When fifteen-year-old Iranian American Marjan discovers her murdered father was secretly a veterinarian to magical creatures, she realizes she must take up his mantle, despite the many dangers.

There was once a Hoodie, who lived under a hill. But he wasn't happy. There's only one thing in the world that makes a Hoodie happy.It wasn't the white-and-woollies that bolted when they saw him coming, it wasn't the black-and-whites that crashed through the nearest hedge when they saw him coming. Can you guess what it is? A superbly illustrated picture book about friendship.

Examines the many forms of wildlife that can be displaced if their environment is destroyed by development and discusses how communities and schools can provide spaces for them to live.

Two best friends, five hot guys, one dream vacation. What could possibly go wrong? Lori is beautiful, smart, and athletic. The one thing she can’t do is speak up for herself: she can’t stand up to a creepy guy at the gym, she can’t speak to her crush, and she certainly can’t tell her parents that she wants to take a year off to backpack around Europe rather than follow family tradition and go to med school. When her best friend, Faye, invites her on an all expenses paid, weeklong trip to a sunny destination with Faye’s brother, Adam, and four of his friends, she jumps at the chance to leave all her problems behind. Faye is Lori’s opposite in a lot of ways—maybe that’s why they’re such good friends. In fact, the only problem in Faye’s life is that her brother hates her, and she’s hooking-up with his best friend, Kellan, behind his back. She can’t let Adam find out. as that’ll only make their relationship worse. At the same time, she doesn’t want a hook-up; she wants a real relationship with Kellan. This vacation is her chance to figure out if he’s in this for real or not. When Faye hatches a scheme designed to make Kellan jealous, she drags everyone else into her drama—including Lori and her gym crush, who just happens to be on this trip too! Soon everyone is fighting with everyone else and relationships are being ripped apart as secrets are revealed. Going on the Best Vacation Ever may turn out to be the Worst Decision Ever. This delightful, stand-alone novel from YA superstar Jessica Cunsolo deals with romance and friendship, but it’s also about learning to stand-up for yourself and be who you want to be.

From the author of My Secret Guide to Paris, Sealed with a Secret, and Keys to the City comes a new novel about the power and magic of friendship. Juliet has just moved to a beachside town with her newly separated mother and her moody older sister. When she meets their new neighbor, Emma, the girls form an instant bond. Emma's big family takes Juliet in, and the girls have fun together -- starting with the night they throw bottles with secret messages into the sea.Then someone writes back to Juliet's message. An email arrives, inviting her to join the Starry Beach Club. All she has to do is make someone else's wish come true.So Juliet and Emma set off to help as many other people as they can. It's fun! But as Juliet spends more and more time away from home, enjoying her new town and Emma's family more than her own mom and sister, she starts feeling lost. It's been easy to find others to help. But maybe her star would shine a little brighter if she brought it closer to home.

USA TODAY BESTSELLER • In the debut of a delightful cozy mystery series, Sarah Fox introduces a charming new heroine who finds herself in a sticky situation: stacking pancakes, pouring coffee, and investigating murder. Bonus content: includes original recipes inspired by the Flip Side Pancake House menu! When Marley McKinney’s aging cousin, Jimmy, is hospitalized with pneumonia, she agrees to help run his pancake house while he recovers. With its rustic interior and syrupy scent, the Flip Side Pancake House is just as she pictured it—and the surly chef is a wizard with crêpes. Marley expects to spend a leisurely week or two in Wildwood Cove, the quaint, coastal community where she used to spend her summers, but then Cousin Jimmy is found murdered, sprawled on the rocks beneath a nearby cliff. After she stumbles across evidence of stolen goods in Jimmy’s workshop, Marley is determined to find out what’s really going on in the not-so-quiet town of Wildwood Cove. With help from her childhood crush and her adopted cat, Flapjack, Marley sinks her teeth into the investigation. But if she’s not careful, she’s going to get burned by a killer who’s only interested in serving up trouble. Praise for The Crêpes of Wrath “A very cute start to a new cozy mystery series . . . The red herrings are savory enough to be served as one of the dinner options in beautiful Wildwood Cove.”—Reading Reality “I enjoyed every moment of this mystery from start to finish, and immediately found myself engrossed in Wildwood Cove living. It’s one of those cozy locales that’s a character itself.”—Melissa’s Mochas, Mysteries & Meows “I loved the characters, the seaside setting, and the suspense. Throw in some delicious-sounding recipes and a little romance, and this was an all-around wonderful cozy mystery.”—The Book’s the Thing “Cute, action-packed, and engaging.”—Reading is My Superpower “The writing was superb and the plot line was really well developed.”—Melina’s Book Blog “The Crêpes of Wrath is an intriguing whodunit tale that has enough quirky characters, witty banter and humor, drama, secrets, a growing list of suspects, and surprising twists and turns, that it will easily keep you guessing the identity of the murderer.”—Jersey Girl Book Reviews “A wonderful introduction to a brand new cozy mystery series.”—Book Babble “The Crêpes of Wrath is a delightful, intelligent book that proves to be a great start in a new series.”—Cozy Up With Kathy “This is a new cozy series and I think it is going to be a winner.”—Storeybook Reviews

As an intervention in conversations on transnationalism, film culture and genre theory, this book theorises transnational genre hybridity – combining tropes from foreign and domestic genres – as a way to think about films through a global and local framework. Taking the British horror resurgence of the 2000s as case study, genre studies are here combined with close formal analysis to argue that embracing transnational genre hybridity enabled the boom; starting in 2002, the resurgence saw British horror film production outpace the golden age of British horror. Yet, resurgence films like 28 Days Later and Shaun of the Dead had to reckon with horror’s vilified status in the UK, a continuation of attitudes perpetuated by middle-brow film critics who coded horror as dangerous and Americanised. Moving beyond British cinema studies’ focus on the national, this book also presents a fresh take on long-standing issues in British cinema, including genre and film culture.