"Olivia on the Record tells the story of the founding and development of Olivia Records, a woman-run organization devoted to creating a cultural, social, and economic space for women. Founded by members of the radical feminist Furies collective, Olivia Records was a collectively run organization that promoted and distributed women's music--featuring artists such as Meg Christianson, Linda Tillery, and Cris Williamson. The author is one of the founders of Olivia Records, and the story she tells is about an organization that represents some of the political zeitgeist of the 1970s. The story begins with an account of the work of the Furies, and moves into the founding of Olivia. The history related here speaks to issues of class, race, sexuality, and gender identity that continue to be profoundly contentious. Efforts to have a diverse collective along lines of class and race, and to produce diverse women's music were part of that"--

After her four kids were nearly grown and she was about to turn 50, Phoebe Snetsinger was told she had less than a year to live. Snetsinger, a St. Louis housewife and avid backyard birder, decided to spend that year traveling the world in search of birds. As it turned out, her doctors were wrong, but Phoebe's passion had been ignited and she spent the next eighteen years crisscrossing the globe recklessly staking out her quarry. En route she contracted malaria in Zambia, nearly fell to her death in Zaire, and was kidnapped and gang raped on the outskirts of Port Moresby. Yet none of this curbed her enthusiasm. By the time she died in a bus accident while birding in Madagascar in 1999, Phoebe was world renowned and had seen more species-8,500 of the roughly 10,000-than anyone in history. A fascinating portrait of a hobbiest whose obsession contributed to both her success and her demise, Life List brings Phoebe Snetsinger and the wild world of amatuer ornithology to vivid life.

"Astute and consistently surprising critic" (NPR) Olivia Laing investigates the body and its discontents through the great freedom movements of the twentieth century. The body is a source of pleasure and of pain, at once hopelessly vulnerable and radiant with power. In her ambitious, brilliant sixth book, Olivia Laing charts an electrifying course through the long struggle for bodily freedom, using the life of the renegade psychoanalyst Wilhelm Reich to explore gay rights and sexual liberation, feminism, and the civil rights movement. Drawing on her own experiences in protest and alternative medicine, and traveling from Weimar Berlin to the prisons of McCarthy-era America, Laing grapples with some of the most significant and complicated figures of the past century—among them Nina Simone, Christopher Isherwood, Andrea Dworkin, Sigmund Freud, Susan Sontag, and Malcolm X. Despite its many burdens, the body remains a source of power, even in an era as technologized and automated as our own. Arriving at a moment in which basic bodily rights are once again imperiled, Everybody is an investigation into the forces arranged against freedom and a celebration of how ordinary human bodies can resist oppression and reshape the world.

"This was a one-sitting, not-move-out-of-my-seat read for me." - USA Today Winner, IBPA Gold Medal for Romance A track star with nothing to lose. A college coach who may lose everything to save her. Will Langstrom has too many responsibilities, and the last thing he needs is Olivia Finnegan, a beautiful but troubled new transfer student. Olivia is her own worst enemy, with a smart mouth and a past she can't seem to escape, and the last person she wants help from is a cocky track coach she can never seem to please. Refusing to be pushed away, Will is determined to save her...and determined to resist an attraction that could destroy them both. "I loved everything about this story and after that perfect--the kind of perfect that had me in tears--epilogue, I knew the only way to rate Waking Olivia is 5 COMPLETE Stars." -Lydia's Romance "I was told by other bloggers that I would love this book. I knew it had to be a great new adult novel, but I had no idea what I was in store for. Waking Olivia was amazing!" - A Novel Glimpse "I can't remember the last time that a book hooked me the way this one did. It's not often that you love both the main characters so fiercely."-Becca Reads a Lot "10 Stars! This is now one of my favorites and I'm pretty sure Elizabeth O'Roark is now one of my favorite authors."-Book Lovers Have More Fun "Blown away by this book ... on edge the whole time. Hope you all fall in love with Liv and Will like I did."-Book Lovers Down Under

'I couldn't put it down' – Sally Rooney, author of Normal People Kathy is a writer. Kathy is getting married. It’s the summer of 2017 and the whole world is falling apart. Kathy spends the first summer of her forties trying to adjust to making a lifelong commitment – marriage. But it’s not only Kathy who is changing. Political, social and natural landscapes are all in peril. Fascism is on the rise, truth is dead, the planet is hotting up. Is it really worth learning to love when the end of the world is nigh? And how do you make art, let alone a life, when it could all end at any moment? From a Tuscan hotel for the super-rich to a politically-paralysed UK, Olivia Laing's first novel is a love letter, inspired by the life and work of Kathy Acker. It is a blistering rewire of the form and a brilliant, funny and emphatically raw account of love in the apocalypse. '[Crudo] will blow you away' – Deborah Levy, author of Hot Milk Winner of the James Tait Black Prize for Fiction Shortlisted for the Goldsmith's Prize and the Gordon Burn Prize

The Business of Emotions in Modern History shows how businesses, from individual entrepreneurs to family firms and massive corporations, have relied on, leveraged, generated and been shaped by emotions for centuries. With a broad temporal and global coverage, ranging from the early modern era to the present day in Africa, Asia, Europe and North America, the essays in this volume highlight the rich potential for studying emotions and business in tandem. In exploring how emotions and emotional situations affect business, and in turn how businesses affect the emotional lives of individuals and communities, this book allows us to recognise the emotional structures behind business decisions and relationships, and how to question them. From emotional labour in family firms, to affective corporate paternalism and the role of specific emotions such as trust, fear, anxiety love and nostalgia in creating economic connections, this book opens a rich new avenue of research for both the history of emotions and business history.

Women in Audio features almost 100 profiles and stories of audio engineers who are women and have achieved success throughout the history of the trade. Beginning with a historical view, the book covers the achievements of women in various audio professions and then focuses on organizations that support and train women and girls in the industry. What follows are eight chapters divided by discipline, highlighting accomplished women in various audio fields: radio; sound for film and television; music recording and electronic music; hardware and software design; acoustics; live sound and sound for theater; education; audio for games, virtual reality, augmented reality, and mixed reality, as well as immersive sound. Women in Audio is a valuable resource for professionals, educators, and students looking to gain insight into the careers of trailblazing women in audio-related fields and represents required reading for those looking to add diversity to their music technology programs.