It is in the Eastern part of Tennessee this story begins, in the small town of Johnson City, located one hundred miles northeast of Knoxville—a lovely city nestled in among lush green mountains. The year is 1954, population 23,000. Johnson City is a town that has flourished, from its beginning. It is rich in history, but this is not a story of history. This story centers on the strife and hardships of one dirt-poor Southern family and one little girl’s will to survive, survive not only as a child but long after. Her name is Callie James, and Callie tells the story.

"A genuinely interdisciplinary work . . . the best attempt I have ever seen at a truly unified intellectuals' approach to an important issue."—Timothy Wickham-Crowley, Georgetown University "Very seldom does a collected volume achieve the academic quality and internal coherence that one sees in this case. It is a major contribution to comparative research on post-authoritarian situations."—Carlos Waisman, University of California, San Diego

"[This book is] an ... examination of how we can respond to suffering, live our fullest lives, and remain open to the full spectrum of our human experience"--Amazon.com.

A celebrated science and health reporter offers a wry, bracingly honest account of living with anxiety. A racing heart. Difficulty breathing. Overwhelming dread. Andrea Petersen was first diagnosed with an anxiety disorder at the age of twenty, but she later realized that she had been experiencing panic attacks since childhood. With time her symptoms multiplied. She agonized over every odd physical sensation. She developed fears of driving on highways, going to movie theaters, even licking envelopes. Although having a name for her condition was an enormous relief, it was only the beginning of a journey to understand and master it—one that took her from psychiatrists’ offices to yoga retreats to the Appalachian Trail. Woven into Petersen’s personal story is a fascinating look at the biology of anxiety and the groundbreaking research that might point the way to new treatments. She compares psychoactive drugs to non-drug treatments, including biofeedback and exposure therapy. And she explores the role that genetics and the environment play in mental illness, visiting top neuroscientists and tracing her family history—from her grandmother, who, plagued by paranoia, once tried to burn down her own house, to her young daughter, in whom Petersen sees shades of herself. Brave and empowering, this is essential reading for anyone who knows what it means to live on edge.

He would rewrite the past to save the woman he loves. The fearless Caleb Edge is one of three brothers assigned to the top-secret paranormal unit of an elite counterterrorism group. As a prized T-FLAC agent, Caleb uses his special mystical gifts to rewind history, halt evil in its tracks, and protect innocent people . . . like Heather Shaw. The beautiful daughter of a terrorism financier, Heather watched her father brutally murder her mother. Now, to escape his clutches, Heather begins a new life, far from the realm of power and privilege in which she grew up. On the hunt for Heather’s father, Caleb hopes that Heather can lead him to his target, and he’ll do anything to achieve his objective –even if it means using his striking good looks to his advantage. But in the face of malevolent forces, Caleb doesn’t anticipate a burning conflict between duty and desire, or that he might have to use his power to turn back time–not for justice, but for love.

For most people who seek to create — whether they are artists, writers, or businesspeople — the daily task of immersing themselves in their creative work is both a joy and a profound challenge. Instead of stepping easily into the creative state, they succumb to chronic procrastination and torturous distraction. In Standing at Water’s Edge, psychologist Anne Paris calls on her extensive experience in working with creative clients to explore the deep psychological fears that block us from creative immersion. Employing cutting-edge theory and research, Paris weaves a new understanding of the artist during the creative process. Rather than presenting the creation of art as a lonely, solitary endeavor, she shows how relationships with others are actually crucial to creativity. Shining a light on the innermost experience of the artist as he or she engages with others, the artwork, and the audience, Paris explores how our sense of connection with others can aid or inhibit creative immersion. She reveals a unique model of “mirrors, heroes, and twins” to explore the key relationships that support creativity. Paris’s groundbreaking psychological approach gives artists valuable new insight into their own creative process, allowing them to unlock their potential and finish their greatest projects.

Few can imagine confronting the challenges of the North Atlantic by sailing through hurricanes, heat and thick fog never mind facing this journey alone in a 16-foot open dinghy with no engine.