This book is a defense of modal realism; the thesis that our world is but one of a plurality of worlds, and that the individuals that inhabit our world are only a few out of all the inhabitants of all the worlds. Lewis argues that the philosophical utility of modal realism is a good reason for believing that it is true.

Challenging the thesis that there is only one world, the author builds on Immanuel Kant's notion of metaphysical inversion to develop his idea that a world is the sum total of what exists in a particular time. In arguing that there are many representing beings, actual worlds, and truths, the author addresses ontological questions raised by Protagoras, Plato, and numerous contemporary philosophers. He concludes that there is no social and political reality independent of perspective. Annotation copyrighted by Book News, Inc., Portland, OR

This book defends a radical new theory of contingency as a physical phenomenon. Drawing on the many-worlds approach, it argues that quantum theories are best understood as telling us about the space of genuine possibilities, rather than as telling us solely about actuality.

Takashi Yagisawa argues for a new version of modal realism, the view that non-actual possible worlds and individuals are as real as the actual ones. He asserts that the notion of reality is primitive, existence is a relation between a thing and a domain, and ordinary objects are extended in spatial, temporal, and modal dimensions.

The latter half of the 20 ...

The notion of possible worlds has played a decisive role in postclassical narratology by awakening interest in the nature of fictionality and in emphasizing the notion of world as a source of aesthetic experience in narrative texts. As a theory concerned with the opposition between the actual world that we belong to and possible worlds created by the imagination, possible worlds theory has made significant contributions to narratology. Possible Worlds Theory and Contemporary Narratology updates the field of possible worlds theory and postclassical narratology by developing this theoretical framework further and applying it to a range of contemporary literary narratives. This volume systematically outlines the theoretical underpinnings of the possible worlds approach, provides updated methods for analyzing fictional narrative, and profiles those methods via the analysis of a range of different texts, including contemporary fiction, digital fiction, video games, graphic novels, historical narratives, and dramatic texts. Through the variety of its contributions, including those by three originators of the subject area--Lubomír Doležel, Thomas Pavel, and Marie-Laure Ryan--Possible Worlds Theory and Contemporary Narratology demonstrates the vitality and versatility of one of the most vibrant strands of contemporary narrative theory.