Contains one hundred of the most anthologized poems in the English language, and includes notes, profiles of the authors, and bibliographic information; presented in chronological order with a glossary, and author, title, and first line indexes.

A new edition of the most widely known and popular collection of Japanese poetry. The best-loved and most widely read of all Japanese poetry collections, the Ogura Hyakunin Isshu contains 100 short poems on nature, the seasons, travel, and, above all, love. Dating back to the seventh century, these elegant, precisely observed waka poems (the precursor of haiku) express deep emotion through visual images based on a penetrating observation of the natural world. Peter MacMillan's new translation of his prize-winning original conveys even more effectively the beauty and subtlety of this magical collection. Translated with an introduction and commentary by Peter MacMillan.

"The Passionate Shepherd to His Love," "Shall I compare thee to a summer's day?" "Death, be not proud," "The Raven," "The Road Not Taken," plus works by Blake, Wordsworth, Byron, Shelley, Keats, many others.

Rich treasury of verse from the 19th and 20th centuries includes works by Edgar Allan Poe, Robert Frost, Walt Whitman, Langston Hughes, Emily Dickinson, T. S. Eliot, other notables.

Around 1235, Japanese poet and scholar Fujiwara no Teika compiled for his son's father-in-law a collection of one hundred poems by one hundred poets. Within its chronological summary of six centuries of Japanese literature, Teika arranged a poetic conversation that ebbs and flows through a variety of subjects and styles. The collection became the exemplar of the genre-a mini-manual of classical poetry, taught in the standard school curriculum and used in a memory card game still played during New Years. "One Hundred People, One Poem Each" contains the best that classical Japanese poetry has to offer-here presented in a new verse translation. Revised edition.

This lavishly illustrated, oversized (17" x 10") book brings together the last major print series of the celebrated Japanese artist Hokusai (1760-1849) and the Japanese poetry that inspired these beautiful prints. Whether showing semi-nude women abalone divers struggling with their catch while a male crew of shriveled old salts leers from a nearby boat, or the carefree rapture of a leisurely group of men and women observing cherry blossoms at their peak, Hokusai captures, with drama and delicacy, sublime and ridiculous states. The artist's simplicity, though deceptive, is also remarkable: he illustrates a poem about a lovers' seaside tryst with a magnificently imposing yet unadorned sailing vessel, its small window offering a coy glimpse of the fortunate couple inside. Each of the 111 color prints (as well as 41 black-and-white sketches of projected prints apparently never completed) is accompanied by the poem, in Japanese and English, a biographical note on the poet and by Peter Morse's comments on literary and artistic intention and execution.