Olivia is waiting impatiently to tell her best friends the good news about the highwire act -- it's been picked to perform in New York for a night! But her friends have news of their own... Olivia loses herself in learning the trapeze, while Tom begins his West End stage career in The Sound of Music. But weird things keep happening, and soon Tom is on the verge of losing everything he's ever wanted. It wouldn't have anything to do with the return of Katie Wilkes-Cox, would it? In a nail-biting finale, Olivia performs not one but two daring rescues before tragedy strikes... As for Katie, could it be So Long, Farewell ... for ever...

Olivia is sad and lonely and angry -- angry that she's been dumped with her sister eel at her grandmother's school, and angrier still that that school turns out to be a stage school where there's no encouragement for her to do what she loves best: practice her circus skills.

It's show-and-tell time at Olivia's school and she's telling her class about the time she went to the circus and all the performers were sick... so Olivia had to do everything. She tamed the lions, balanced on stilts, juggled and even played the clown. 'Was that true?' Olivia's teacher asks. 'Quite true,' says Olivia. 'Are you sure Olivia?' 'To the best of my recollection,' she says.

It's winter at the Swan Academy, and that means panto! While Olivia practises being the back end of a horse, everyone else is auditioning for a major new movie. Soon the school is full of rivalry and suspicion, nasty tricks and strange mysteries. To lighten the mood, Eel organises a festive ice-skating trip. But as the skaters twirl and leap among the twinkling lights, Olivia realises that the season of goodwill is anything but.

Surely you would like to be immortalised in art, fixed forever in perfection? Sadler's Wells, 1933. I would kill to dance like her. Disciplined and dedicated, Olivia is the perfect ballerina. But no matter how hard she works, she can never match identical twin Clara's charm. I would kill to be with her. As rehearsals intensify for the ballet Coppélia, the girls feel increasingly like they are being watched. And, as infatuation turns to obsession, everything begins to unravel.

Understanding how a multicellular animal develops from a single cell (the fertilized egg) poses one of the greatest challenges in biology today. Development from egg to adult involves the sequential expression of virtually the whole of an organism's genetic instructions both in the mother as she lays down developmental cues in the egg, and in the embryo itself. Most of our present information on the role of genes in development comes from the invertebrate fruit fly, Drosophila. The two authors of this text (amongst the foremost authorities in the world) follow the developmental process from fertilization through the primitive structural development of the body plan of the fly after cleavage into the differentiation of the variety of tissues, organs and body parts that together define the fly. The developmental processes are fully explained throughout the text in the modern language of molecular biology and genetics. This text represents the vital synthesis of the subject that many have been waiting for and it will enable many specific courses in developmental biology and molecular genetics to focus on it. It will appeali to 2nd and 3rd year students in these disciplines as well as in biochemistry, neurobiology and zoology. It will also have widespread appeal among researchers. Authored by one of the foremost authorities in the world. A unique synthesis of the developmental cycle of Drosophila - our major source of information on the role of genes in development. Designed to provide the basis of new courses in developmental biology and molecular genetics at senior undergraduate level. A lucid explanation in the modern language of the science.