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Chicago was a tumultuous and exciting city in 1889. Immigration, industrialization, urbanization, and politics created a vortex of social change. This lively chaos called out for both celebration and reform, and two women, Ellen Gates Starr and Jane Addams, responded to this challenge by founding the social settlement Hull House. Although Addams is one of the most famous women in American history and a major figure in sociology, Starr remains virtually unknown. On Art, Labor, and Religion is the first anthology of Starr's writings and biography and makes evident her contributions to national and international sociological thought and practice.

"Starr's interdisciplinary writings (touching on social work, religion, education, US history, women's studies, sociology, and urban studies) add to the growing anthology of women's history and the lived experiences of the common woman." --Choice Chicago was a tumultuous and exciting city in 1889. Immigration, industrialization, urbanization, and politics created a vortex of social change. This lively chaos called out for both celebration and reform, and two women, Ellen Gates Starr and Jane Addams, responded to this challenge by founding the social settlement Hull House. Although Addams is one of the most famous women in American history and a major figure in sociology, Starr remains virtually unknown. On Art, Labor, and Religion is the first anthology of Starr's writings and biography and makes evident her contributions to national and international sociological thought and practice. In addition to co-founding Hull House, Starr actively brought the Arts and Crafts movement in Britain to Chicago through extensive and intensive relations with this group of artisans, theorists, socialists, and proto-sociologists, founding a number of important societies based on their ideals and practices. Her writings on art, like those of William Morris and John Ruskin, stress the need for a unitary life and meaningful work that is aesthetically expressive and in harmony with nature and the community. In the first two decades of the twentieth century, she gained national fame as a visible socialist and advocate for women's labor movements whose activism helped secure greater safety for many strikers. An adherent of Fabian socialism, Starr's writings on labor unrest reflect her turning away from aestheticism toward more active political engagement. Her firm commitment to feminism, expressed between 1892 and 1920, reveal a pragmatic belief in human improvement, more inclusive democracy, and our capacity to end major social problems. On converting to Catholicism in 1920, she left Hull House to follow a more private spiritual journey, eventually entering the Benedictine religious order where she remained until her death in 1940. Her late religious and mystical writings renounce her former activism and the "Protestant ethic" in favor of an otherworldly dedication and an ordered life of prayer and devotion to Christ. Her essays make a distinct contribution to our knowledge about early sociology and the social settlement movement. This volume restores a significant figure to her rightful place in American social history. Mary Jo Deegan is professor of sociology at the University of Nebraska, Lincoln. She is the author of Jane Addams and the Men of the Chicago School and the editor of George Herbert Mead's Essays in Social Psychology, both available from Transaction. Ana-Maria Wahl is assistant professor of sociology at the University of Nebraska, Lincoln. She specializes in labor studies and comparative sociology with an emphasis on Mexico.

In Interplay of Things Anthony B. Pinn theorizes religion as a technology for interrogating human experiences and the boundaries between people and other things. Rather than considering religion in terms of institutions, doctrines, and creeds, Pinn shows how religion exposes the openness and porousness of all things and how they are always involved in processes of exchange and interplay. Pinn examines work by Nella Larsen and Richard Wright that illustrates an openness between things, and he traces how pop art and readymades point to the multidirectional nature of influence. He also shows how Ron Athey's and Clifford Owens's performance art draws out inherent interconnectedness to various cultural codes in ways that reveal the symbiotic relationship between art and religion as a technology. Theorizing that antiblack racism and gender- and class-based hostility constitute efforts to close off the porous nature of certain bodies, Pinn shows how many artists have rebelled against these attempts to counter openness. His analyses offer a means by which to understand the porous, unbounded, and open nature of humans and things.

The last twenty years have seen a rise in the production, circulation, and criticism of new forms of socially engaged art aimed at achieving social justice and economic equality. In Wages Against Artwork Leigh Claire La Berge shows how socially engaged art responds to and critiques what she calls decommodified labor—the slow diminishment of wages alongside an increase in the demands of work. Outlining the ways in which socially engaged artists relate to work, labor, and wages, La Berge examines how artists and organizers create institutions to address their own and others' financial precarity; why the increasing role of animals and children in contemporary art points to the turn away from paid labor; and how the expansion of MFA programs and student debt helps create the conditions for decommodified labor. In showing how socially engaged art operates within and against the need to be paid for work, La Berge offers a new theorization of the relationship between art and contemporary capitalism.

Described by Pope Pius XII as the most important theologian since Thomas Aquinas, the Swiss pastor and theologian, Karl Barth, continues to be a major influence on students, scholars and preachers today. Barth's theology found its expression mainly through his closely reasoned fourteen-part magnum opus, Die Kirchliche Dogmatik. Having taken over 30 years to write, the Church Dogmatics is regarded as one of the most important theological works of all time, and represents the pinnacle of Barth's achievement as a theologian.

George Herbert Mead (1863-1931) is a founding figure in the field of sociology. His stature is comparable to that of his contemporaries Emile Durkheim and Max Weber. Mead's contribution was a profound and unique American theory that analyzed society and the individual as social objects. As Mead saw it, both society and the individual emerged from cooperative, democratic processes linking the self, the other, and the community. Mary Jo Deegan, a leading scholar of Mead's work, traces the evolution of his thought , its continuity and change. She is particularly interested in the most controversial period of Mead's work, in which he addressed topics of violence and the nation state. Mead's theory of war, peace, and society emerged out of the historical events of his time, particularly World War I. During this period he went from being a pacifist, along with his contemporaries John Dewey and Jane Addams, to being a strong advocate for war. From 1917-1918 Mead became a leader in voicing the need for war based on his theory of self and society. After the war, he became disillusioned with President Woodrow Wilson, with Americans' failure to support mechanisms for international arbitration, and with the political reasons for American participation in World War I. He returned to a more pacifist and co-operative model of behavior during the 1920s, when he became less political, more abstract, and more withdrawn from public debate. The book includes Deegan's interpretation of Mead's early social thought, his friendship and family networks, the historical context of America at war, and the importance of analysis of violence and the state from Mead's perspective. She also provides illustrative selections from Mead's work, much of which was previously unpublished.