A biography of Sir Christopher Wren from one of Britain's best writers and historians

Move over miniature! Now you can take punchneedle projects to a whole new size without spending a lot more time. Using large-scale designs and gorgeous decorator fabrics as a background, create beautiful pieces that can be turned into framed artwork as well as pillows, purses, and other practical items. Traditional-style designs include florals, seasonal themes, and more.

'A kind of blissography, teeming with bon mots' Sunday Times A celebrated modern classic that has revolutionised our understanding of the Bloomsbury group and remains the definitive biography of the group's gloriously eccentric patron, Lady Ottoline Morrell. Met with widespread acclaim and translated into fifteen languages, this seminal book provoked a rethinking of the traditional Bloomsbury narrative and the rewriting of some major biographies. For decades, Ottoline Morrell was grossly misunderstood. The artists and writers who benefited from her generous patronage and friendship helped to create the false and vicious image of a nymphomanical aristocrat with cultural aspirations. This landmark literary biography presents Morrell in an entirely new light, rightly setting her centre-stage as the brilliant and courageous lynchpin of the Bloomsbury group. She counted T.S. Eliot, Aldous Huxley, D.H. Lawrence, Lytton Strachey, Siegfried Sassoon, Augustus John, Katherine Mansfield and W.B. Yeats among her closest friends and houseguests. A legendary and agonisingly protracted love-affair with Bertrand Russell never undermined this unlikely couple's deep and understanding friendship. Ottoline's loyalty to her own promiscuous husband survived public humiliation and private crises. Overhauling the long-held conventional view of Morrell as a victim, a creature of her class who was born to be exploited and derided by her wittier friends, Seymour repaints the world of the Bloomsberries and rescues the grand life of Ottoline Morrell from the depths of historical obscurity.

The battle of Chickamauga brought an early fall to the Georgia countryside in 1863, where men fell like autumn leaves in some of the heaviest fighting of the war. The battlefield consisted of a nearly impenetrable, vine-choked forest around Chickamauga Creek. Unable to see beyond their immediate surroundings, officers found it impossible to exercise effective command, and the engagement deteriorated into what many participants later called "a soldier's battle." It was, explained Union General John Turchin, "Bushwhacking on a Grand Scale." The stakes were high: control of Chattanooga, "the Gateway City" to the Deep South. The two-day battle of Chickamauga was the only major victory of the war for the ill-starred Confederate Army of Tennessee, which managed to break through on the second day and drive the Union army off the field in a wild rout. The victory, however, left a legacy of dashed hopes for Braxton Bragg and his Confederate army. Ironically, Bragg won the costly victory but lost the city, while Union commander William Rosecrans lost the battle but somehow managed to hold the city which President Lincoln considered as important as the Confederate capital of Richmond. Despite its importance, however, Chickamauga has been largely overlooked and is rife with myths and misunderstandings. Author William Lee White has spent most of his life on the Chickamauga battlefield, taking thousands of visitors through the wooded landscape and telling the story of the bloodiest engagement in the Western Theater. Bushwhacking on a Grand Scale describes the tragic events of Chickamauga, but also includes many insights about often-neglected aspects of the fighting that White has gained from his many years studying the battle and exploring its scenic landscape. Bushwhacking on a Grand Scale can be enjoyed in the comfort of one's favorite armchair or as a battlefield guide. It is part of the new Emerging Civil War Series, which offers compelling, easy-to-read overviews of some of the Civil War's most important stories. The masterful storytelling is richly enhanced with more than one hundred photos, illustrations, and maps.

The Kingdome, John (“Jack”) Christiansen’s best-known work, was the largest freestanding concrete dome in the world. Built amid public controversy, the multipurpose arena was designed to stand for a thousand years but was demolished in a great cloud of dust after less than a quarter century. Many know the fate of Seattle’s iconic dome, but fewer are familiar with its innovative structural engineer, Jack Christensen (1927–2017), and his significant contribution to Pacific Northwest and modernist architecture. Christiansen designed more than a hundred projects in the region: public schools and gymnasiums, sculptural church spaces, many of the Seattle Center’s 1962 World’s Fair buildings, and the Museum of Flight’s vast glass roof all reflect his expressive ideas. Inspired by Northwest topography and drawn to the region’s mountains and profound natural landscapes, Christiansen employed hyperbolic paraboloid forms, barrel-vault structures, and efficient modular construction to echo and complement the forms he loved in nature. Notably, he became an enthusiastic proponent of using thin shell concrete—the Kingdome being the most prominent example—to create inexpensive, utilitarian space on a large scale. Tyler Sprague places Christiansen within a global cohort of thin shell engineer-designers, exploring the use of a remarkable structural medium known for its minimal use of material, architectually expressive forms, and long-span capability. Examining Christiansen’s creative design and engineering work, Sprague, who interviewed Christiansen extensively, illuminates his legacy of graceful, distinctive concrete architectural forms, highlighting their lasting imprint on the region’s built environment. A Michael J. Repass Book

Einstein's General Theory of Relativity leads to two remarkable predictions: first, that the ultimate destiny of many massive stars is to undergo gravitational collapse and to disappear from view, leaving behind a 'black hole' in space; and secondly, that there will exist singularities in space-time itself. These singularities are places where space-time begins or ends, and the presently known laws of physics break down. They will occur inside black holes, and in the past are what might be construed as the beginning of the universe. To show how these predictions arise, the authors discuss the General Theory of Relativity in the large. Starting with a precise formulation of the theory and an account of the necessary background of differential geometry, the significance of space-time curvature is discussed and the global properties of a number of exact solutions of Einstein's field equations are examined. The theory of the causal structure of a general space-time is developed, and is used to study black holes and to prove a number of theorems establishing the inevitability of singualarities under certain conditions. A discussion of the Cauchy problem for General Relativity is also included in this 1973 book.