On the Shoulders of Grandmothers is a global ethnography of Ukrainian transnational migration. Gendered migrant subjectivities are a key site for understanding the production of neoliberal capitalism and Ukrainian nation-state building, a fraught process that places Ukraine precariously between Europe and Russia with dramatic implications for the political economy of the region. However, processes of gender and migration that undergird transnational nation-state building require further attention. Solari compares two patterns of Ukrainian migration: the "forced" exile of middle-aged women, most grandmothers, to Italy and the "voluntary" exodus of families, led by the same cohort of middle-aged women, to the United States. In both receiving sites these migrants are caregivers to the elderly. Using in-depth interviews and ethnographic data collected in three countries, Solari shows that Ukrainian nation-state building occurs transnationally. She examines the collective practices of migrants who are building the "new" Ukraine from the outside in and shaping both Italy and the United States as well. The Ukrainian state, in order to fulfil its First World aspirations of joining Europe and distancing itself from all things Soviet, is pursuing a gendered reorganization of family and work structures to achieve a transition from socialism to capitalism. This has created a labor force of migrant grandmothers who carry the new Ukraine on their shoulders. Solari shows that this post-Soviet economic transformation requires a change in the moral order as migrant women struggle to understand how to be "good" mothers and grandmothers and men join women in attempts to teach their children to be successful and honorable people, now that the social rules have drastically changed. Looking at individual migrant women and men and their families in Ukraine allows us to see the production of neoliberal capitalism and new nationalism from the ground up and the outside in for a region that promises to be a flashpoint in our century.

A stunning love letter to the important women who shape us -- from our own mothers and grandmothers to the legends who paved the way for girls and women everywhere. Standing on Her Shoulders a celebration of the strong women who influence us -- from our mothers, sisters, aunts, and grandmothers to the women who fought for equality and acceptance in the United States. Monica Clark-Robinson's lyrical text encourages young girls to learn about the powerful and trailblazing women who laid the path for their own lives and empowers them to become role models themselves. Acclaimed illustrator Laura Freeman's remarkable art showcases a loving intergenerational family and encourages girls to find female heroes in their own lives. Standing on Her Shoulders will inspire girls of all ages to follow in the footsteps of these amazing women.

Where did we come from? It's a simple question, but not so simple an answer to explain—especially to young children. Charles Darwin's theory of common descent no longer needs to be a scientific mystery to inquisitive young readers. Meet Grandmother Fish. Told in an engaging call and response text where a child can wiggle like a fish or hoot like an ape and brought to life by vibrant artwork, Grandmother Fish takes children and adults through the history of life on our planet and explains how we are all connected. The book also includes comprehensive backmatter, including: - An elaborate illustration of the evolutionary tree of life - Helpful science notes for parents - How to explain natural selection to a child

A NATIONAL BESTSELLER "My Grandmother's Hands will change the direction of the movement for racial justice."— Robin DiAngelo, New York Times bestselling author of White Fragility In this groundbreaking book, therapist Resmaa Menakem examines the damage caused by racism in America from the perspective of trauma and body-centered psychology. The body is where our instincts reside and where we fight, flee, or freeze, and it endures the trauma inflicted by the ills that plague society. Menakem argues this destruction will continue until Americans learn to heal the generational anguish of white supremacy, which is deeply embedded in all our bodies. Our collective agony doesn't just affect African Americans. White Americans suffer their own secondary trauma as well. So do blue Americans—our police. My Grandmother's Hands is a call to action for all of us to recognize that racism is not only about the head, but about the body, and introduces an alternative view of what we can do to grow beyond our entrenched racialized divide. Paves the way for a new, body-centered understanding of white supremacy—how it is literally in our blood and our nervous system. Offers a step-by-step healing process based on the latest neuroscience and somatic healing methods, in addition to incisive social commentary. Resmaa Menakem, MSW, LICSW, is a therapist with decades of experience currently in private practice in Minneapolis, MN, specializing in trauma, body-centered psychotherapy, and violence prevention. He has appeared on the Oprah Winfrey Show and Dr. Phil as an expert on conflict and violence. Menakem has studied with bestselling authors Dr. David Schnarch (Passionate Marriage) and Dr. Bessel van der Kolk (The Body Keeps the Score). He also trained at Peter Levine's Somatic Experiencing Trauma Institute.

