Reprint of the original, first published in 1882.

'A Brother To Dragons and Other Old-time Tales' is a collection of three tales by the American author Amélie Rives. The collection features stories of dragons, a farrier lass, and Nurse Crumpet telling a tale. Rives, described as a genius and morbidly sensitive, weaves tales of fantasy and wonder, enchanting readers with her imaginative storytelling.

It concerned the family ghost, which ghost was said to haunt a certain blue chamber in the east wing of the castle. Now I myself had never gainsaid these reports; for although I do not believe in ghosts, I have a certain respect for them, as they have never offered me any affront, either by appearing to me or otherwise maltreating me. But Marian, who like many of her sex seemed to consort naturally with banshees, bogies, apparitions, and the like, declared to me that at several different and equally inconvenient times this ghost had presented itself to her, startling her on two occasions to such an extent that she once let fall the contents of the broth-bowl on Herne the blood-hound, thereby causing that beast to maliciously devour two breadths of her new black taffeta Sunday gown; again, a hot iron wherewith she was pressing out the seams of Lady Margaret's night-gown. On the second occasion, she fled along the kitchen hall, shrieking piteously, and preceded by Doll, the kitchen wench, the latter having in her seeming a certain ghostly appearance, as she was clad only in her shift, which the draughts in the hall inflated to a great size. The poor maid fled affrighted into her room and locked the door behind her; yet when I did essay to assuage the terror of Mistress Butter, identifying Doll and the blue-room ghost as one and the same, she thanked me not, but belabored me in her frenzy with the yet warm iron, which she had instinctively snatched up in her flight; demanding of me at the same time if I had ever seen Doll's nose spout fire, and her eyes spit in her head like hot coals. I being of a necessity compelled to reply "No," Marian further told me that it was thus that the ghost had comported itself; that, moreover, it was clad all in a livid blue flame from top to toe, and that it had a banner o' red sarcenet that streamed out behind like forked lightning. She then said that this malevolent spirit had struck her with its blazing hand, and that, did I not believe her, I could see the burn on her wrist. Upon my suggesting that this wound might have been inflicted by the iron in its fall, she did use me in so unwifely a manner that I sought my bed in much wrath and vexation of spirit. Nay, I do fear me that I cursed the day I was wed, the day on which my wife was born, wishing all women to the d—l; and that, moreover, out loud, which put me to much shame afterwards for some days; although, be it said to my still greater shame, it was full a fortnight e'er I confessed my repentance unto the wife whom I had so abused.

In 'LOUISA MAY ALCOTT Ultimate Collection: 16 Novels & 150+ Short Stories, Plays and Poems (Illustrated)', readers are immersed in the diverse literary world created by Louisa May Alcott. Known for her timeless classic 'Little Women', Alcott's collection showcases her ability to capture the essence of life in 19th century America. Her writing style is characterized by its vivid imagery and rich character development, making each story a masterpiece in its own right. The inclusion of illustrations adds an extra layer of depth to the collection, enhancing the reader's experience of Alcott's work. This comprehensive compilation offers a glimpse into the various genres Alcott explored, from novels to short stories, plays, and poems. Through her writings, Alcott sheds light on social issues of her time, making her work both entertaining and thought-provoking. Louisa May Alcott's dedication to her craft and commitment to storytelling shine through in this ultimate collection. Readers will find themselves captivated by her tales and inspired by her literary prowess. Whether you're a fan of classic literature or looking to delve into the works of a renowned author, this collection is a must-read.

Knights and ladies, giants and dragons, tournaments, battles, quests and crusades are commonplace in stories for children. This book examines how late Victorians and Edwardians retold medieval narratives of chivalry--epics, romances, sagas, legends and ballads. Stories of Beowulf, Arthur, Gawain, St. George, Roland, Robin Hood and many more thrilled and instructed children, and encouraged adult reading. Lavish volumes and schoolbooks of the era featured illustrated texts, many by major artists. Children's books, an essential part of Edwardian publishing, were disseminated throughout the English-speaking world. Many are being reprinted today. This book examines related contexts of Medievalism expressed in painting, architecture, music and public celebrations, and the works of major authors, including Sir Walter Scott, Tennyson, Longfellow and William Morris. The book explores national identity expressed through literature, ideals of honor and valor in the years before World War I, and how childhood reading influenced 20th-century writers as diverse as C. S. Lewis, J. R. R. Tolkien, Siegfried Sassoon, David Jones, Graham Greene, Ian Fleming and John Le Carre.