The true crime story of the kidnapping, rape, and murder of a Missouri teen and her family’s journey to justice. In the early hours of March 22, 1989, two friends—career criminals with violent felony convictions—drove around the eastern Kansas City area in a stolen car committing a series of crimes. The weather was mild for late March in Kansas City; the sky was clear, and there was the pale remnant of a Full Moon that bore the dubious name of Death Moon, the last full moon of winter. A little before 7 a.m., fifteen-year-old Ann Harrison walked to the end of her driveway on Kansas City’s east side to wait for the bus to take her to Raytown South High School. Ten minutes later, she disappeared but no one saw what happened. As if waiting for her return, her belongings were still stacked carefully by the side of the road. By the Side of the Road is the true crime story of the kidnapping, rape, and murder of Ann Harrison and the long journey forced upon her family who had to wait nearly three decades to see her killers brought to final justice.

NEW YORK TIMES BESTSELLER • BOOKER PRIZE NOMINEE • From the beloved Pulitzer Prize–winning author, a sparkling novel about misperception, second chances, and the sometimes elusive power of human connection. Micah Mortimer is a creature of habit. A self-employed tech expert, superintendent of his Baltimore apartment building, cautious to a fault behind the steering wheel, he seems content leading a steady, circumscribed life. But one day his routines are blown apart when his woman friend (he refuses to call anyone in her late thirties a "girlfriend") tells him she's facing eviction, and a teenager shows up at Micah's door claiming to be his son. These surprises, and the ways they throw Micah's meticulously organized life off-kilter, risk changing him forever. An intimate look into the heart and mind of a man who finds those around him just out of reach, and a funny, joyful, deeply compassionate story about seeing the world through new eyes, Redhead by the Side of the Road is a triumph, filled with Anne Tyler's signature wit and gimlet-eyed observation.

A Space on the Side of the Road vividly evokes an "other" America that survives precariously among the ruins of the West Virginia coal camps and "hollers." To Kathleen Stewart, this particular "other" exists as an excluded subtext to the American narrative of capitalism, modernization, materialism, and democracy. In towns like Amigo, Red Jacket, Helen, Odd, Viper, Decoy, and Twilight, men and women "just settin'" track a dense social imaginary through stories of traumas, apparitions, encounters, and eccentricities. Stewart explores how this rhythmic, dramatic, and complicated storytelling imbues everyday life in the hills and forms a cultural poetics. Alternating her own ruminations on language, culture, and politics with continuous accounts of "just talk," Stewart propels us into the intensity of this nervous, surreal "space on the side of the road." It is a space that gives us a glimpse into a breach in American society itself, where graveyards of junked cars and piles of other trashed objects endure along with the memories that haunt those who have been left behind by "progress." Like James Agee's portrayal of the poverty-stricken tenant farmers of the Depression South in Let Us Now Praise Famous Men, this book uses both language and photographs to help readers encounter a fragmented and betrayed community, one "occupied" by schoolteachers, doctors, social workers, and other professionals representing an "official" America. Holding at bay any attempts at definitive, social scientific analysis, Stewart has concocted a new sort of ethnographic writing that conveys the immediacy, density, texture, and materiality of the coal camps. A Space on the Side of the Road finally bridges the gap between anthropology and cultural studies and provides us with a brilliant and challenging experiment in thinking and writing about "America."

"In the fall of 1925, young Allan Odell conceived the idea of using consecutive signs along the roadside. . . . In 1963 the last signs were taken down, ending the most famous outdoor advertising venture ever.”—1977 Minnesota Almanac The whole story is in this book, plus all the jingles used. The signs are gone now, except for one set on permanent display at The Smithsonian. You can have them all, always, in your own library with this book. “Rowsome’s volume indexes each of the 600 jingles . . . and as you down the list, preferably reading aloud, it might evoke visions of 1940 Chevies, roadside diners, signs that said EATS. . . . Why were the Burma-Shave jingles so universally loved? Because they were light-hearted and humorous in hard times and war times.”—Bov Swift, Knight News Service

For six-year-old Noah McAllister, May 8, 1954, begins as any other ordinary day in Dawson, Georgia. However, this day is anything but ordinary. Like a bolt of lightning, tragedy is about to strike! No one in town will be left untouched, least of all the McAllister family. As Noah makes the quarter-mile trek home from school, he is unaware that just yards away, hidden behind the solid oaks that line the dirt lane leading to the McAllister farm, someone is watching. At first, lost in a private daydream, he doesnat hear the muffled whimper, or see the melon crate tucked in among the trees. When the sound comes again, he looks up and spies the crate. He rushes excitedly toward it, believing it contains a puppy or kitten. Instead, he finds an abandoned baby. Suddenly, a dark car explodes from behind the trees and careens onto the road. A second later itas gone, leaving behind a trail of dust as the only evidence it had been there at all. And so begins the chain of events that lead to murdera]and the downfall of the McAllister family.

Sex. Violence. Scandal. These are words we rarely associate with the sacred text of the Bible. Yet in this brilliant new book, Jonathan Kirsch shows that the Old Testament is filled with some of the most startling and explicit stories in all of Western literature. These tales of seduction and rape, voyeurism and exhibitionism, intermarriage and illegitimacy, assassination and murder have been suppressed by religious authorities throughout history precisely because they are so shocking. "You mean that's in the Bible?" is the common reaction of the contemporary reader to the stories that Kirsch retells and explores. In The Harlot by the Side of the Road, Kirsch recounts these suppressed and mistranslated tales in the grand storytelling tradition. Here is the tale of Dinah, the young Israelite daughter raped by a princely suitor. The price for her hand in marriage? The circumcision of every man in his kingdom. Here, too, is the story of Lot's daughters, who, when faced with the possibility that they are the last survivors on earth, must copulate with their drunken father to continue their race. And the story of Tamar, the harlot by the side of the road, who must disguise herself as a prostitute and seduce her father-in-law in order to bear the child who has been promised her. Kirsch places each story within the political and social context of its time, and delves into the latest biblical scholarship to explain why each story was originally censored. He also brings to light when and where each story was first written down, and how it found its way into the Bible. And he shows how these stories have something important to say to contemporary readers who might never pick up a Bible. Kirsch reveals that the Bible's real power lies in its unflinching lessons in human nature. And he illuminates the surprising modernity of the Bible's characters: these were, like us, people delicately balanced between their destructive and generous natures. Certain to excite controversy and ignite intellectual debate, The Harlot by the Side of the Road will undoubtedly be one of the year's most talked-about books.

Things You Find on the Side of the Road is a whimsical book about life and how we see others who are not like us. It garners thought and insight into the lives of others no matter how different they are. The main character is a woman who finds herself thrown into a new world she never thought much of, until it affects her life. She finds herself changed and with an outcome she never excepted to her adventure.