Hi! I'm Oliver Tibbs, a mega-ordinary boy from a mega-brilliant family. Sometimes my life gets a little DAB - Dull and Boring so I get creative with the truth at Show and Tell. I guess that's why some people call me Oliver Fibbs! Right now I'm locked in a battle with the evil genius The Boffin, who has turned my nemesis, The Show-off, into a super robot who plans to take over the world! But I'm fighting back with a mega robot of my own! OK, maybe I'm exaggerating . . . but as I keep telling everyone, THEY'RE NOT FIBS, THEY'RE STORIES!

A bumper bind-up of the first two hilarious DANNY BAKER stories (THE WORLD'S BIGGEST BOGEY and THE WORLD'S AWESOMEST AIR-BARF) – plus a sensational new story – THE SILLY OLYMPICS! (100% Unofficial!). Cheer Danny and his friends on as they bravely attempt to break the World Record for Jelly Belly Flopping, Custard Pie Flinging and Picking Up Baked Beans While Wearing Boxing Gloves! The competition is tough, but Danny is determined to hop, skip and boing his way to a gold medal (and a new World Record!).

Includes full descriptions of all Donald Duck, Mickey Mouse, Pluto, and Goofy cartoons; the story of Mickey's birth; the Disney Channel Premiere films and Disney television shows; the Disney parks; Disney Academy Awards and Emmy Awards; the Mouseketeers throughout the years; and details of Disney company personnel and primary actors.

Oliver tells his class a story about how he becomes the hero and save the human race. Everyone loves the stories, but his teacher gives him a detention for telling fibs.

"Five-decade chronicle of television history [covering] ... all daytime programs that aired for three or more weeks on a commercial network between 1947 and 1996, plus 100 nationally syndicated shows from the same period ... . [Includes] cartoons, children's programs, game shows, news shows, soap operas, sports programs, [and] talk shows ... . Provides the dates each show aired, a synosis of its plot, its principal cast members, and other pertinent information"--Back cover.

Since the beginning of television, Westerns have been playing on the small screen. From the mid-1950s until the early 1960s, they were one of TV's most popular genres, with millions of viewers tuning in to such popular shows as Rawhide, Gunsmoke, and Disney's Davy Crockett. Though the cultural revolution of the later 1960s contributed to the demise of traditional Western programs, the Western never actually disappeared from TV. Instead, it took on new forms, such as the highly popular Lonesome Dove and Deadwood, while exploring the lives of characters who never before had a starring role, including anti-heroes, mountain men, farmers, Native and African Americans, Latinos, and women. Shooting Stars of the Small Screen is a comprehensive encyclopedia of more than 450 actors who received star billing or played a recurring character role in a TV Western series or a made-for-TV Western movie or miniseries from the late 1940s up to 2008. Douglas Brode covers the highlights of each actor's career, including Western movie work, if significant, to give a full sense of the actor's screen persona(s). Within the entries are discussions of scores of popular Western TV shows that explore how these programs both reflected and impacted the social world in which they aired. Brode opens the encyclopedia with a fascinating history of the TV Western that traces its roots in B Western movies, while also showing how TV Westerns developed their own unique storytelling conventions.

Cyberspace is everywhere in today’s world and has significant implications not only for global economic activity, but also for international politics and transnational social relations. This compilation addresses for the first time the “cyberization” of international relations - the growing dependence of actors in IR on the infrastructure and instruments of the internet, and the penetration of cyberspace into all fields of their activities. The volume approaches this topical issue in a comprehensive and interdisciplinary fashion, bringing together scholars from disciplines such as IR, security studies, ICT studies and philosophy as well as experts from everyday cyber-practice. In the first part, concepts and theories are presented to shed light on the relationship between cyberspace and international relations, discussing implications for the discipline and presenting fresh and innovative theoretical approaches. Contributions in the second part focus on specific empirical fields of activity (security, economy, diplomacy, cultural activity, transnational communication, critical infrastructure, cyber espionage, social media, and more) and address emerging challenges and prospects for international politics and relations.