?Once in a blue moon (which means a fairly long cycle in my case) one who deals professionally with new books comes upon something that seems to him truly noteworthy and memorable-a reading experience which he will cherish for the rest of his life. And when this book is original and, indeed, unique-when it achieves something that has never been done before-one's impulse is to rent a billboard, to hire a hall, in some way to underline and emphasize the excitement and enthusiasm of his discovery, so that other readers may share his pleasure. "This has been my experience with The Ten Grandmothers, by Alice Marriott. It was the custom of certain tribes of Indians of the Great Plains to keep a 'winter count,' or calendar, of important events. Each year an officially designated scribe or historian of the tribe inscribed on a specially selected and prepared buffalo hide (which was a sacred tribal possession) a colored pictograph commemorating the most noteworthy event of the year-the happening or circumstance for which the year would be remembered in the oral literature and traditions of the tribe. "Miss Marriott's book is based upon such a tribal history of the Kiowas, an important and tenacious nation of the southern Great Plains, for more than a hundred years. She has taken representative incidents from this story and built each into a unified narrative of personal experience, concrete and dramatic. The thirty-three narratives fall into four groups reflecting the major phases of Kiowa history in the last century; they are called, since Kiowa .economy was based on the buffalo, The Time When There Were Plenty of Buffalo; The Time When Buffalo Were Going; The Time When Buffalo Were Gone; and Modern Times. Since the same characters appear recurringly, the book has the effect of a loosely constructed novel. "Miss Marriott is an ethnologist. Her book is based on eight years of work with the Kiowas?work that certainly consisted of much more than superficial interviews with aged Indians. There is evidence everywhere, not only of accurate scientific knowledge of the material to be presented, but of profound human insight and understanding. "Miss Marriott is also a creative artist of extraordinary powers. Her book has abundant humor, drama and melodrama, beauty and sordidness, pathos and tragedy: all presented sharply, objectively, with economy, restraint, and dignity. The narrative of the long journey of Wooden Lance, to see for himself and for his tribe whether the leader of the Ghost Dance movement (that inspired the last desperate, irrational struggle of the plains Indians against the whites) had 'true power is unforgettable in its simplicity and reality. The story of the Kiowa girl Leah's return from her years at a boarding school in the East to her family on the reservation is as true and socially significant as it is poignant and dramatic. "The great achievement of Miss Marriott's book is that it makes accessible to the reader of today the essence of a culture, a way of life and thought, now almost vanished from the earth. "We have an uneasy feeling that some special meaning and value for Americans of today and tomorrow must lie in the older cultures of our continent which our own has so largely displaced. American writers from Longfellow on have tried with varying degrees of success to capture that meaning for us. "Miss Marriott's book shows that our feeling was justified. No discerning reader will fail to find in the men and women who are so vivid in its pages-Sitting Bear and Eagle Plume, old Quanah and Spear Woman, and the Kiowa boys riding in their jeep to enlist for the present World War-in their vision and knowledge of life and their essential experience, abundant meaning for today."

It's no secret that children tend to have a special bond with their grandfathers. With humorous art and fun verses, this book celebrates that relationship and recognizes the many ways that grandfathers support, love, and empower their grandchildren. Go to bhkids.com to find this book's Parent Connection, an easy tool to help moms and dads (or anyone else who loves kids) discuss the book's message with their child. We're all about connecting parents and kids to each other and to God's Word.

The 20th anniversary edition of Edwidge Danticat's groundbreaking debut, now an established classic--revised and with a new introduction by the author, and including extensive bonus materials At the age of twelve, Sophie Caco is sent from her impoverished Haitian village to New York to be reunited with a mother she barely remembers. There she discovers secrets that no child should ever know, and a legacy of shame that can be healed only when she returns to Haiti—to the women who first reared her. What ensues is a passionate journey through a landscape charged with the supernatural and scarred by political violence. In her stunning literary debut, Danticat evokes the wonder, terror, and heartache of her native Haiti—and the enduring strength of Haiti’s women—with vibrant imagery and narrative grace that bear witness to her people’s suffering and courage.