Lucy Corin's "eye popping, enlightening read" (Publishers Weekly), now in paperback. At the heart of Lucy Corin’s dazzling collection are one hundred apocalypses: visions of loss and destruction, vexation and crisis, revelation and revolution, sometimes only a few lines long. In these haunting and wickedly funny stories, an apocalypse might come in the form of the end of a relationship or the end of the world, but they all expose the tricky landscape of our longing for a clean slate. In three longer stories, contemporary American life is playfully, if disturbingly, distorted: the rite of passage for adolescent girls involves choosing the madman who will accompany them into adulthood; California burns to the ground while, on the east coast, life carries on; and a soldier returns home broke from war to encounter a witch who extends a dangerous offer. At once mournful and explosively energetic, One Hundred Apocalypses and Other Apocalypses is "deeply rooted in the politics and upheaval of our times" (Lambda Literary).

Lucy Corin's dazzling new collection is powered by one hundred apocalypses: a series of short stories, many only a few lines, that illuminate moments of vexation and crisis, revelations and revolutions. An apocalypse might come in the form of the end of a relationship or the end of the world, but what it exposes is the tricky landscape of our longing for a clean slate. Three longer stories are equally visionary: in "Eyes of Dogs," a soldier returns from war and encounters a witch who may in fact be his mother; "Madmen" describes an America where children who reach adolescence choose the madman who will accompany them into adulthood; in "Godzilla versus the Smog Monster," a teenager is flustered by his older, wilder neighbor while California burns on the other side of the continent. At once mournful and explosively energetic, One Hundred Apocalypses and Other Apocalypses makes manifest the troubled conscience of an uneasy time.

A stunningly ambitious, prescient novel about madness, generational trauma, and cultural breakdown At the outset of the 2008 financial crisis, Em has a dependable, dull marketing job generating reports of vague utility while she anxiously waits to hear news of her sister, Ad, who has gone missing—again. Em’s days pass drifting back and forth between her respectably cute starter house (bought with a “responsible, salary-backed, fixed-rate mortgage”) and her dreary office. Then something unthinkable, something impossible, happens and she begins to see how madness permeates everything around her while the mundane spaces she inhabits are transformed, through Lucy Corin’s idiosyncratic magic, into shimmering sites of the uncanny. The story that swirls around Em moves through several perspectives and voices. There is Frank, the tart-tongued, failing manager at her office; Jack, the man with whom Frank has had a love affair for decades; Em and Ad’s eccentric parents, who live in a house that is perpetually being built; and Tasio, the young man from Chiapas who works for them and falls in love with Ad. Through them Corin portrays porousness and breakdown in individuals and families, in economies and political systems, in architecture, technology, and even in language itself. The Swank Hotel is an acrobatic, unforgettable, surreal, and unexpectedly comic novel that interrogates the illusory dream of stability that pervaded early twenty-first-century America.

Some two hundred miles above Earth, Commander Orlando Iron Wolf is ready to complete his final orbit of the day aboard the International Space Station. As he peers out the window and counts down the minutes until his shift ends, he suddenly sees a blinking light in the distance. Wolf has no idea that what he is seeing is a rogue comet headed straight on a collision course with Earth. Now it is up to him to try to stop it before the planet is destroyed. As NASA frantically moves the Hubble, Wolf is assigned to travel on the Atlantis shuttle to observe the comet. As the world prepares to save as many people as possible, Wolf ignores his foreboding feelings and heads toward the comet, where his mission inevitably fails and he is placed in suspended animation. Now cryogenically frozen, Wolf is watched through the centuries by an onboard computer. When Wolf is finally released from the comet's grip, thousands of years have passed, the earth has been fractured into two nearly identical planets, and humankind has reverted to living amid medieval times. In this exciting science fiction tale, a man must use his newly discovered superpowers and the female voice of a computer to stem the oppressive tide of those who want nothing more than to see him and the future annihilated forever.

In this refreshing, funny, and startling collection of stories, Lucy Corin veers far from the path of staid contemporary fiction. She masterfully weaves traditional and experimental topics and techniques, creating a fictional world where people behave normally in the most extreme situations, and in bizarrely with almost no provocation at all. But thanks to her vivid, sharp prose and insightful first-person voices, even the oddest behavior is utterly believable. Unpredictable and playful, these stories transcend their apocalyptic feel to offer a vision that is clear, humane, and completely engaging.The Entire Predicamentsecures Corin’s reputation as an original, stylistically courageous voice in contemporary avant-garde fiction.

The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.