Heaven's Hill plantation, upriver from Georgetown, South Carolina, 1807: Sixteen-year-old Alexandra de Gambia, daughter of an African-American planter and a mother who passes for white, balances on the tightrope between girlhood and the complicated adult world where one misstep can forever ruin a young woman's prospects. Her dream is to become to an accomplished musician. She will have a chance to impress her first public audience when she plays her violin in the Christmas Concert to be held in her white cousin's famous recital parlor. Alexandra's life turns upside down when her mother dies and her father is murdered by greedy newcomers eager to diminish the status of wealthy free people of color. If the murderers can dispose of Alexandra and her little brother, the only living heirs to Heaven's Hill, they can claim the prosperous estate for themselves. Alexandra and her brother run for their lives.Fearing she will be killed, Alexandra hides and watches as the usurpers capture her brother, lock him in the blacksmith's shop and burn the building to the ground. Guilt haunts her.Alexandra escapes from Heaven's Hill only to be caught by slave catchers from whom she conceals her identity. Sold and placed in a slave cabin, Alexandra befriends John Fowler, a ten-year-old indentured boy who reminds her of her brother. When the overseer threatens to work John to death, Alexandra risks her life to help the little boy to run away and rejoin his family in North Carolina. The secondary plot-line features Alexandra's love affair with a plantation owner's son.

"...There will be signs in the sun, in the moon, and in the stars...Now when these things begin to happen, look up and lift up your heads, because your redemption draws near." Luke 21:25a, 28 It is rare that Scripture, science, and history align with each other, yet the last three series of Four Blood Moons have done exactly that. Are these the "signs" that God refers to in His Word? If they are, what do they mean? What is their prophetic significance?

This powerful, timely novel in verse exposes provocative truths about periods, sex, shame, and going viral for all the wrong reasons. After school one day, Frankie, a lover of physics and astronomy, has her first sexual experience with quiet and gorgeous Benjamin—and gets her period. It’s only blood, they agree. But soon a gruesome meme goes viral, turning an intimate, affectionate afternoon into something sordid, mortifying, and damaging. In the time it takes to swipe a screen, Frankie’s universe implodes. Who can she trust? Not Harriet, her suddenly cruel best friend, and certainly not Benjamin, the only one who knows about the incident. As the online shaming takes on a horrifying life of its own, Frankie begins to wonder: is her real life over? Author Lucy Cuthew vividly portrays what it is to be a teen today with this fearless and ultimately uplifting novel in verse. Brimming with emotion, the story captures the intensity of friendships, first love, and female desire, while unflinchingly exploring the culture of online and menstrual shaming. Sure to be a conversation starter, Blood Moon is the unforgettable portrait of one girl’s fight to reclaim her reputation and to stand up against a culture that says periods are dirty.

The action-packed follow up to The Rising, from acclaimed thriller-suspense novelists Heather Graham and Jon Land, this is Blood Moon. The recipient of RWA’s Lifetime Achievement Award and ITW’s ThrillerMaster Award, Heather Graham is at the pinnacle of her career. Now she's teamed up with USA Today bestselling author Jon Land to continue the story of high school seniors Alex Chin and Samantha Dixon. They may have managed to win a major battle against the powerful enemy determined to destroy civilization as we know it. But the war continues, with Alex and Sam embarking on a desperate journey to save mankind, even as their friendship blossoms into something much more. The roadmap for their journey lies in a mysterious book, the language of which has never been deciphered, until Alex finds himself able to translate the words that may hold the keys to saving the future. Toward that end, Alex’s and Sam’s quest spirits them away to a myriad of locations around the world, each of which holds another piece of the puzzle that can defeat the alien invaders. But an ageless foe, long the guardian of the secrets his race has left behind on Earth, arises to stop them at all costs. At his disposal is a deadly and merciless army that has been awaiting this very war, an army as unstoppable as it is relentless. Over the ruins of the lost Mayan city of El Mirador, a blood moon is about to rise, triggering the end of mankind unless Alex and Sam can prevail in a struggle that will determine the fate of the planet. As forces both ancient and modern converge, as painful choices must be made and sacrifices accepted, two young heroes will rise again to stand as the final line of defense to preserve their world and their love. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

An astonishing untold story from the nineteenth century—a “riveting…engrossing…‘American Epic’” (The Wall Street Journal) and necessary work of history that reads like Gone with the Wind for the Cherokee. “A vigorous, well-written book that distills a complex history to a clash between two men without oversimplifying” (Kirkus Reviews), Blood Moon is the story of the feud between two rival Cherokee chiefs from the early years of the United States through the infamous Trail of Tears and into the Civil War. Their enmity would lead to war, forced removal from their homeland, and the devastation of a once-proud nation. One of the men, known as The Ridge—short for He Who Walks on Mountaintops—is a fearsome warrior who speaks no English, but whose exploits on the battlefield are legendary. The other, John Ross, is descended from Scottish traders and looks like one: a pale, unimposing half-pint who wears modern clothes and speaks not a word of Cherokee. At first, the two men are friends and allies who negotiate with almost every American president from George Washington through Abraham Lincoln. But as the threat to their land and their people grows more dire, they break with each other on the subject of removal. In Blood Moon, John Sedgwick restores the Cherokee to their rightful place in American history in a dramatic saga that informs much of the country’s mythic past today. Fueled by meticulous research in contemporary diaries and journals, newspaper reports, and eyewitness accounts—and Sedgwick’s own extensive travels within Cherokee lands from the Southeast to Oklahoma—it is “a wild ride of a book—fascinating, chilling, and enlightening—that explains the removal of the Cherokee as one of the central dramas of our country” (Ian Frazier). Populated with heroes and scoundrels of all varieties, this is a richly evocative portrait of the Cherokee that is destined to become the defining book on this extraordinary people.

“Why would I expect to feel blameless?” Troubled and meditative, Blood Moon is an examination of racism, whiteness, and language within one woman’s life. In these poems, words are deeply powerful, even if—with the onset of physical infirmity—they sometimes become unfixed and inaccessible, bringing together moral and mortal peril as Patricia Kirkpatrick’s speaker ages. From a child, vulnerable to “words / we learned / outside and in school, / at home, on television”: “Some words you don’t say / but you know.” To a citizen, reckoning with contemporary police brutality: “Some days need a subject and an action / or a state of being because it’s grammar. / The cop shot. The man was dead.” And to a patient recovering from brain surgery: “I don’t have names. / Words are not with me.” Throughout the collection, the moon plays companion to this speaker, as it moves through its own phases, disappearing behind one poem before appearing fully in the next. In Kirkpatrick’s hands, the moon is confessor, guide, muse, mirror, and—most of all—witness, to the cruelty that humans inflict upon one another. “The moon,” she reminds us, “will be there.” Compassionate, contemplative, occasionally wonderstruck, Blood Moon is a moving work of moral introspection.