“The more deeply you go into a long-held tradition, the more secrets and surprises it yields up. Mighty Ontake is like that. The mountain’s inexhaustible treasury of riches is like some endless storybook with its pages uncut. As one follows the rambling plot along, one is always looking forward to reading more. Every page yields things never found in other books. Ontake is that kind of mountain.” One Hundred Mountains is that kind of book. “Nowhere in the world do people hold mountains in so much regard as in Japan,” observed the author, Kyūya Fukada, in the afterword to his most famous work. “Mountains have played a part in Japanese history since the country’s beginnings, and they manifest themselves in every form of art. For mountains have always formed the bedrock of the Japanese soul.” In One Hundred Mountains, Fukada pays tribute to his favorite summits. Published in 1964, the book became an instant classic. Consisting of one hundred short essays, each celebrating one notable mountain and its place in Japan’s traditions, the book is an elegantly written eulogy to the landscape, literature, and history that define a people. More recently, Japan’s national broadcasting company has turned it into a memorable TV series. Fukada himself was bemused by his book’s success: “In the end, the one hundred mountains represent my personal choice and I make no claims for them beyond that.” Yet, half a century after he set down those words, his mountains have become a cultural institution. Marked on every hiking map and enshrined in scores of spin-off books, his One Hundred Mountains are today firmly embedded in the mountain traditions they grew out of. Now available in English for the first time, One Hundred Mountains of Japan will serve as a vade mecum to the Japanese mountains for a new cohort of hikers and mountaineers. It will also open up novel territories for students of Japan’s literature, folklore, religions, and mountaineering history—in short, for mountain-lovers everywhere.

Many Japanese once revered the wolf as Oguchi no Magami, or Large-Mouthed Pure God, but as Japan began its modern transformation wolves lost their otherworldly status and became noxious animals that needed to be killed. By 1905 they had disappeared from the country. In this spirited and absorbing narrative, Brett Walker takes a deep look at the scientific, cultural, and environmental dimensions of wolf extinction in Japan and tracks changing attitudes toward nature through Japan's long history. Grain farmers once worshiped wolves at shrines and left food offerings near their dens, beseeching the elusive canine to protect their crops from the sharp hooves and voracious appetites of wild boars and deer. Talismans and charms adorned with images of wolves protected against fire, disease, and other calamities and brought fertility to agrarian communities and to couples hoping to have children. The Ainu people believed that they were born from the union of a wolflike creature and a goddess. In the eighteenth century, wolves were seen as rabid man-killers in many parts of Japan. Highly ritualized wolf hunts were instigated to cleanse the landscape of what many considered as demons. By the nineteenth century, however, the destruction of wolves had become decidedly unceremonious, as seen on the island of Hokkaido. Through poisoning, hired hunters, and a bounty system, one of the archipelago's largest carnivores was systematically erased. The story of wolf extinction exposes the underside of Japan's modernization. Certain wolf scientists still camp out in Japan to listen for any trace of the elusive canines. The quiet they experience reminds us of the profound silence that awaits all humanity when, as the Japanese priest Kenko taught almost seven centuries ago, we "look on fellow sentient creatures without feeling compassion."

A guidebook to 13 short treks and 14 day walks in the Japan Alps and on Mount Fuji. Routes are graded by difficulty and range from relatively short walks on easy terrain to strenuous mountain excursions, sometimes involving scrambling, aided sections and considerable exposure. The routes cover the North , Central and South Alps, with each chapter offering information on local bases and public transport access. Also included are the four main ascent routes on Mount Fuji, Japan’s highest mountain. The treks range from 2–8 days and the day walks from 4 to 20km (3–15 hours). 1:50,000 mapping provided for each route GPX files available to download All you need to know about visiting the Japan Alps and Mount Fuji Comprehensive information on the region’s excellent facilities, which include mountain huts and hot-spring baths Japanese glossary

A collection of Japanese poems accompanied by their English translations.

From the mists of prehistory to the present day, Japan has always had stories of fantastic monsters. There are women with extra mouths in the backs of their heads, water goblins whose favorite food is inside the human anus, elephant-dragons which feed solely on bad dreams, baby zombies, talking foxes, fire-breathing chickens, animated blobs of rotten flesh that run about the streets at night, and the dreaded "hyakki yagyo" "the night parade of one hundred demons"-when all of the yokai leave their homes and parade through the streets of Japan in one massive spectacle of utter pandemonium. What are yokai? Put simply, they are supernatural creatures of Japanese folklore. The word in Japanese is a combination of "yo," meaning "bewitching," and "kai," meaning "strange." The term encompasses monsters, demons, gods ("kami"), ghosts ("bakemono"), magical animals, transformed humans, urban legends, and other strange phenomena. It is a broad and vague term. Nothing exists in the English language that quite does the trick of capturing the essence of yokai. This field guide contains over 100 illustrated entries covering a wide variety of Japanese yokai. Each yokai is described in detail-including its habitat, diet, origin, and legends-based on translations from centuries-old Japanese texts. This book was first funded on Kickstarter in 2011 and then revised in 2015.

Story of a Japanese princess and the first autobiography by a member of the Japanese Imperial Family to be published in English