Winner of the 2019 Stan and Tom Wick Poetry Prize Natalie Diaz, judge i say / my mother's name, / cristina & desert marigolds / crack through a boulder. / i say my father's name, martin / & all the novena candles / in the bed of the truck are aglow. These lines from the book's titular poem "On This Side of the Desert" encapsulate the dominant themes of the collection: the power and meaning derived from the act of naming; the deep interconnectedness of Latinx cultures, a product of strong family traditions and an intimate relationship with the natural world; and a profound spirituality rooted in the sacraments of Catholic orthodoxy. This poem, like many of those in Aguilar's collection is written from the perspective of a young boy growing up along the Mexican border. As Aguilar chronicles the unique challenges faced by border communities where surviving the desert is a perpetual struggle, and the distress of finding "an entire skeleton in torn clothes" is muted by frequency, he also modernizes the traditional pastoral form to encompass both beauty and trauma. This debut book of poetry describes the experience of being raised in southern California as a child of Mexican immigrants in the shadow of the borderlands. Just as the borderlands are defined by the desert, so, too, are its inhabitants defined by their families, their culture shaped from the clay of the Sonoran desert and given life by the nourishing water of their ancestors. In these poems, the desert is recognized for what it truly is--a living, breathing body filled with both joy and pain.

What does a nationally known marriage expert do when her own marriage falls apart? Just as Jillian Galloway sets out for a publicity tour to promote her new book, her husband drops a bombshell: He wants a divorce. Jill flees to her parents’ home in the California desert, wondering whether everything she’s built her career on—indeed, everything she’s built her life around—is a sham. Navigating this “side road” of life is an uphill climb that leads to new understandings about herself, her marriage, and her relationship with the One who created marriage.

Aidan explores the ways in which Nietzsche's warning that 'the desert grows' has been taken up by Heidegger, Derrida and Deleuze in their critiques of modernity, and the desert in literature ranging from T.S Eliot to Don DeLillo; from imperial travel writing to postmodernism; and from the Old Testament to salvagepunk.

Contains essays that depict and decry the rapid growth and disappearing natural landscapes of the Sunbelt

The Desert Fathers were the first Christian monks, living in solitude in the deserts of Egypt, Palestine, and Syria. In contrast to the formalised and official theology of the "founding fathers" of the church, the Desert Fathers were ordinary Christians who chose to renounce the world and live lives of celibacy, fasting, vigil, prayer and poverty in direct and simple response to the gospel. Their sayings were first recorded in the 4th century and consist of spiritual advice, anecdotes and parables. The Desert Fathers' teachings and lives have inspired poetry, opera and art, as well as providing spiritual nourishment and a template for monastic life.

Layering climate science, mythologies, nature writing, and personal experiences, this New York Times Notable Book presents a stunning reckoning with our current moment and with the literal and figurative end of time. Desert Notebooks examines how the unprecedented pace of destruction to our environment and an increasingly unstable geopolitical landscape have led us to the brink of a calamity greater than any humankind has confronted before. As inhabitants of the Anthropocene, what might some of our own histories tell us about how to confront apocalypse? And how might the geologies and ecologies of desert spaces inform how we see and act toward time—the pasts we have erased and paved over, this anxious present, the future we have no choice but to build? Ehrenreich draws on the stark grandeur of the desert to ask how we might reckon with the uncertainty that surrounds us and fight off the crises that have already begun. In the canyons and oases of the Mojave and in Las Vegas’s neon apocalypse, Ehrenreich finds beauty, and even hope, surging up in the most unlikely places, from the most barren rocks, and the apparent emptiness of the sky. Desert Notebooks is a vital and necessary chronicle of our past and our present—unflinching, urgent—yet timeless and profound.

A heartfelt, daring, divinely hilarious debut novel about a priest who embarks on a fateful journey with a pistol in his pocket and an injured coyote in his backseat. "A beautiful and meditative exploration of shattered faith." —Brit Bennett, author of The Vanishing Half Father Dan is homeless. Dismissed by his conservative diocese for eccentricity and insubordination, he’s made his exile into a kind of pilgrimage, transforming his Toyota Camry into a mobile monk’s cell. Then he sees a minivan sideswipe a coyote. Unable to suppress his Franciscan impulses, he takes the injured animal in. With his unexpected canine companion in the backseat, Dan makes his way west, encountering other offbeat travelers and stopping to take in the occasional roadside novelty (MARTIN'S HOLE TO HELL, WORLD-FAMOUS BOTTOMLESS PIT NEXT EXIT!). But the coyote is far from the only oddity fate has delivered into this churchless priest’s care: it has also given him a bone-handled pistol, a box of bullets, and a letter from an estranged friend. By the time Dan gets to where he’s going, he’ll be forced to reckon once and for all with the great mistakes of his past, and he will have to decide: is penance better paid with revenge, or with redemption?