David Kherdian tells the uncompromising inside story of his time in the Gurdjieff Work. He describes his interaction with the hierarchy of various groups involved in the Work and tells the story of his own awakening. Kherdian offers a brutally honest account of the confrontations that arise in the spiritual process.

"If you want to pursue in a Western way the path that we follow here at Mirtola, you need to study and work with the Gurdjieffian teaching." Thus did the guru Madhava Ashish, at their first meeting, invite American businessman Sy Ginsburg on a spiritual journey that would last 19 years (until the guru's death) and include both annual visits to Sri Madhava Ashish's Mirtola ashram, near Almora, in India's Himalayan foothills, and a lengthy correspondence. Along the way, the entrepreneur/author would not only be caught up in the teachings of G. I. Gurdjieff, but also in the search for the elusive unitive vision — the world viewed from the perspective of the greater Self and not the personality. In this remarkable spiritual document, the reader shares the search, increasingly catching glimpses of the unitive vision as the book draws toward a close that is also an opening out, into the vaster dimensions of the human mind.

This unique book offers clear definitions of Gurdjieff's teaching terms, placing him within the political, geographic and cultural context of his time. Entries look at diverse aspects of his Work, including: * possible sources in religious, Theosophical, occult, esoteric and literary traditions * the integral relationships between different aspects of the teaching * its internal contradictions and subversive aspects * the derivation of Gurdjieff's cosmological laws and Ennegram * the passive form of "New Work" teaching introduced by Jeanne de Salzmann.

An application of Gurdjieffian principles to fully and properly activate the power of language • Explains the relationship between the Gurdjieff enneagram and sacred geometry and harmonics • Shows that the objective power of language--and art and music--lies in the ability to use symbols that will mean precisely the same thing to anyone • Includes a new English translation of René Daumal’s essay “The Holy War” In The Magic Language of the Fourth Way, Pierre Bonnasse applies the esoteric teachings of Fourth Way mystic G. I. Gurdjieff and the insights of initiate René Daumal to show how to fully and properly activate the power of language. Bonnasse shows how words can regain the strange magical powers they possessed in the first days of humanity, when words created the realities of what they described. This is a far cry from today’s world in which even writers lament the impotent nature of language. Bonnasse uses the relationship between the Gurdjieff enneagram and sacred geometry and harmonics to reveal the power given to words by the notes of the scale. He shows not only how to discover the objective power of words but also how to apply the relationship between language and living to maximum effect. He explains that the objective power of language--and art and music--lies in the ability to use symbols that will mean precisely the same thing to anyone. The Magic Language of the Fourth Way serves as a clear and generous introduction to the complexities of Gurdjieffian thought as well as a descriptive how-to manual for Fourth Way aspirants on the uses of objective language for spiritual advancement.

In Gurdjieff and Music Johanna Petsche examines the large and diverse body of piano music produced by Armenian-Greek spiritual teacher G. I. Gurdjieff (c.1866-1949) in collaboration with his devoted pupil Thomas de Hartmann (1885-1956). Petsche draws on a range of unpublished materials and data from original field research to critically situate and assess this music within its socio-cultural and unique religio-spiritual context. Focusing on the tremendous role that music played in the life and teaching of Gurdjieff, Petsche chronicles the unique relationship and collaboration between Gurdjieff and de Hartmann, analyses the styles and possible sources of their music, and explores Gurdjieff’s ultimate intentions for the music in light of his esoteric teaching.

A classic of Chinese literature, this beloved folktale is part adventure story, part spiritual allegory—now reimagined by a National Book Award nominee Part spiritual pilgrimage, part historical epic, the folk novel Journey to the West, which came to be known as Monkey, is the most popular classic of Asian literature. Originally written in the sixteenth century, it is the story of the adventures of the rogue-trickster Monkey and his encounters with a bizarre cast of characters as he travels to India with the Buddhist pilgrim Tripitaka in search of sacred scriptures. Much more than a picaresque adventure novel, Monkey is a profound allegory of the struggle that must occur before spiritual transformation is possible. David Kherdian's masterful telling brings this classic of Chinese literature to life in a way that is true to the scope and depth of the original.