In 1927, the leading art schools of the United States were invited to participate in a contest sponsored by the Art Students League of New York. A well-known artist and teacher, George B. Bridgman, directed the jury that selected the best figure drawings. Afterward, Bridgman assembled this splendid gallery of the best images from the competition. Intermediate-level students will benefit from the study of these complete and detailed drawings. Sketches in charcoal, pencil, wash, pen and ink, and crayon include a tremendous variety of styles, poses, and techniques. In addition to its value as a handbook, this collection also offers an authentic reflection of the era's excellent draftsmanship.

A book containing selected pen & ink drawings by artist, animator and director Aaron Blaise.

Selected drawings of the female form by the foremost representative of the turn-of-the-century Austrian Secessionsstil group

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In this collection of 20 comic strips, Lynda Barry wrestles with some of her 100 demons in her signature quirky, irrepressible voice.

The Inktober Handbook is the definitive guide to drawing in ink from Inktober founder Jake Parker. This book offers veteran inkists and novice practitioners alike the resources they need to reach the finish line of a month-long drawing challenge—any time of year! From nuts-and-bolts drawing instruction to advice on overcoming the urge to quit, this practical paperback is perfect for anyone looking to take their drawing to the next level. • The instructive and inspirational guide fans have been waiting for • Has a unique black-dyed fore-edge, making it a great gift • Features Parker's whimsical illustrations Every October, people worldwide take up the challenge to complete one ink drawing a day for 31 days. The creative marathon Inktober has helped millions of artists of all skill levels master the tools and techniques of ink drawing. • A helpful and accessible guide to illustrators of all levels • Parker combines his enthusiasm for pen-and-ink drawing with encouragement and practical instruction. • Perfect gift for artists who want to practice regularly and love a challenge, pen-and-ink enthusiasts, and anyone looking to sharpen their drawing skills

What art student doesn't groan at the hackneyed problems too often assigned in art classes, such as a still life and chianti bottles, old chairs, and large cloths draped over the whole scene? Here, in the first book ever of its kind, is a collection of interesting and original ideas for drawing projects, contributed by art instructors from all over the United States (and a few from Canada, Great Britain, and Australia) who have invented successful alternatives to humdrum exercises. The accompanying illustrations demonstrate ways in which their students have addressed the assignments and are included to help the reader visualize what might result from the written description. This book will be a welcome resource for art teachers and students in high school, college, graduate programs, and art schools, as well as artists undertaking independent study. Among the 100 drawing ideas are: * Drawing with a piece of charcoal held between the toes--to explore how limitations often bring out great creativity. * Adopting a mouse's-eye view of a still life--an unusual twist on perspective drawing. * Making a self-portrait that does not show the head but tells something significant about the artist through the depiction of other parts of the body--an original way of investigating "Who am I?" * Constructing a figure from assembled objects and then drawing it--for those times when a live human model is unavailable. * Creating a personal visual representation of the blues musical genre--to discover how one art form engenders another.