Once a copper, always a copper. At least that’s how it seems for Brian ‘The Skull’ Murphy, long-retired but sought out by a trail of journalists and cops who regularly beat a path to his door. Once known as Australia’s toughest cop, The Skull was both charged with manslaughter (and acquitted), then awarded a Valour Award for bravery in the line of duty. It is these two sides to the complex man that intrigue audiences to this day. A non-drinking, Catholic family man, The Skull didn’t fit the 1950s police mould and often found himself on the outer among his colleagues. Dodging crooks and corruption on both sides of the thin blue line, The Skull carefully cultivated a reputation for being a ‘mad bastard’. Over 40 men felt the sting of his bullets, and many more felt the sting of his fists. But behind Australia’s toughest cop lay a personal secret of sexual abuse which Murphy shares publicly for the first time, in the hope that it will help others. This abuse formed the kind of police officer he later became — tough on the bad guys, but fiercely protective towards victims. With today’s political correctness and strict rules of conduct, there will never be another big personality copper like Brian ‘The Skull’ Murphy. This is his story.

Honored in "Best Books of the Year" listings from The New Yorker, National Public Radio, Library Journal, and The Huffington Post. "One With Others represents Wright's most audacious experiment yet."—The New Yorker "[A] book . . . that defies description and discovers a powerful mode of its own."— National Public Radio "[A] searing dissection of hate crimes and their malignant legacy."—Booklist Today, Gentle Reader, the sermon once again: "Segregation After Death." Showers in the a.m. The threat they say is moving from the east. The sheriff's club says Not now. Not nokindofhow. Not never. The children's minds say Never waver. Air fanned by a flock of hands in the old funeral home where the meetings were called [because Mrs. Oliver owned it free and clear], and that selfsame air, sanctified and doomed, rent with racism, and it percolates up from the soil itself . . . In this National Book Award finalist and National Book Critics Circle Award finalist, C.D. Wright returns to her native Arkansas and examines explosive incidents grounded in the Civil Rights Movement. In her signature style, Wright interweaves oral histories, hymns, lists, interviews, newspaper accounts, and personal memories—especially those of her incandescent mentor, Mrs. Vittitow—with the voices of witnesses, neighbors, police, and activists. This history leaps howling off the page. C.D. Wright has published over a dozen works of poetry and prose. Among her honors are the Griffin Poetry Prize and a MacArthur Fellowship. She teaches at Brown University and lives outside of Providence, Rhode Island.

"I write hungry sentences," Natalie Diaz once explained in an interview, "because they want more and more lyricism and imagery to satisfy them." This debut collection is a fast-paced tour of Mojave life and family narrative: A sister fights for or against a brother on meth, and everyone from Antigone, Houdini, Huitzilopochtli, and Jesus is invoked and invited to hash it out. These darkly humorous poems illuminate far corners of the heart, revealing teeth, tails, and more than a few dreams. I watched a lion eat a man like a piece of fruit, peel tendons from fascia like pith from rind, then lick the sweet meat from its hard core of bones. The man had earned this feast and his own deliciousness by ringing a stick against the lion's cage, calling out Here, Kitty Kitty, Meow! With one swipe of a paw much like a catcher's mitt with fangs, the lion pulled the man into the cage, rattling his skeleton against the metal bars. The lion didn't want to do it— He didn't want to eat the man like a piece of fruit and he told the crowd this: I only wanted some goddamn sleep . . . Natalie Diaz was born and raised on the Fort Mojave Indian Reservation in Needles, California. After playing professional basketball for four years in Europe and Asia, Diaz returned to the states to complete her MFA at Old Dominion University. She lives in Surprise, Arizona, and is working to preserve the Mojave language.

A World From Dust describes how a set of chemical rules combined with the principles of evolution in order to create an environment in which life as we know it could unfold. Beginning with simple mathematics, these predictable rules led to the advent of the planet itself, as well as cells, organs and organelles, ecosystems, and increasingly complex life forms. McFarland provides an accessible discussion of a geological history as well, describing how the inorganic matter on Earth underwent chemical reactions with air and water, allowing for life to emerge from the world's first rocks. He traces the history of life all the way to modern neuroscience, and shows how the bioelectric signals that make up the human brain were formed. Most popular science books on the topic present either the physics of how the universe formed, or the biology of how complex life came about; this book's approach would be novel in that it condenses in an engaging way the chemistry that links the two fields. This book is an accessible and multidisciplinary look at how life on our planet came to be, and how it continues to develop and change even today. This book includes 40 illustrations by Gala Bent, print artist and studio faculty member at Cornish College of the Arts, and Mary Anderson, medical illustrator.