“One Green Field” contains a collection of essays on nature and its appreciation by a variety of notable authors including John Burroughs, Robert Louis Stevenson, Ralph Waldo Emerson, and more. Contents include: “Nature, by Ralph Waldo Emerson”, “Walking, by Henry David Thoreau”, “Reading the Book of Nature, by John Burroughs”, “A Geologist’s Winter Walk, by John Muir”, “On the Indifference of Nature, by Alfred George Gardiner”, “How to Observe Nature, by Elizabeth Brightwen”, “Bloody-Nose of Sunshine Hill: Hemaris Thysbe, by Gene Stratton-Porter”, “On Going a Journey, by William Hazlitt”, “Lake Scenery, by William Wordsworth”, “Walking Tours, by Robert Louis Stevenson”, etc. A fantastic collection of thought-provoking essays not to be missed by nature lovers and fans of nature writing. A Thousand Fields is publishing this brand new collection of classic essays now for the enjoyment of a new generation of readers.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

This collection opens with an inquiry into the assumptions and methods of the historical study of culture, comparing the new cultural history with the old. Thirteen essays follow, each defining a problem within a particular culture. In the first section, Biography and Autobiography, three scholars explore historically changing types of self-conception, each reflecting larger cultural meanings; essays included examine Italian Renaissance biographers and the autobiographies of Benjamin Franklin and Mohandas Gandhi. A second group of contributors explore problems raised by the writing of history itself, especially as it relates to a notion of culture. Here examples are drawn from the writings of Thucydides, Jacob Burckhardt, and the art historians Alois Riegl and Josef Strzygowski. In the third section, Politics, Nationalism, and Culture, the essays explore relationships between cultural creativity and national identity, with case studies focusing on the Holy Roman Emperor Maximilian I, the place of Castile within the national history of Spain, and the impact of World War I on work of Thomas Mann. The final section, Cultural Translation, raises the complex questions of cultural influence and the transmission of traditions over time through studies of Philo of Alexandria's interpretation of the Hebrew Bible, Erasmus' use of Socrates, Jean Bodin's conception of Roman law, and adaptations of the Hebrew Bible for American children.

This book interweaves the author’s personal story and observations of nature, with scientific research, and philosophical reflection. It tells the story of nearly three decades of labor to ecologically restore twenty-one acres of ruined land near Dayton, Ohio. This story and what the author has observed motivate reflection on the human relationship to soil, the inner lives of animals, the intelligence of plants, and human psychology. The book advances the case for the intelligence and kinship of all living things, an ethic of respect for life, and the need to radically rethink how human societies live on Earth.

Situated at the intersection of ecocriticism, affect studies, and Romantic studies, this collection breaks new ground on the role of emotions in Western environmentalism. Recent scholarship highlights how traffic between Romantic-era literature and science helped to catalyze Green Romanticism. Closer to our own moment, the affective turn reflects similar cross-disciplinary collaboration, as many scholars now see the physiological phenomenon of affect as a force central to how we develop conscious attitudes and commitments. Together, these trends offer suggestive insights for the study of Green Romanticism. While critics have traditionally positioned Romantic Nature as idealized and illusory, Romantic representations of nature are, in fact, ambivalent, scientifically informed, and ethically engaged. They often reflect writers' efforts to capture the fleeting experience of affect, raising urgent questions about how nature evokes feelings, and what demands these sensations place upon the feeling subject. By focusing on the affective dimensions of Green Romanticism, Wordsworth and the Green Romantics advances a vision of Romantic ecology that complicates scholarly perceptions of Romantic Nature, as well as popular caricatures of the Romantics as na•ve nature lovers. This collection will interest scholars and students of Romanticism, eighteenth- and nineteenth-century British literature, ecocriticism, affect studies, and those who work at the intersection of literature and science.