I am scared, that once this war is over, and I am sent home, that you won't be here. That you will have left. Leonard and Violet, young, restless and in love, spend their first night together knowing it may also be their last. It's 1942 and, in a hotel room in Bath, they dream of their future while preparing for Leonard's departure to the war. But the bombs begin to fall and their world will never be the same again. In the year 2002, the couple look back at what might have been. Examining the impact of the Second World War on two ordinary lives and a love that spans more than sixty years, Nick Payne's One Day When We Were Young premiered at the Crucible Studio, Sheffield, in October 2011 in a Paines Plough production.

From the author of Something to Live For, a nostalgic, heart-warming story of two long-lost friends who embark on a 184-mile walk of the Thames Path in order to find their way back to the truth, and to their friendship. How do you move forward…when all you want to do is go back? Joel and Theo haven’t spoken since the summer they turned sixteen, but that’s about to change. From the outside Joel looks like the picture of success: a TV scriptwriter with a smash hit who’s still together and in love with his teenage sweetheart, Amber. But he's falling apart at the seams. He's headed home to reconnect with best friend Theo--to get back to the start of it all. Theo has been living in his parents' shed, nursing a broken heart and a wounded ego, convinced life can't get any worse. Then he gets evicted on his 30th birthday. He thinks he's done with the real world - until it shows up on his doorstep... One of them is keeping a secret, and the other is living a lie. But can the promise they once made to walk all 184 miles of the Thames Path help them find their way back to the truth--and to their friendship?

From #1 New York Times bestselling author Karen Kingsbury comes a classic story about second chances, featuring the beloved Baxter family and a young father who finds his whole world turned upside down on the eve of his divorce. What if you could see into the future and know what will happen tomorrow, if you really walk out that door today. Pay attention. Life is not a dress rehearsal. From their first meeting, to their stunning engagement and lavish wedding, to their happily-ever-after, Noah and Emily Carter seemed meant to be. They have a special kind of love—and they want the world to know. More than a million adoring fans have followed their lives on Instagram since the day Noah publicly proposed to Emily. But behind the carefully staged photos and encouraging posts, their life is anything but a fairytale, and Noah’s obsession with social media has ruined everything. Distraught, Emily reaches out to her friend Kari Baxter Taylor and tells her the truth: Noah and Emily have decided to call it quits. He is leaving in the morning. But when Noah wakes the next day, everything is different. Emily is gone and the kids are years older. Like Scrooge in A Christmas Carol, bizarre and strange events continue throughout the night so that Noah is certain he’s twenty years older, and he is desperate for a second chance. Now it would take a miracle to return to yesterday. When We Were Young is a rare and beautiful love story that takes place in a single day. It’s about knowing what tomorrow will bring if you really walk out that door today—and the gift of being able to choose differently.

Spanning four generations and an infinite range of human emotions, When We Were Young is the story of the Mitchell family, beginning in England at the outbreak of World War II and chronicling the triumphs and tragedies of those tumultuous times. Most of all, it is the story of Jim Mitchell, a young, ambitious English boy, hardened by his wartime experience. Eager to grasp lifes opportunities, he embarks on an adventure peopled by a rich cast of characters he meets along the way. The raven-haired, charismatic, Maggie Bernadette OToole, rebellious daughter of his fathers sister, and her Irish immigrant husband; James Thompson, marine engineer extraordinaire, friend, world traveler, and mentor. Nikolai Concalves Cavalantis, an older Brazilian playboy, who was heir to one of the worlds leading hotel corporations and his young olive-skinned wife, the beautiful Maria; Lydia Louise Henning, a brilliant academic who served in the SAS during World War II and was captured by the German Gestapo and brutally tortured, leaving her with a fear of men; Jim Mitchell, his grandfather, a farmer, lay preacher, and mentor in his formative years

Remember the days when a night at the movies comprised a full three to four hours of varied entertainment? The attraction was not just the colossal main feature, but the supporting program: the newsreel, the cartoon, the shorts and the before-interval picture or "B" feature. Here's a book where you can re-live those wonderful times. No less than 140 varied features (from Hollywood's main studios to Poverty Row) are discussed, all with full cast and technical credits plus other background information. And to round the book out, I've also included 28 cartoons and 9 shorts!

Imagine you are watching a movie and suddenly the action stops and the credits begin to roll. Leaving Africa was like that. I had been going along in my African story, full of its sights and sounds and smells'children balancing kerosene tins on their heads, drums rumbling at night, air scented by smoke from charcoal and wood fires. . . And then: Cut. It was over. After twelve years of growing up mostly in West Africa, I was back in the United States, where people thought growing up in Africa was strange and growing up the daughter of missionaries was even stranger. I learned to avoid mentioning that part of my life at all, because if I did, I would feel the stereotypes close round me. I did my best to pass as American without ever quite succeeding. When my mother asked me in her last days, ?Do you appreciate your African childhood? I replied with cruel honesty, ?Yes, but now I don't belong in America.' Just weeks after her death at the age of 96, I sat myself down in a state of survivor's freedom to explore the childhood I had tried to put behind me. I poured out memories across a yellow notepad and began reading the letters Mother had passed on to me'intimate letters she and Daddy had written back to family from Africa, letters I myself had written from my boarding school in Nigeria my last three years there. As a historian I already understood the richness of life told in letters: the way secrets spring from their pages. Thus innocently (if any historian can be said to be innocent) I began'and found myself tangled up in a story I had not just forgotten but had never known.