Africa is often referred to as a country abounding in witchcraft and wild animals or 'Myths and Marauders'. Of course, not all the animals are marauders just as all the Africans are not ruled by witchcraft; although legend and superstition do still play a large part in the life of the average African. Man is not the natural prey of any animal and when one of these mighty beasts turns against humans, it is capable of wreaking destruction on a terrible scale until death ends its reign of terror. Man, unless armed, is a puny creature and no match for the horns or claws against which circumstances sometimes pit him. Small wonder that an animal on the rampage is so feared by the natives whose areas they invade. It is therefore up to a hunter skilled in taking down man-eaters and marauders, to come face to face with these wild beasts which, until stopped, rain destruction and death upon the peoples who cower in the shadow of their wild brutality. Garth Carpenter is one such hunter.

Thirteen is the legal thriller Lee Child, Michael Connelly, and Ruth Ware are raving about and readers can’t put down. “Outstanding - an intriguing premise, a tense, gripping build-up, and a spectacular climax. This guy is the real deal. Trust me.” —Lee Child “A dead bang BEAST of a book that expertly combines Cavanagh’s authority on the law with an absolutely great thrill ride. Books this ingenious don’t come along very often.” —Michael Connelly It’s the murder trial of the century. And Joshua Kane has killed to get the best seat in the house – and to be sure the wrong man goes down for the crime. Because this time, the killer isn’t on trial. He’s on the jury. But there’s someone on his tail. Former-conman-turned-criminal-defense-attorney Eddie Flynn doesn’t believe that his movie-star client killed two people. He suspects that the real killer is closer than they think – but who would guess just how close? “A brilliant, twisty, ingeniously constructed puzzle of a book. Steve Cavanagh pulls off an enviable premise with panache.” —Ruth Ware

A chilling account of the murders of two hunters in rural Michigan—a mystery that haunted a community and baffled the police for two decades. In the bitter cold of 1985, two buddies from Detroit embark on a hunting trip to the Michigan wilderness, unaware they will soon become the hunted. The eerie silence surrounding their sudden disappearance is broken after nearly two decades when a relentless investigator inspires a terrified witness to break her silence. The witness narrates a haunting scene that had unfolded years back, pointing fingers at the prime suspects—the Duvall brothers. With no bodies unearthed, the justice system is riveted by the startling revelations during an electrifying trial in 2003. The brothers, Raymond and Donald Duvall, had bragged about the murders, evocatively explaining how they dismembered their victims and fed them to pigs. Despite the shocking confession, the case holds its ground purely on a single witness’s account, taking the courtroom through a labyrinth of dark secrets and sinister acts. This gripping thriller presents a vivid tale of crime that reveals the devastating power of evil.

"In this work of nonfiction, Elon Green reports on a series of baffling and brutal crimes. The victims of the serial murderer dubbed the 'Last Call Killer' were all gay men, and Green tries to shine a light onto their complicated lives and the queer community in New York City in the 1980s and 1990s as well. Peter Stickney Anderson was the first of the known victims"-- Adapted from the publisher's description.

Features a chronicle of America's only known national parks serial killer, Gary Michael Hilton. This title explores the crimes with co-operation from the victim families and brings readers into what makes a serial killer through interviews with those who know him.

Now updated with a new afterword, the classic true crime thriller by journalist Steven Walker and veteran police detective Rick Reed exploring the grisly crimes of a sadistic serial killer who dismembered his victims. Joseph Weldon Brown confessed to more than a dozen murders across seven states. He was convicted and sentenced for killing a woman whose body he dismembered and scattered across three Indiana counties. In prison, he hogtied and strangled his cellmate, then asked the judge to lock him up for life because if he was released, he would continue killing. Police detective Rick Reed was on the scene when Brown led authorities to the scattered remains of Ginger Gasaway in 2000. After Brown’s arrest, he confessed to a shocking number of other heinous crimes—the torture and murders of drifters and sex workers, the cold case of a naked woman’s body found in a roadside ditch, even the murder of his own mother. Detective Reed was the one man Brown opened up to—and the only one to cut through the deceptions and lies and learn the terrible truth . . . In this newly updated edition, now-retired detective Reed reveals his personal theories and insights into one of the darkest minds he has ever encountered—and one of the most terrifying crime stories ever told . . .

A groundbreaking exposé about the alarming use of rap lyrics as criminal evidence to convict and incarcerate young men of color Should Johnny Cash have been charged with murder after he sang, "I shot a man in Reno just to watch him die"? Few would seriously subscribe to this notion of justice. Yet in 2001, a rapper named Mac whose music had gained national recognition was convicted of manslaughter after the prosecutor quoted liberally from his album Shell Shocked. Mac was sentenced to thirty years in prison, where he remains. And his case is just one of many nationwide. Over the last three decades, as rap became increasingly popular, prosecutors saw an opportunity: they could present the sometimes violent, crime-laden lyrics of amateur rappers as confessions to crimes, threats of violence, evidence of gang affiliation, or revelations of criminal motive—and judges and juries would go along with it. Detectives have reopened cold cases on account of rap lyrics and videos alone, and prosecutors have secured convictions by presenting such lyrics and videos of rappers as autobiography. Now, an alarming number of aspiring rappers are imprisoned. No other form of creative expression is treated this way in the courts. Rap on Trial places this disturbing practice in the context of hip hop history and exposes what's at stake. It's a gripping, timely exploration at the crossroads of contemporary hip hop and mass incarceration.