From #1 New York Times bestselling authors Jodi Picoult and Samantha van Leer, OFF THE PAGE is a tender and appealing YA novel filled with romance, humor, and adventure. Delilah and Oliver shouldn’t be together. But they are together. And just as they’re getting used to the possibility that happily ever after may really, truly be theirs, the universe sends them a message they can’t ignore: they won’t be allowed to rewrite their story. Delilah and Oliver must decide how much they’re willing to risk for love and what it takes to have a happy ending in a world where the greatest adventures happen off the page. “Off the Page is just so sweet and magical. In high school, I would have given ANYTHING to crawl inside one of my favorite books to escape the real world. I wish!”—SARAH DESSEN, #1 New York Times bestselling author of Saint Anything

Told in their separate voices, sixteen-year-old Prince Oliver, who wants to break free of his fairy-tale existence, and fifteen-year-old Delilah, a loner obsessed with Prince Oliver and the book in which he exists, work together to seek his freedom.

Twelve-year-old Delilah James is one of the top reporters at Brighton Junior Academy and dreams of becoming a Junior Global Journalist. But when an international rival named Ava invades her newsroom and takes over her crush, Delilah finds an unlikely ally in the Debutantes - a.k.a. the Little Debbies.

From the New York Times bestselling author of Hex Hall comes the sparkling finale in the beloved Rebel Belle series. Just as Harper Price starts coming to terms with her role as David Stark's battle-ready Paladin, protector, and girlfriend—her world goes crazy all over again. Overwhelmed by his Oracle powers, David flees Pine Grove and starts turning teenaged girls into Paladins—and these young ladies seem to think that Harper is the enemy David needs protecting from. Ordinarily, Harper would be able to fight off any Paladin who comes her way, but her powers have been dwindling since David left town, which means her life is on the line yet again. Now, it’s a desperate race for Harper to find and rescue David before she backslides from superhero to your garden-variety type-A belle. New York Times bestselling author Rachel Hawkins brings the fun once again in the finale of this pitch-perfect romantic paranormal comedy series.

The third book in an amazing series that features crime à la library at America's most famous institution of higher reading. A note from bartender Brian McNulty, Raymond Ambler’s friend, confidant, and sometimes adviser, sets the librarian sleuth off on a murder investigation, one that he pursues reluctantly until a second murder upends the world as he knows it. The second victim is a lady friend of McNulty’s—and the prime suspect is McNulty himself. As Ambler pursues his investigation, he discovers that the murdered woman had a double life. Her intermittent visits to the city—a whirlwind of reckless drinking and illicit liaisons with men she met in the cocktail lounges—had their counterpart in suburban Fairfield County Connecticut where, as Dr. Sandra Dean, she practiced dermatology and lived in a gated community with a doting husband and a young daughter. While Ambler looks into the past of Dr. Sandra Dean to understand the murder of Shannon Darling in the present, NYPD homicide detective Mike Cosgrove investigates the men in Shannon Darling’s life. She might have been murdered because she frustrated the wrong man. It could have been a jealous wife. In fact, any number of people might have murdered Shannon Darling. Or, as Ambler suspects, did someone murder Dr. Sandra Dean? Yet, no matter which way he turns, McNulty emerges as a suspect. Ambler’s dilemma seems insurmountable: Should he keep searching for the truth behind the murders if the deeper he probes, the more evidence he finds that points to the morally rumpled bartender as a murderer?

“An intriguing dark psychological thriller—truly brilliant” from the international bestselling author of The Stepdaughter (Lisa Jackson, #1 New York Times–bestselling author). When Kate receives a phone call with news that Rosie Anderson is missing, she’s stunned and disturbed. Rosie is eighteen, the same age as Kate’s daughter, and a beautiful, quiet, and kind young woman. Though the locals are optimistic—girls like Rosie don’t get into real trouble—Kate’s sense of foreboding is confirmed when Rosie is found fatally beaten and stabbed. Who would kill the perfect daughter, from the perfect family? Yet the more Kate entwines herself with the Andersons—graceful mother Jo, renowned journalist father Neal, watchful younger sister Delphine—the more she is convinced that not everything is as it seems. Anonymous notes arrive, urging Kate to unravel the tangled threads of Rosie’s life and death, though she has no idea where they will lead. Weaving flashbacks from Rosie’s perspective into a tautly plotted narrative, The Bones of You is a gripping, haunting novel of sacrifices and lies, desperation and love. “Suspenseful and poignant debut . . . the increasingly tense storytelling and astute observations on mother-daughter relationships will keep readers turning the pages.” —Publishers Weekly “Has been compared to Alice Sebold’s The Lovely Bones . . . Indeed, Rosie’s voice offers a dynamic narrative. Her disembodied perspective, tempered with other points of view—chiefly Kate’s—adds an unusual and haunting layer to the novel.” —Library Journal “A compelling debut.” —Woman and Home “A s

The fourteen essays that make up this collection have as their common theme a reconsideration of the role historical and cultural change has played in the evolution of twentieth-century poetry and poetics. Committed to the notion that, in John Ashbery's words, "You can't say it that way anymore," Poetry On & Off the Page describes the formations and transformations of literary and artistic discourses, and traces these discourses as they have evolved in their dialogue with history, culture, and society. The volume is testimony to the important role that contemporary artistic practice will continue to play as we move into the twenty-first century.