From roaring nightlife to peaceful yoga retreats, Ibiza’s hippie-chic atmosphere is its hallmark. This quintessential Mediterranean hot spot has served as an escape for artists, creatives, and musicians alike for decades. It is a place to reinvent oneself, to walk the fine line between civilization and wilderness, and to discover bliss. Ibiza Bohemia explores the island’s scenic Balearic cliffs, its legendary cast of characters, and the archetypal interiors that define its signature style.

Bohemia has been variously defined as a mythical country, a state of mind, a tavern by the wayside on the road of life. The editors of this volume prefer a leaner definition: an attitude of dissent from the prevailing values of middle-class society, one dependent on the existence of caf life. But whatever definition is preferred, this rich and long overdue collective portrait of Bohemian life in a large variety of settings is certain to engage and even entrance readers of all types: from the student of culture to social researchers and literary figures n search of their ancestral roots. The work is international in scope and social scientific in conception. But because of the special nature of the Bohemian fascination, the volume is also graced by an unusually larger number of exquisite literary essays. Hence, one will find in this anthology writings by Malcolm Cowely, Norman Podhoretz, Norman Mailer, Theophile Gautier, Honore de Balzac, Mary Austin, Stefan Zweig, Nadine Gordimer, and Ernest Hemingway. Social scientists are well represented by Cesar Grana, Ephraim Mizruchi, W.I. Thomas, Florian Znaniecki, Harvey Zorbaugh, John R. Howard, and G. William Domhoff, among others.The volume is sectioned into major themes in the history of Bohemia: social and literary origins, testimony by the participants, analysis by critics of and crusaders for the bohemian life, the ideological characteristics of the bohemians, and the long term prospect as well as retrospect for bohemenianism as a system, culture and ideology. The editors have provided a framework for examining some fundamental themes in social structure and social deviance: What are the levels of toleration within a society? Do artists deserve and receive special treatment by the powers that be? And what are the connections between bohemian life-styles and political protest movements?This is an anthology and not a treatise, so the reader is free to pick and choose not only wha

Bohemia has been variously defined as a mythical country, a state of mind, a tavern by the wayside on the road of life. The editors of this volume prefer a leaner definition: an attitude of dissent from the prevailing values of middle-class society, one dependent on the existence of caf life. But whatever definition is preferred, this rich and long overdue collective portrait of Bohemian life in a large variety of settings is certain to engage and even entrance readers of all types: from the student of culture to social researchers and literary figures n search of their ancestral roots. The work is international in scope and social scientific in conception. But because of the special nature of the Bohemian fascination, the volume is also graced by an unusually larger number of exquisite literary essays. Hence, one will find in this anthology writings by Malcolm Cowely, Norman Podhoretz, Norman Mailer, Theophile Gautier, Honore de Balzac, Mary Austin, Stefan Zweig, Nadine Gordimer, and Ernest Hemingway. Social scientists are well represented by Cesar Grana, Ephraim Mizruchi, W.I. Thomas, Florian Znaniecki, Harvey Zorbaugh, John R. Howard, and G. William Domhoff, among others. The volume is sectioned into major themes in the history of Bohemia: social and literary origins, testimony by the participants, analysis by critics of and crusaders for the bohemian life, the ideological characteristics of the bohemians, and the long term prospect as well as retrospect for bohemenianism as a system, culture and ideology. The editors have provided a framework for examining some fundamental themes in social structure and social deviance: What are the levels of toleration within a society? Do artists deserve and receive special treatment by the powers that be? And what are the connections between bohemian life-styles and political protest movements? This is an anthology and not a treatise, so the reader is free to pick and choose not only what to read, but what sort of general patterns are essential and which are transitional. This collection, initiated by the late Cesar Grana, has been completed and brought to fruition by his wife Marigay Grana. Cesar Grana was, prior to his death, professor of sociology at the University of California in San Diego. Among his major books is Meaning and Authenticity, also available from Transaction. Marigay Grana was formerly an urban planner and designer in San Diego. She now is a free-lance editor living in Santa Fe, New Mexico.

