Plutarch (c. AD 46 - AD 120), later named, upon becoming a Roman citizen, Lucius Mestrius Plutarchus, (ΛΟύΚΙΟς ΜέΣΤΡΙΟς ΠΛΟύΤΑΡΧΟς) was a Greek biographer and essayist, known primarily for his Parallel Lives and Moralia. He is classified as a Middle Platonist. Plutarch's surviving works were written in Greek, but intended for both Greek and Roman readers.Plutarch spent the last thirty years of his life serving as a priest in Delphi. He thus connected part of his literary work with the sanctuary of Apollo, the processes of oracle-giving and the personalities who lived or traveled there. One of his most important works is the "Why Pythia does not give oracles in verse" (Moralia 11) ( "ΠΕΡὶ ΤΟῦ Μὴ ΧΡᾶΝ ἔΜΜΕΤΡΑ ΝῦΝ ΤὴΝ ΠΥ&thΗίΑΝ"). Even more important is the dialogue "On the E in Delphi" ("ΠΕΡὶ ΤΟῦ Εἶ ΤΟῦ ἐΝ ΔΕΛΦΟῖς"), which features Ammonius, a Platonic philosopher and teacher of Plutarch, and Lambrias, Plutarch's brother. According to Ammonius, the letter E written on the temple of Apollo in Delphi originated from the following fact: the wise men of antiquity, whose maxims were also written on the walls of the vestibule of the temple, were not seven but actually five: Chilon, Solon, Thales, Bias and Pittakos. However, the tyrants Cleobulos and Periandros used their political power in order to be incorporated in the list. Thus, the E, which corresponds to number 5, constituted an acknowledgment that the Delphic maxims actually originated from the five real wise men. The portrait of a philosopher exhibited at the exit of the Archaeological Museum of Delphi, dating to the 2nd century AD, had been in the past identified with Plutarch. The man, although bearded, is depicted at a relatively young age. His hair and beard are rendered in coarse volumes and thin incisions. The gaze is deep, due to the heavy eyelids and the incised pupils. The portrait is no longer thought to represent Plutarch. Next to this portrait stands a fragmentary hermaic stele, bearing a portrait probably of the author from Chaeronea and priest in Delphi. Its inscription, however, reads: ΔΕΛΦΟὶ ΧΑΙΡΩΝΕῦΣΙΝ ὁΜΟῦ ΠΛΟύΤΑΡΧΟΝ ἔ&thΗΗΚΑΝ | ΤΟῖς ἈΜΦΙΚΤΥόΝΩΝ ΔόΓΜΑΣΙ ΠΕΙ&thΗόΜΕΝΟΙ. (Syll.3 843=CID 4, no. 151) The citizens of Delphi and Chaeronea dedicated this to Plutarch together, following the precepts of the Amphictyony.

This book brings Hellenistic and Roman Delphi to life. By addressing a broad spectrum of epigraphic topics, theoretical and methodological approaches, it provides readers with a first comprehensive discussion of the Delphic gift-giving system, its regional interactions, and its honorific network

Either as insider or as sensitive observer, Plutarch provides us with exceptional evidence to reconstruct the spiritual and intellectual atmosphere of the first centuries CE. This collection of articles sheds important light on the religious and philosophical discourse of Late Antiquity.

The greatest German Renaissance artist, Albrecht Dürer produced a vast body of works, including altarpieces, religious works, portraits, copper engravings and woodcuts. Dürer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints and striking versatility. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Dürer’s complete paintings in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings of Albrecht Dürer — over 100 images, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Dürer’s celebrated works in detail, as featured in traditional art books * Hundreds of images in stunning colour – highly recommended for viewing on tablets and smart phones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the paintings * Easily locate the paintings you wish to view * Includes Dürer's engravings and woodcuts - spend hours exploring the artist’s diverse works * The artist’s famous memoir of his travels * Features four bonus biographies - discover Dürer's artistic and personal life * Scholarly ordering of plates into chronological order Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Highlights SAINT JOHN’S CHURCH SELF PORTRAIT, 1493 SAINT JEROME IN THE WILDERNESS VIRGIN AND CHILD BEFORE AN ARCHWAY PORTRAIT OF ELECTOR FREDERICK THE WISE OF SAXONY THE SEVEN SORROWS OF THE VIRGIN SELF PORTRAIT, 1498 PORTRAIT OF OSWOLT KREL SELF PORTRAIT WITH FUR-TRIMMED ROBE LAMENTATION FOR CHRIST A YOUNG HARE ADORATION OF THE MAGI FEAST OF THE ROSARY ADAM AND EVE MARTYRDOM OF THE TEN THOUSAND MELENCOLIA I PORTRAIT OF MICHAEL WOLGEMUT THE FOUR APOSTLES The Paintings THE COMPLETE PAINTINGS ALPHABETICAL LIST OF PAINTINGS The Engravings LIST OF ENGRAVINGS The Woodcuts LIST OF WOODCUTS The Memoir MEMOIRS OF JOURNEYS TO VENICE The Biographies DÜRER by Herbert Furst DÜRER by M. F. Sweetser ALBRECHT DÜRER by T. Sturge Moore BRIEF BIOGRAPHY by Sidney Colvin Please visit www.delphiclassics.com to browse through our range of exciting titles or to buy the whole Art series as a Super Set

Annotation This work engages with the complex archaeological development of the religious sanctuaries of Delphi and Olympia. It investigates the physical remains of both sanctuaries to show how different visitors interacted with the sacred spaces of Delphi and Olympia in an important variety of ways during the archaic and classical periods.

An innovative reading of how different authors tell stories about the Delphic Oracle, focusing on the religious views thereby conveyed.

This detailed literary and rhetorical analysis of the Homeric Hymn to Apollo treats the poem as a unified work of art in which sophisticated poetic craftsmanship is put to the service of serious ethical thought. By means of parallels from Homer, Hesiod, and other Homeric hymns, as well as from later epideictic poetry and prose, the author seeks to show that the poet of the Hymn follows a coherent ''program'' whose intention is to praise Apollo from his birth on humble Delos to his establishment in a position of glory at Delphi. At the same time, the ''Delian'' and ''Pythian'' portions of the hymn are linked by a complex network of ideas bearing on the ethos of Apollo and the nature of his Delphic oracle. The study takes into account previous scholarship on the Hymn and provides appendices on ''The Question of Unity'' and ''The Cosmological Hierarchy and Apollo's Timai''.