For many illusions it is easy to find owners—people who proudly declare their belief in things such as life after death, human reason, or the self-regulation of financial markets. Yet there are also different kinds of illusions, too, for example, in art: trompe l'oeil painting pleases its observers with "anonymous illusions"—illusions where it is not entirely clear who should be deceived. Anonymous illusions offer a universal pleasure principle within culture. They are present in games, sports, design, eroticism, manners, charm, beauty, and so on. However, it seems that this pleasure principle is increasingly misinterpreted. The proud proprietors of certain illusions are no longer capable of recognizing that they also follow anonymous illusions. As a consequence, they mistake happy, polite others for naïve idiots or "savages"—the possessors of stupid illusions whose happiness is an obscene intrusion into the lives of more rational creatures. The misrecognition of anonymous illusions thus becomes a crucial ideological bedrock for contemporary neoliberal policy. Hatred of the other's happiness leads to the destruction of the public sphere and to a state that, rather than fostering and stimulating its citizens' capacities, interpellates them as victims and limits itself to providing "protective" or repressive measures directed against them.

A brilliant and thought-provoking examination of the complicated relationship between gay and mainstream culture--and a finalist for the 1998 Lambda Literary Award and the Randy Shilts Award.

For many illusions, it is easy to find owners – people who proudly declare that they believe in things such as life after death, human reason, and self-regulation of financial markets. Yet there are also different kinds of illusions at work, for example, in art: trompe l’oeil-painting pleases its observers with “anonymous illusions” – illusions where it is not entirely clear who exactly it is that should be deceived. Anonymous illusions offer a universal pleasure principle within culture: they are present in games, sport, design, eroticism, manners, charm, beauty, etc. However it seems that this pleasure principle is increasingly subjected to misrecognition: the proud proprietors of certain illusions are no longer capable of recognizing that they too follow anonymous illusions. As a consequence, they mistake happy, polite others for naïve idiots or “savages” – as owners of stupid illusions; and consider their happiness an obscene intrusion – as something in which they could never share. Pfaller explores the strange properties of these shared illusions, and finds that they have a central and crucial role in our culture—and we need to better understand them in order to protect the public sphere.

(Dover thrift editions).

This engaging study discusses ways in which architectural forms emulate some archetypal settings that humans have found appealing--and useful for survival--from ancient times to the present. 119 photos. 6 line figures.

A collection of some of Freud's most famous essays, including ON THE INTRODUCTION OF NARCISSISM; REMEMBERING, REPEATING AND WORKING THROUGH; BEYOND THE PLEASURE PRINCIPLE; THE EGO AND THE ID and INHIBITION, SYMPTOM AND FEAR.

It is a hard psychological fact that the desire for pleasure is the ultimate factor in most human decision-making. But as dominant as the pleasure principle has been in the cultural development of mankind, its impact has so far never been fully acknowledged. In the hands of a powerful minority that controls global capital flow, pleasure has been turned into the most profitable item for sale, preying on the consumerist desires it helped create. The Pursuit of Pleasure unveils how the determinants of human behavior are now in the hands of global marketers whose sole aim is the maximization of profit, not the personal development of their customers. This book shows how the overcoming of the pleasure principle through management of pleasure can be the foundation of a new humanist culture in which people are conscious and aware of their choices.