In On Freud’s “Remembering, Repeating and Working-Through” international contributors from a range of psychoanalytic backgrounds reflect on this key 1914 paper. Each chapter considers an aspect of Freud’s original work, addressing both the theoretical and clinical dimensions of the paper and incorporating contemporary perspectives. Bringing out all three aspects of the paper’s title, the contributors consider the issues raised by the so-called change in psychoanalytic paradigm, from the classic central concern of remembering to a clinical experience which prioritises enactment and repetition. The reflections on this important paper demonstrate how it goes beyond technique to open new vistas on the conception of psychoanalysis as a whole. On Freud’s “Remembering, Repeating and Working-Through” will be essential reading for psychoanalysts and psychoanalytic psychotherapists in practice and in training. It will also be of interest to readers seeking a deeper understanding of current Freudian thinking.

In On Freud's "Remembering, Repeating and Working-Through" international contributors from a range of psychoanalytic backgrounds reflect on this key 1914 paper. Each chapter considers an aspect of Freud's original work, addressing both the theoretical and clinical dimensions of the paper and incorporating contemporary perspectives. Bringing out all three aspects of the paper's title, the contributors consider the issues raised by the so-called change in psychoanalytic paradigm, from the classic central concern of remembering to a clinical experience which prioritises enactment and repetition. The reflections on this important paper demonstrate how it goes beyond technique to open new vistas on the conception of psychoanalysis as a whole. On Freud's "Remembering, Repeating and Working-Through" will be essential reading for psychoanalysts and psychoanalytic psychotherapists in practice and in training. It will also be of interest to readers seeking a deeper understanding of current Freudian thinking.

In this unusual and much-needed reappraisal of Freud's clinical technique, M. Guy Thompson challenges the conventional notion that psychoanalysis promotes relief from suffering and replaces it with a more radical assertion, that psychoanalysis seeks to mend our relationship with the real that has been fractured by our avoidance of the same. Thompson suggests that, while avoiding reality may help to relieve our experience of suffering, this short-term solution inevitably leads to a split in our existence. M. Guy Thompson forcefully disagrees with the recent trend that dismisses Freud as an historical figure who is out of step with the times. He argues, instead, for a return to the forgotten Freud, a man inherently philosophical and rooted in a Greek preoccupation with the nature of truth, ethics, the purpose of life and our relationship with reality. Thompson's argument is situated in a stunning re-reading of Freud's technical papers, including a new evaluation of his analyses of Dora and the Rat Man in the context of Heidegger's understanding of truth. In this remarkable examination of Freud's technical recommendations, M. Guy Thompson explains how psychoanalysis was originally designed to re-acquaint us with realities we had abandoned by encountering them in the contest of the analytic experience. This provocative examination of Freud's conception of psychoanalysis reveals a more personal Freud than we had previously supposed, one that is more humanistic and real.

The constant and polymorphous development of the field of psychoanalysis since its inception has led to the evolution of a wide variety of psychoanalytic ‘schools’. In seeking to find common ground between them, Alberto Stefana examines the history of countertransference, a concept which has developed from its origins as an apparent obstacle, to become an essential tool for analysis, and which has undergone profound changes in definition and in clinical use. In History of Countertransference, Stefana follows the development of this concept over time, exploring a very precise trend which begins with the original notion put forward by Sigmund Freud and leads to the ideas of Melanie Klein and the British object relations school. The book explores the studies of specific psychoanalytic theorists and endeavours to bring to light how the input from each one may have been influenced by previous theories, by the personal history of the analyst, and by their historical-cultural context. By shedding light on how different psychoanalytic groups work with countertransference, Stefana helps the reader to understand the divergences that exist between them. This unique study of a key psychoanalytical concept will be essential reading for psychoanalysts in practice and in training, and academics and students of psychoanalytic studies and the history of psychology.

in Freud's view we are driven by the desire for pleasure as well as by the desire to avoid pain. But the pursuit of pleasure has never been a simple thing. Pleasure can be a form of fear, a form of memory and a way of avoiding reality. Above all, as these essays show with remarkable eloquence, pleasure is a way in which we repeat ourselves. The essays collected in this volume explore, in Freud's uniquely subtle and accessible style, the puzzles of pleasure and morality - the enigmas of human development.

Here are the essential ideas of psychoanalytic theory, including Freud's explanations of such concepts as the Id, Ego and Super-Ego, the Death Instinct and Pleasure Principle, along with classic case studies like that of the Wolf Man. Adam Phillips's marvellous selection provides an ideal overview of Freud's thought in all its extraordinary ambition and variety. Psychoanalysis may be known as the 'talking cure', yet it is also and profoundly, a way of reading. Here we can see Freud's writings as readings and listenings, deciphering the secrets of the mind, finding words for desires that have never found expression. Much more than this, however, The Penguin Freud Reader presents a compelling reading of life as we experience it today, and a way in to the work of one of the most haunting writers of the modern age.