There is little doubt about the fundamental importance of both Augustine of Hippo and Martin Luther for western theology and anthropology. Both continue to invite critical debate on a host of issues that persist in their contemporary relevance, such as questions about human identity and destiny. This engaging volume brings together a group of scholars pursuing new directions in Lutheran and Augustinian scholarship on these issues. The first section on ""Luther and the Apocalyptic"" highlights L...

Video games are a global phenomenon, international in their scope and democratic in their appeal. This is the first volume dedicated to the subject of apocalyptic video games. Its two dozen papers engage the subject comprehensively, from game design to player experience, and from the perspectives of content, theme, sound, ludic textures, and social function. The volume offers scholars, students, and general readers a thorough overview of this unique expression of the apocalyptic imagination in popular culture, and novel insights into an important facet of contemporary digital society.

Re-examines Paul within contemporary Jewish debate, attuned to the significant theological issues he raises without imposing upon him the frameworks developed in later Christian thought

Ernst Kasemann famously claimed that apocalyptic is the mother of Christian theology. J. Louis Martyn's radical interpretation of the overarching significance of apocalyptic in Paul's theology has pushed Kasemann's claim further and deeper. Still, despite the recognition that apocalyptic is at the core of New Testament and Pauline theology, modern theology has often dismissed, domesticated, or demythologized early Christian apocalyptic. A renewed interest in taking apocalyptic seriously is one of the most exciting developments in recent theology. The essays in this volume, taking their point of departure from the work of Martyn (and Kasemann), wrestle critically with the promise (and possible peril) of the apocalyptic transformation of Christian theology. With original contributions from established scholars (including Beverly Gaventa, Stanley Hauerwas, Robert Jenson, Walter Lowe, Joseph Mangina, Christopher Morse, and Fleming Rutledge) as well as younger voices, this volume makes a substantial contribution to the discussion of apocalyptic and theology today. A unique feature of the book is a personal reflection on Ernst Kasemann by J. Louis Martyn himself.

The Apocalyptic Paul is rapidly becoming one of the most influential contemporary approaches to the apostle's letters, and one which has generated its share of controversy. Critiques of the movement have come from all sides: Pauline specialists, scholars of Jewish and Christian apocalyptic literature, and systematic theologians have all raised critical questions. Meanwhile, many have found it a hard conversation to enter, not least because of the contested nature of its key terms and convictions. Non-specialists can find it difficult to sift through these arguments and to become familiar with the history of this movement, its most important contemporary voices, and its key claims. In the first part of this book, New Testament scholar Jamie Davies offers a retrospective introduction to the conversation, charting its development from the turn of the twentieth century to the present, surveying the contemporary situation. In the second part, Davies explores a more prospective account of the challenges and questions that are likely to energize discussion in the future, before offering some contributions to the apocalyptic reading of Paul through an interdisciplinary conversation between the fields of New Testament scholarship, Second Temple Jewish apocalypticism, and Christian systematic theology.

In this volume, the first panoramic study of music in the apocalyptic mode, an international and trans-disciplinary array of scholars and composers explore the resonance of the ancient biblical Revelation of John across the centuries in musical works as diverse as El Cant de la Sibil·la, the Dies Irae, cantatas and oratorios by Bach and Telemann, Wagner's Der Ring des Nibelungen, Schoenberg’s Second String Quartet, African American Spirituals, Messiaen’s Quatuor pour la fin du temps, Christian “ApokRock,” Hip-hop, Grimes’s album Miss Anthropocene, and the songs of Bob Marley and Bob Dylan. This innovative volume will engage scholars, students, and all those interested in the intersection of music, religion, history, and popular culture.

In recent years, Paul has become the subject of renewed interest among political philosophers. These philosophers deploy Paul as a means to deconstruct late modern political issues such as liberalism, biopolitics, and sovereignty. However, these philosophers ultimately truncate Paul's message to fit nontheistic, materialist ends. Such an approach polarizes interpreters, often leading either to a full endorsement or full rejection. In this work, Spaulding adds a needed voice in this conversation. By neither fully endorsing or fully rejecting the new approach to Paul, Spaulding argues that Paul's message is both materialist and faithful to the Christian tradition. Spaulding critically utilizes both the new approach and recent studies in apocalyptic interpretations of Paul in order to articulate a Pauline political theology for our time. Pauline apocalyptic emphasizes the already disruptive nature of the incarnation, crucifixion, and resurrection of Jesus of Nazareth that wrests humanity from under the sovereignty of the fallen powers and places them under the Lordship of Christ. Apocalyptic is nourished by the promise of the eschatological hope of the not-yet-finished work of Christ. The church that follows the Lordship of Christ is called forth into being in the tension of the present Lordship of Christ and the not-yet transformation of the cosmos. Such a tension begets practices that form the political commitment of what philosopher Iris Murdoch calls the just and loving gaze, namely the central conviction that, in order to live good (political) lives, one must be taught to see.