An intergalactic odyssey of love, ambition, and self-discovery. Orphaned as a boy, raised in the Czech countryside by his doting grandparents, Jakub Prochv°zka has risen from small-time scientist to become the country's first astronaut. When a dangerous solo mission to Venus offers him both the chance at heroism he's dreamt of, and a way to atone for his father's sins as a Communist informer, he ventures boldly into the vast unknown. But in so doing, he leaves behind his devoted wife, Lenka, whose love, he realizes too late, he has sacrificed on the altar of his ambitions. Alone in Deep Space, Jakub discovers a possibly imaginary giant alien spider, who becomes his unlikely companion. Over philosophical conversations about the nature of love, life and death, and the deliciousness of bacon, the pair form an intense and emotional bond. Will it be enough to see Jakub through a clash with secret Russian rivals and return him safely to Earth for a second chance with Lenka? Rich with warmth and suspense and surprise, Spaceman of Bohemia is an exuberant delight from start to finish. Very seldom has a novel this profound taken readers on a journey of such boundless entertainment and sheer fun. "A frenetically imaginative first effort, booming with vitality and originality . . . Kalfar's voice is distinct enough to leave tread marks."-Jennifer Senior, New York Times

In the years following World War I, the New Orleans French Quarter attracted artists and writers with its low rents, faded charm, and colorful street life. By the 1920s Jackson Square had become the center of a vibrant if short-lived bohemia. A young William Faulkner and his roommate William Spratling, an artist who taught at Tulane University, resided among the "artful and crafty ones of the French Quarter." In Dixie Bohemia John Shelton Reed introduces Faulkner's circle of friends -- ranging from the distinguished Sherwood Anderson to a gender-bending Mardi Gras costume designer -- and brings to life the people and places of New Orleans in the Jazz Age. Reed begins with Faulkner and Spratling's self-published homage to their fellow bohemians, "Sherwood Anderson and Other Famous Creoles." The book contained 43 sketches of New Orleans artists, by Spratling, with captions and a short introduction by Faulkner. The title served as a rather obscure joke: Sherwood was not a Creole and neither were most of the people featured. But with Reed's commentary, these profiles serve as an entry into the world of artists and writers that dined on Decatur Street, attended masked balls, and blatantly ignored the Prohibition Act. These men and women also helped to establish New Orleans institutions such as the Double Dealer literary magazine, the Arts and Crafts Club, and Le Petit Theatre. But unlike most bohemias, the one in New Orleans existed as a whites-only affair. Though some of the bohemians were relatively progressive, and many employed African American material in their own work, few of them knew or cared about what was going on across town among the city's black intellectuals and artists. The positive developments from this French Quarter renaissance, however, attracted attention and visitors, inspiring the historic preservation and commercial revitalization that turned the area into a tourist destination. Predictably, this gentrification drove out many of the working artists and writers who had helped revive the area. As Reed points out, one resident who identified herself as an "artist" on the 1920 federal census gave her occupation in 1930 as "saleslady, real estate," reflecting the decline of an active artistic class. A charming and insightful glimpse into an era, Dixie Bohemia describes the writers, artists, poseurs, and hangers-on in the New Orleans art scene of the 1920s and illuminates how this dazzling world faded as quickly as it began.

The day her fiancé died suddenly of a heart attack, Katie Swenson retreated to "Bohemia," the third-floor loft that the couple had renovated in their home in Wellesley, Massachusetts, and began to write. A visceral account of grief and the profound kindness that resonates around it, this is also the story of her hundred-year-old house, named the "Scarab" after the Egyptian symbol for rebirth, and the two courageous women who built it a century earlier--Wellesley College professors Katharine Coman and her partner Katharine Lee Bates, author of "America the Beautiful." Parallel lives unfold in the magical third-floor loft, where Coman died, where Bates mourned, and where Swenson wrote and wrote through that first searing year, held up by their spirits. Told with rare emotional power, In Bohemia is a meditation on love, family, and community and inspires us to be our best selves.

Bruce Cook of the Washington Post Book World has written that: Bohemia has become an acceptable, even desirable lifestyle all around America, and indeed the world over. But to understand how this happened, how an alternative lifestyle became so mainstream, and also to visit what many consider to be Bohemia's golden age, there is no better source than Gold.