This book demonstrates the complexity, fluidity and variety in Jewish liturgy, and discusses the possible parameters of change, be it in additions, deletions, alterations, and/or corrections, so as to reflect the contemporary situation and its sensitivities. It will stimulate thought and discussion and lead to a deeper appreciation of the nature of the liturgy, and an ability to find greater meaning in prayer.

Four, the last to hatch and smaller than his sibblings, cannot fly as soon as One, Two and Three can. Yet he never gives up trying, and in the end his efforts pay off.

A collection of blessings, poems, meditations, and rituals presented in English and Hebrew offers a traditional perspective to weekday, Sabbath, and New Moon festival observances.

Teachers, students, composers, performers, and other practitioners of sacred sound will appreciate this volume because, unlike any book currently available on sacred music, it treats the history, development, current practices, composition, and critical views of the liturgical music of both the Jewish and Christian traditions. Contributors trace Jewish music from its place in Hebrew Scriptures through the nineteenth-century Reform movement. Similar accounts of Christian music describe its growth up to the Protestant Reformation, as well as post-Reformation development. Other essays explore liturgical music in contemporary North America by analyzing it against the backdrop of the continuous social change that characterizes our era.

Presenting new insights into the history and interaction between Jewish and Christian liturgy and worship, the various contributions offer a deeper understanding of the identity of Judaism and Christianity. It addresses issues such as: – Is the Eucharistic Prayer a ‘Berakha’ and what information is available for the reconstruction of the history of the Jewish ‘Grace after Meals’? – How does Jewish liturgy rework the Bible, and are Christians and Jews using similar methods when they create liturgical poetry on the basis of a biblical text? – Which texts of the Cairo Genizah are of direct importance for the history of Christian liturgies, and are Christian creeds in fact Prayers or Hymns? – What does it mean that both Jews and Christians recite Isaiah's "Holy, Holy, Holy" at important points in their respective liturgies? Questions like these brought together scholars and specialists from different disciplines to share their recent insights at a conference in Aachen, Germany, and to offer the reader a fascinating discourse on a broad range of aspects of Jewish and Christian liturgies.

In the 2002 edition of From Ideology to Liturgy, Eric Caplan examined Reconstructionism's interpretation and adaptation of the traditional Jewish liturgy and its creation of new prayer texts to convey and express the movement's changing ideology. Further insight into Reconstructionist liturgy was gained through comparing these prayerbooks to the contemporaneous liturgies of Reform and Conservative Judaism and to the work of Jewish Renewal. In this new supplemented reprint edition, Caplan offers an expansive study of liberal Jewish prayerbooks published in the decades since From Ideology to Liturgy first appeared and revisits his earlier conclusions in light of more recent expanded access to Mordecai Kaplan's diaries and archives.

Profoundly rooted in Jewish tradition, Gates of Prayer has become the standard liturgical work for the Reform Movement. This prayerbook contains a variety of services for weekdays, Shabbat and festivals, Israeli Independence Day, Holocaust Remembrance Day and Tisha Be-av. Also contains special readings, meditations and 70 songs complete with transliterations.