if we're honest, will let reality get in the way of a saleable piece of work. Editors are looking for an element of action, drama or surprise, even in non-fiction. It's what catches their attention and makes them pause to read further; and the key to any editor's heart is originality. Not necessarily a new departure in style or genre, but a refreshing and original slant on a popular theme. Life-Writes helps you to find and develop ideas with editor appeal. ,