Life is full of surprises, but family is forever… After their mother’s death, Daisy and Beatriz Davenport found a home with their aunt Stella in the beautiful town of Cape Sanctuary. They never knew what Stella sacrificed to ensure they had everything. Now, with Daisy and Bea grown, it’s time for Stella to reveal a secret that will change their family forever. Bea thought she was done with impulsiveness after her roller-coaster marriage to a rock star ended — especially since it gave her her wonderful eleven-year-old daughter, Marisol. But just as she’s beginning to pursue a new love with an old friend, Bea’s ex-husband resurfaces and turns their lives upside down. Then there’s Daisy — sensible, rational, prudent Daisy. She’s never taken a risk in her life — until she meets a man who makes her question everything she thought she knew about love, life and taking chances. In this heartwarming story, Stella, Bea and Daisy will discover that the path to true happiness is filled with twists and turns, but love always leads them back home.

On holiday with friends, the Hardy boys check out the local haunted house. Deterred by screams and the dilapidated house, the group turn towards home. However, a nearly-fatal motor boat chase in the nearby bay causes the Hardy boys to wonder: is the house really haunted, or is there foul play afoot? This is the second book of the Hardy boys series, first published in 1927. It was rewritten in 1959; this Standard Ebook contains the original 1927 text. This book is part of the Standard Ebooks project, which produces free public domain ebooks.

A lively and revealing behind-the-scenes look at the making of one of history's most controversial and influential movies, drawing on exclusive interviews with the cast and crew. “You’ve always been crazy,” says Louise to Thelma, shortly after she locks a police officer in the trunk of his car. “This is just the first chance you’ve had to express yourself.” In 1991, Thelma & Louise, the story of two outlaw women on the run from their disenchanted lives, was a revelation. Suddenly, a film in which women were, in every sense, behind the wheel. It turned the tables on Hollywood, instantly becoming a classic, and continues to electrify audiences as a cultural statement of defiance. But if the film’s place in history now seems certain, at the time its creation was a long shot. Only through sheer hard work and more than a little good luck did the script end up in the hands of the brilliant English filmmaker Ridley Scott, who saw its huge potential. With Scott on board, a team willing to challenge the odds came together—including the stars Geena Davis and Susan Sarandon and a fresh-faced up-and-coming actor named Brad Pitt, as well as legends like actor Harvey Keitel, composer Hans Zimmer, and old-school studio chief Alan Ladd Jr.—to create one of the most controversial movies of all time. But before icons like Davis and Sarandon got involved, Thelma & Louise was just an idea in the head of Callie Khouri, a thirty-year-old music video production manager, who was fed up with working behind the scenes on sleazy sets. At four a.m. one night, sitting in her car outside the ramshackle bungalow in Santa Monica that she shared with two friends, she had a vision: two women on a crime spree, fleeing their dull and tedious lives—lives like hers—in search of a freedom they had never before been able to realize. But in the late 1980s, Hollywood was dominated by men, both on the screen and behind the scenes. The likelihood of a script by an unheard-of screenwriter starring two women in lead roles actually getting made was remote. But Khouri had one thing going for her—she was so inexperienced she didn't really know she would be attempting the nigh impossible. In Off the Cliff, Becky Aikman tells the full extraordinary story behind this feminist sensation, which crashed through barricades and upended convention. Drawing on 130 exclusive interviews with the key players from this remarkable cast of actors, writers, and filmmakers, Aikman tells an inspiring and important underdog story about creativity, the magic of cinema, and the unjust obstacles that women in Hollywood continue to face to this day.

Reknowned historian Roger Chartier, one of the most brilliant and productive of the younger generation of French writers and scholars now at work refashioning the Annales tradition, attempts in this book to analyze the causes of the French revolution not simply by investigating its “cultural origins” but by pinpointing the conditions that “made is possible because conceivable.” Chartier has set himself two important tasks. First, while acknowledging the seminal contribution of Daniel Mornet’s Les origens intellectuelles de la Révolution française (1935), he synthesizes the half-century of scholarship that has created a sociology of culture for Revolutionary France, from education reform through widely circulated printed literature to popular expectations of government and society. Chartier goes beyond Mornet’s work, not be revising that classic text but by raising questions that would not have occurred to its author. Chartier’s second contribution is to reexamine the conventional wisdom that there is a necessary link between the profound cultural transformation of the eighteenth century (generally characterized as the Enlightenment) and the abrupt Revolutionary rupture of 1789. The Cultural Origins of the French Revolution is a major work by one of the leading scholars in the field and is likely to set the intellectual agenda for future work on the subject.

Whether students have read or aspire to read the classics, the most commonly assigned literature is capsulized for everyone to enjoy, including Moby Dick, Old Man and the Sea, A Tale of Two Cities, and Dr. Suess's One Fish, Two Fish, Red Fish, Blue Fish.

The author's life in his cottage in Cornwall, with reminiscences of people known.