Traditional Southern old-time fiddling from the world-renowned Round Peak area of the Blue Ridge Mountains in North Carolina, focusing on the style and repertoire of master fiddler Tommy Jarrell (1901–1985). Author Brad Leftwich, himself an acclaimed fiddler who learned the music in person from Jarrell, presents detailed, accurate transcriptions of 83 tunes (the bulk of Jarrell's repertoire) both in standard music notation and fiddle tablature, along with interesting anecdotal information relating to each tune. All of the tunes are included on the accompanying CD as transcribed, played solo at a moderate tempo to facilitate learning. Helpful stylistic tips and important background information on the area and the music, along with biographical information on Jarrell and many of the musicians from whom he learned, illustrated with many fascinating old photographs.• Featuring the old-time Round Peak fiddle style and repertoire of Tommy Jarrell• Detailed, accurate transcriptions of 83 tunes in standard notation and tablature• CD including all 83 tunes played solo at moderate tempo• Stylistic tips, photos, and background information on Round Peak music and musicians

This book presents more than 70 tunes in the unique highly developed clawhammer style known as Round Peak -named after the Blue Ridge Mountain, North Carolina community where it originated. While not intended for the absolute beginner, this book will benefit players at various experience levels. Tunes in the book are organized according to the specific banjo tuning used, with A and D tunings most prominent. Much of the book's commentary and the audiodownload recording is directed towards the fretless variant of the 5-string banjo but as these tunes are written in standard 5-string banjo tablature, they can most definitely be played on the more common fretted instrument. Includes tune lyricsand extensive historical and biographical notes plus technical tips and a discography. Written in 5-string banjo tablature only. Audio download availableonline

Wade Ward Clawhammer Banjo Master is a collection of clawhammer banjo tablature as played by Wade Ward, with modern interpretations by Bob Carlin and Dan Levenson. This book is the second in a series of transcriptions of tunes from the old masters-in this case, Wade Ward-who gave definition to our style of old time clawhammer banjo playing. the repertoire, presented in tablature, is intended to be a starting point for your journey through the old time music world. As such, each piece is presented in multiple arrangements, but on the page and on the accompanying audio CD. the recordings are for the most part played at a learning tempo and are close to the written notation but not exact in all cases.

Ken Kolodner's book presents transcriptions with detailed bowings in tandem withthree recorded versions of 35 Appalachian fiddle tunes ranging from some very common and easy tunes (for more beginning players) but also quite a few less typically played tunes. All transcriptions are based on festival versions of the tunes, meaning the versions are those most commonly encountered at jams andfestivals. The book includes a clearly written description of old time style focusingon default bowing systems designed to develop rhythmic bowing. Ideaspresented include Nashville shuffle, 3-1 bowing, bow rocking, ghost bows, anticipations, left-hand ornamentation, drones, chording, dissonances, altered tunings, the concept of swing, tips on learning by ear and more. The tunes are played three times each for nearly 150 minutes of recording: (1.) very slowly and simply; (2.) at a modest tempo and but with double-stops, dronesand other ornaments; and (3.) up-to-tempo. While this effort was designed for fiddlers, the recordings should serve as an excellent source for non-fiddlers at all levels who desire to build their repertoire and practice learning tunes by ear. The book and accompanying MP3 disc are appropriate for any level of player. Thedifficulty of the tunes ranges from simple to relatively complex. Similarly, thebowing techniques include the simplest ideas to relatively difficult. The three recorded speeds make the learning and processing of the tunes appropriate for all levels of players wishing to improve their ear training. and bull; Simple and highly accessible transcriptions with detailed bowings of 35 estival versions of Appalachian fiddle tunes and bull; All tunes are recorded three times to accommodate players at all levels of experience and bull; Includes comprehensive and practical discussion of old-time bowings and style and how to learn by ear and bull; Strong focus on developing default bowings to get the characteristic groove of old-time and bull; Designed for all levels of players and non-fiddlers who desire to improve their learning by ear and/or increase their repertoire

Intermediate-level solos based on 68 fiddling favorites of reels, jigs, hornpipes and all styles of barn-dance tunes is not only interesting and fascinating, it is also very beneficial for the development of technique. As technique studies, in their respective grades, these barn-dance tunes are in a class by themselves. Excellent repertoire. Guitar chords included.

In this generous collection, Nova Scotian fiddler Bill Guest presents standard notation of easy to intermediate-level traditional tunes, some of his own more complex original compositions plus works by twenty-one of his Canadian fiddling contemporaries. The collection offers approximately 120 dance tunes including: waltzes, hornpipes, jigs, polkas, two-steps, airs, breakdowns, reels, swing tunes, and a few 4/4 melodies for slow dancers. “The Irish Washerwoman” is presented in 3 versions with different time signatures, and five selections are arranged as duets. The salient feature of this book, however, is the enjoyment and multifaceted musical perspective gained from playing the work of so many fiddlers from across the vast commonwealth of Canada.

This affordable 5 1/2 by 8 QWIKGUIDE offers 43 traditional fiddle solos in standard notation with chord symbols. Selections include: Arkansas Traveler; Back Up and Push; the Blarney Pilgrim; Beaumont Rag; Bill Cheatham; Billy in the Lowground; Blackberry Blossom; Bonaparte's Retreat; Cotton-eyed Joe; Cripple Creek; Down Yonder; Dill Pickle Rag; Drowsy Maggie; Durham's Bull; Eighth of January; Fisher's Hornpipe; Fire on the Mountain; Garry Owen; Haste to the Wedding; Jolie Blond; Maidens Prayer; and more. the attached CD contains performances of all the tunes in the book.Also available in Japanese from ATN, Inc.