The ten papers in this volume focus on Subject and Theme. Theme began its life as a semantic notion in the work of Vilém Mathesius, while Subject has traditionally been seen as just a syntactic entity. More recently two related perspectives on these concepts have attracted linguists' attention: the formal criteria for their recognition and the relations between the two concepts. Using the systemic functional model as their point of departure, the papers in the present volume consider the two notions in a wider context by relating them to the interpersonal and textual metafunctions of language. By contrast with the current linguistic approaches, the primary focus here is neither simply on formal recognition criteria nor on the relation of these elements to each other; instead, the notions of Subject and Theme are examined from the point of view of their function in the economy of discourse, with studies of their significance in English and French, as well as in a range of non-Indo-European languages. Definitions of the concepts are offered on the basis of their discourse functions, which are also important in selecting the formal recognition criteria and in understanding their mutually supportive role vis à vis each other. Most of the papers in the volume are a selection from presentations made at the 19th International Systemic Functional Congress at Macquarie University.

The ten papers in this volume focus on Subject and Theme. Theme began its life as a semantic notion in the work of Vilém Mathesius, while Subject has traditionally been seen as just a syntactic entity. More recently two related perspectives on these concepts have attracted linguists' attention: the formal criteria for their recognition and the relations between the two concepts. Using the systemic functional model as their point of departure, the papers in the present volume consider the two notions in a wider context by relating them to the interpersonal and textual metafunctions of language. By contrast with the current linguistic approaches, the primary focus here is neither simply on formal recognition criteria nor on the relation of these elements to each other; instead, the notions of Subject and Theme are examined from the point of view of their function in the economy of discourse, with studies of their significance in English and French, as well as in a range of non-Indo-European languages. Definitions of the concepts are offered on the basis of their discourse functions, which are also important in selecting the formal recognition criteria and in understanding their mutually supportive role vis à vis each other. Most of the papers in the volume are a selection from presentations made at the 19th International Systemic Functional Congress at Macquarie University.

Get the Knowledge Without the College! You are a writer. You dream of sharing your words with the world, and you're willing to put in the hard work to achieve success. You may have even considered earning your MFA, but for whatever reason--tuition costs, the time commitment, or other responsibilities--you've never been able to do it. Or maybe you've been looking for a self-guided approach so you don't have to go back to school. This book is for you. DIY MFA is the do-it-yourself alternative to a Master of Fine Arts in creative writing. By combining the three main components of a traditional MFA--writing, reading, and community--it teaches you how to craft compelling stories, engage your readers, and publish your work. Inside you'll learn how to: • Set customized goals for writing and learning. • Generate ideas on demand. • Outline your book from beginning to end. • Breathe life into your characters. • Master point of view, voice, dialogue, and more. • Read with a "writer's eye" to emulate the techniques of others. • Network like a pro, get the most out of writing workshops, and submit your work successfully. Writing belongs to everyone--not only those who earn a degree. With DIY MFA, you can take charge of your writing, produce high-quality work, get published, and build a writing career.

One of the most influential teaching guides ever—updated! Teach Like a Champion 2.0 is a complete update to the international bestseller. This teaching guide is a must-have for new and experienced teachers alike. Over 1.3 million teachers around the world already know how the techniques in this book turn educators into classroom champions. With ideas for everything from boosting academic rigor, to improving classroom management, and inspiring student engagement, you will be able to strengthen your teaching practice right away. The first edition of Teach Like a Champion influenced thousands of educators because author Doug Lemov's teaching strategies are simple and powerful. Now, updated techniques and tools make it even easier to put students on the path to college readiness. Here are just a few of the brand new resources available in the 2.0 edition: Over 70 new video clips of real teachers modeling the techniques in the classroom (note: for online access of this content, please visit my.teachlikeachampion.com) A selection of never before seen techniques inspired by top teachers around the world Brand new structure emphasizing the most important techniques and step by step teaching guidelines Updated content reflecting the latest best practices from outstanding educators Organized by category and technique, the book’s structure enables you to read start to finish, or dip in anywhere for the specific challenge you’re seeking to address. With examples from outstanding teachers, videos, and additional, continuously updated resources at teachlikeachampion.com, you will soon be teaching like a champion. The classroom techniques you'll learn in this book can be adapted to suit any context. Find out why Teach Like a Champion is a "teaching Bible" for so many educators worldwide.

Within the splendour of the Time Shield, six hours is equivalent to a minute on earth; but beware, in the midst of its beauty hides a terrible spell-would you dare to enter? Inquisitive seventeen-year-old Sarah Brown had resigned herself to a quiet summer with her aunt in their town Cherryfield - then she meets Mark Louis. Mark Louis de la Mer is an eighteen-year-old fairy-human hybrid, who, in 1908, was hidden in a Time Shield by his supernatural mother following the murder of his father. Due to the unforeseen presence of a Holding Spell within the shield, Mark has since been trapped. He cannot directly access the spell which is hidden within a maze of terror, but Sarah can ... that is, if she consents to. For Sarah to destroy the spell, she will not only need to undergo intense physical training, but also must face her innermost fears. Destroying the Holding Spell is just one part of the trial that awaits them both. His father's evil killers have been on the lookout for him, and Mark's release would bring the supernatural into Cherryfield; parasite imps, fiendish monsters, and last but not the least, his mother's brother Noel - a formidable fairy-sorcerer hybrid. Ancient magic, superheroines, the realms to Faie, Victorian princes, murder and love ... Welcome to The Time Shield Series.

Exploring Movie Construction & Production contains eight chapters of the major areas of film construction and production. The discussion covers theme, genre, narrative structure, character portrayal, story, plot, directing style, cinematography, and editing. Important terminology is defined and types of analysis are discussed and demonstrated. An extended example of how a movie description reflects the setting, narrative structure, or directing style is used throughout the book to illustrate building blocks of each theme. This approach to film instruction and analysis has proved beneficial to increasing students¿ learning, while enhancing the creativity and critical thinking of the student.

Investigates the universal categories 'subject', 'theme', and 'agent' with special reference to their functional status in Modern Standard Arabic (MSA) and how these three distinct functions may or may not coincide in Arabic sentences. These functions are inexplicitly characterised by classical and modern Arab linguists and Arabists alike. It has been found that the pre- (viz. sentence - initial) or post-verbal noun phrase (NP) in Arabic can be assigned the syntactic function 'subject' but may not necessarily assume the semantic function 'agent', that the pre-verbal NP, which may not necessarily be the 'subject', has the pragmatic function 'theme', and that these distinct functions sometimes cluster around a single NP in certain sentences, depending on genre. It has also been found that in MSA the order of sentence constituents is relatively free, subject to a verb-initial preference, especially when needed to prevent ambiguity. The present study reveals the fact that although coding features such as word order, case marking, and cross-referencing (viz. agreement) may provide a clear indication of which NPs are 'subjects' in MSA, they do not provide a clear-cut indication of semantic relations such as 'agent'; the 'subject' position in MSA is not necessarily the canonical 'agent' position.