Once Upon the Disenchanted Ever After: The Truth about Fairy Tales by Mina Anna Poe This is Mina Anne Poe’s take on the classic fairy tales we grew up with when we were young. These somber and hauntingly enchanted tales are for a new generation of readers. These tales show a more bittersweet side of the “happily ever after” we all dreamed about when we were young, naïve and believed in love at first sight. These stories dispel that myth with every twist the characters must endure to find their perfect ending. Beauty is in the eye of the beholder. There are people who are loyal – and ones who will betray. In every tale, there has to be a balance of good and evil. These tales are not as graphic or as disturbing as the ones written by the Brothers Grimm. Poe felt that terrifying the reader was the wrong way to entice them. Although these tales are dark, they are suitable for most readers. These stories have magic and enchantment. Poe has more tales to tell – just waiting patiently for one day!

According to Russellian monism, an alternative to the familiar theories in the philosophy of mind that combines attractive components of physicalism and dualism, matter has intrinsic properties that both constitute consciousness and serve as categorical bases for the dispositional properties described in physics. Consciousness in the Physical World collects various works on Russellian monism, including historical selections, recent classics, and new pieces. Most chapters are sympathetic with the view, but some are skeptical. Together, they constitute the first book-length treatment of the view itself, its relationship to other theories, its motivations, and its problems.

Sleeping Beauty has insomnia. Snow White isn't so pure. And Belle just may be the Beast. These authors have joined together to bring you stories so good, you can’t help but tell them again… Imagine all your favorite fairy tales retold by bestselling romance authors…oh yeah, you get the idea. Escape into the fantasy of your favorite bedtime stories reimagined with fresh new twists and turns for you to immerse yourself in. This set features kickass heroines, swoon worthy heroes, and epic villains you won’t wanna miss! When it comes to urban fantasy paranormal romance, we’re bringing you all the magical feels in one beautifully packaged limited edition collection. Including Stories from: Julia Mills - NY Times and USA Today bestselling author Stephanie Morris - USA Today bestselling author K.L. Bone - USA Today bestselling author Leona Bushman - USA Today bestselling author C.D. Gorri - USA Today bestselling author Lia Violet - USA Today bestselling author Stacey Jaine McIntosh - USA Today bestselling author Sky Purington Dee St. Holm Jordan Elizabeth JC Brown Lizzy Prince Andra Dill G.R. Loreweaver R.A. Lingenfelter Ashley Kay

Sciences of Modernism examines key points of contact between British literature and the human sciences of ethnography, sexology and psychology at the dawn of the twentieth century. The book is divided into sections that pair exemplary scientific texts from the period with literary ones, charting numerous collaborations and competitions occurring between science and early modernist literature. Paul Peppis investigates this exchange through close readings of literary works by Claude McKay, E. M. Forster, Mina Loy, Rebecca West and Wilfred Owen, alongside science books by Alfred Haddon, Havelock Ellis, Marie Stopes, Bernard Hart and William Brown. In so doing, Peppis shows how these competing disciplines participated in the formation and consolidation of modernism as a broad cultural movement across a range of critical discourses. His study will interest students and scholars of the history of science, literary modernism, and English literature more broadly.

A great many theorists have argued that the defining feature of modernity is that people no longer believe in spirits, myths, or magic. Jason Ā. Josephson-Storm argues that as broad cultural history goes, this narrative is wrong, as attempts to suppress magic have failed more often than they have succeeded. Even the human sciences have been more enchanted than is commonly supposed. But that raises the question: How did a magical, spiritualist, mesmerized Europe ever convince itself that it was disenchanted? Josephson-Storm traces the history of the myth of disenchantment in the births of philosophy, anthropology, sociology, folklore, psychoanalysis, and religious studies. Ironically, the myth of mythless modernity formed at the very time that Britain, France, and Germany were in the midst of occult and spiritualist revivals. Indeed, Josephson-Storm argues, these disciplines’ founding figures were not only aware of, but profoundly enmeshed in, the occult milieu; and it was specifically in response to this burgeoning culture of spirits and magic that they produced notions of a disenchanted world. By providing a novel history of the human sciences and their connection to esotericism, The Myth of Disenchantment dispatches with most widely held accounts of modernity and its break from the premodern past.

This collection explores, in Adorno's description, `philosophy directed against philosophy'. The essays cover all aspects of Benjamin's writings, from his early work in the philosophy of art and language, through to the concept of history. The experience of time and the destruction of false continuity are identified as the key themes in Benjamin's understanding of history.

What would the world of work look like if interpreted through the lens of the fairytale? To answer this question Once Upon a Time in Facilities Management explores storied spaces and metaphorical archetypes in the study of business, management, and organization. At its core, the authors offer a diagnostic approach for the study of work organization that links management theory, storytelling, and the business imaginary. An important empirical focus is also included that explores a business service rarely studied in the management literature: Facilities Management (FM), a 'secondary service' of non-core and increasingly outsourced organizational functions. An in-depth appreciation of FM is provided that assesses the people, practices, and processes of the service in a study that also highlights the characteristic liminality of the sector's professional activities. Emphasis is placed on illuminating the storytelling nature of the service, using primarily the genre of fairytales to identify representational archetypes (including queen, shadow, sage, trickster, adventurer, and eternal child) within FM's storied space. In the process, three central characters (essentially modes of FM delivery) are identified - the professional consultant, the external service provider, and the in-house function - with these forming the structural basis of fairytales explaining the culture and symbolism of FM as a business service. The authors conclude by extrapolating findings from the study to inform a discussion of the contributions of folkloric analysis to organization theory explicitly and our understanding of business and management practice more widely.