Of Human Bondage (1915) is a novel by W. Somerset Maugham. Inspired by his experiences as an orphan and young student, Maugham composed his masterpiece. Adapted several times for film, Of Human Bondage is a story of tragedy, perseverance, and the eternal search for happiness which drives us as much as it haunts our every move. Orphaned as a boy, Philip Carey is raised in an affectionless household by his aunt and uncle. Although his Aunt Louisa tries to make him feel welcome, William proves an uncaring, vindictive man. Left to fend for himself most days, Philip finds solace in the family’s substantial collection of books, which serve as an escape for the imaginative boy. Sent to study at a prestigious boarding school, Philip struggles to fit in with his peers, who abuse him for his intelligence and club foot. Despite his struggles, he perseveres in his studies and chooses his own path in life, moving to Heidelberg, Germany and denying his uncle’s wish that he attend Oxford. As he struggles to become a professional artist, Philip learns that one’s dreams are often unsubstantiated in the world of the living. Of Human Bondage is a tale of desire, disappointment, and romance by a master stylist with a keen sense of the complications inherent to human nature. With a beautifully designed cover and professionally typeset manuscript, this edition of W. Somerset Maugham’s Of Human Bondage is a classic work of British literature reimagined for modern readers.

An essay recounting the breakup of the marriage of Somerset Maugham and his wife, Syrie.

On Human Bondage—a critical reexamination of Orlando Patterson’s groundbreaking Slavery and Social Death—assesses how his theories have stood the test of time and applies them to new case studies. Discusses the novel ideas of social death and natal alienation, as Patterson first presented them 35 years ago and as they are understood today Brings together exciting new work by a group of esteemed historians of slavery, as well as a final chapter by Patterson himself that responds to and expands upon the other contributions Provides insights into slave societies around the world and across time, from classical Greece and Rome to modern Brazil and the Caribbean, and from Han China and pre-colonial South Asia to early modern Europe and the New World Delves into a wide range of topics, including the reformation of social identity after slavery, the new historicist approach to slavery, rituals of enslavement and servitude, questions of honor and dishonor, and symbolic imagery of slavery

Holy War and Human Bondage: Tales of Christian-Muslim Slavery in the Early-Modern Mediterranean tells a story unfamiliar to most modern readers—how this pervasive servitude involved, connected, and divided those on both sides of the Mediterranean. The work explores how men and women, Christians and Muslims, Jews and sub-Saharan Africans experienced their capture and bondage, while comparing what they went through with what black Africans endured in the Americas. Drawing heavily on archival sources not previously available in English, Holy War and Human Bondage teems with personal and highly felt stories of Muslims and Christians who personally fell into captivity and slavery, or who struggled to free relatives and co-religionists in bondage. In these pages, readers will discover how much race slavery and faith slavery once resembled one other and how much they overlapped in the Early-Modern mind. Each produced its share of personal suffering and social devastation—yet the whims of history have made the one virtually synonymous with human bondage while confining the other to almost complete oblivion.

A masterpiece of modern literature that mirrors Maugham’s own career. Of Human Bondage is the first and most autobiographical of Maugham's novels. It is the story of Philip Carey, an orphan eager for life, love and adventure. After a few months studying in Heidelberg, and a brief spell in Paris as a would-be artist, Philip settles in London to train as a doctor. And that is where he meets Mildred, the loud but irresistible waitress with whom he plunges into a formative, tortured and masochistic affair which very nearly ruins him.

A club-footed orphan struggles for independence, his intellectual development and his attempt to become an artist.

The day broke gray and dull. The clouds hung heavily, and there was a rawness in the air that suggested snow. A woman servant came into a room in which a child was sleeping and drew the curtains. She glanced mechanically at the house opposite, a stucco house with a portico, and went to the child's bed. "Wake up, Philip," she said. She pulled down the bed-clothes, took him in her arms, and carried him downstairs. He was only half awake. "Your mother wants you," she said. She opened the door of a room on the floor below and took the child over to a bed in which a woman was lying. It was his mother. She stretched out her arms, and the child nestled by her side. He did not ask why he had been awakened. The woman kissed his eyes, and with thin, small hands felt the warm body through his white flannel nightgown. She pressed him closer to herself. "Are you sleepy, darling?" she said. Her voice was so weak that it seemed to come already from a great distance. The child did not answer, but smiled comfortably. He was very happy in the large, warm bed, with those soft arms about him. He tried to make himself smaller still as he cuddled up against his mother, and he kissed her sleepily. In a moment he closed his eyes and was fast asleep. The doctor came forwards and stood by the bed-side. "Oh, don't take him away yet," she moaned. The doctor, without answering, looked at her gravely. Knowing she would not be allowed to keep the child much longer, the woman kissed him again; and she passed her hand down his body till she came to his feet; she held the right foot in her hand and felt the five small toes; and then slowly passed her hand over the left one. She gave a sob. "What's the matter?" said the doctor. "You're tired." She shook her head, unable to speak, and the tears rolled down her cheeks. The doctor bent down.