In One Dance with a Duke—the first novel in Tessa Dare’s delightful new trilogy—secrets and scandals tempt the irresistible rogues of the Stud Club to gamble everything for love. A handsome and reclusive horse breeder, Spencer Dumarque, the fourth Duke of Morland, is a member of the exclusive Stud Club, an organization so select it has only ten members—yet membership is attainable to anyone with luck. And Spencer has plenty of it, along with an obsession with a prize horse, a dark secret, and, now, a reputation as the dashing “Duke of Midnight.” Each evening he selects one lady for a breathtaking midnight waltz. But none of the women catch his interest, and nobody ever bests the duke—until Lady Amelia d’Orsay tries her luck. In a moment of desperation, the unconventional beauty claims the duke’s dance and unwittingly steals his heart. When Amelia demands that Spencer forgive her scapegrace brother’s debts, she never imagines that her game of wits and words will lead to breathless passion and a steamy proposal. Still, Spencer is a man of mystery, perhaps connected to the shocking murder of the Stud Club’s founder. Will Amelia lose her heart in this reckless wager or win everlasting love?

Horses, gambling, and secrets are the game played by the men of the Stud Club—until love raises the stakes in Twice Tempted by a Rogue. Luck is a double-edged sword for brooding war hero Rhys St. Maur. His death wish went unanswered on the battlefield, while fate allowed the murder of his good friend in the elite gentlemen’s society known as the Stud Club. Out of options, Rhys returns to his ancestral home on the moors of Devonshire, expecting anything but a chance at redemption in the arms of a beautiful innkeeper who dares him to take on the demons of his past—and the sweet temptation of a woman’s love. Meredith Maddox believes in hard work, not fate, and romance isn’t part of her plan. But when Rhys returns, battle-scarred, world-weary, and more dangerously attractive than ever, the lovely widow is torn between determination and desire. As a deep mystery and dangerous smugglers threaten much more than their passionate reckoning, Meredith discovers that she must trust everything to a wager her heart placed long ago.

In Tessa Dare’s dazzling new trilogy, the men of the Stud Club live and play by their own rules—until passion changes the game. The bastard son of a nobleman, Julian Bellamy is now polished to perfection, enthralling the ton with wit and charm while clandestinely plotting to ruin the lords, ravish the ladies, and have the last laugh on a society that once spurned him. But after meeting Leo Chatwick, a decent man and founder of an elite gentlemen’s club, and Lily, Leo’s enchanting sister, Julian reconsiders his wild ways. And when Leo’s tragic murder demands that Julian hunt for justice, he vows to see the woman he secretly loves married to a man of her own class. Lily, however, has a very different husband in mind. She’s loved Julian forever, adores the man beneath the rakish façade, and wants to savor the delicious attraction they share—as his wife. His insistence on marrying her off only reinforces her intent to prove that he is the only man for her. Obsessed with catching a killer, Julian sinks back to the gutters of his youth, forcing Lily to reach out with a sweet, reckless passion Julian can’t resist. Can her desire for a scoundrel save them both—or will dangerous secrets threaten more than their tender love?

Miss Cecily Hurston would much rather explore the antiquities of Egypt than the uncharted territory of marriage. But the rules of her father's exclusive academic society forbid her entrance until she weds one of its members. To clear her ailing father's name of a scandalous rumour, Cecily is willing to marry any old dullard to do it.

Sometimes love happens when you least expect it… She's loved him for years... Charlotte Grant can't remember a time when she didn't love her best friend's older brother. He's never noticed her... The Duke of Clarington hadn't spared a thought for his sister's friend in years. Their situations are about to be reversed... It is the beginning of a new Season and Clarington intends to stay away from all the young ladies and eager mamas hoping to ensnare a duke. But that plan falls into tatters when his mother sponsors his sister's friend and enlists him to dance with her at Almack's. The beautiful vixen he meets that night bears little resemblance to the shy, gangly girl who used to follow him around. Now, instead of avoiding Charlotte, he finds himself frustrated when she seems to notice everyone but him. DANCING WITH THE DUKE is a standalone prequel novella to the LANDING A LORD a Lord series.

Inspirational words of wisdom to help little ones everywhere navigate the joys and sorrows of childhood with positivity, strength, and love. Imagine the words your great grandmother might say if she wrote you a letter. Perhaps she would encourage you to embrace the rain, or shine your light for all to see. Perhaps she would remind you to take up space and choose your path, knowing that whichever path you take will be the right one because it's yours. Perhaps she would tell you you are loved. Perhaps she would start the letter, "Dearest One". A gorgeous keepsake for a growing child, this gentle tale takes the form of a letter passed down from older generations to the young, full of warmth, love, and wisdom.

In Always More Than One, the philosopher, visual artist, and dancer Erin Manning explores the concept of the "more than human" in the context of movement, perception, and experience. Working from Whitehead's process philosophy and Simondon's theory of individuation, she extends the concepts of movement and relation developed in her earlier work toward the notion of "choreographic thinking." Here, she uses choreographic thinking to explore a mode of perception prior to the settling of experience into established categories. Manning connects this to the concept of "autistic perception," described by autistics as the awareness of a relational field prior to the so-called neurotypical tendency to "chunk" experience into predetermined subjects and objects. Autistics explain that, rather than immediately distinguishing objects—such as chairs and tables and humans—from one another on entering a given environment, they experience the environment as gradually taking form. Manning maintains that this mode of awareness underlies all perception. What we perceive is never first a subject or an object, but an ecology. From this vantage point, she proposes that we consider an ecological politics where movement and relation take precedence over predefined categories, such as the neurotypical and the neurodiverse, or the human and the nonhuman. What would it mean to embrace an ecological politics of collective individuation?